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Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Dr Syntax playing Ninepins, 1812-21 (pen and ink)
Dr Syntax playing Ninepins, 1812-21 (pen and ink)

PFA78094: Dr Syntax playing Ninepins, 1812-21 (pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PFA78094

Dr Syntax playing Ninepins, 1812-21 (pen and ink)

Rowlandson, Thomas (1756-1827)

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174260: Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174260

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174264

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174267

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: SC22710

Hampton Bridge with Punts and Barges (w/c)

Rowlandson, Thomas (1756-1827)

A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)
A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)

STC2562181: A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2562181

A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)

Rowlandson, Thomas (1756-1827)

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174259: St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174259

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174262: Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174262

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214673: Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC214673

Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)

Rowlandson, Thomas (1756-1827)

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174258

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper)
A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper)

CH378073: A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH378073

A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper)

Rowlandson, Thomas (1756-1827)

Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)
Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)

CH378084: Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH378084

Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190613: Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC190613

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

Rowlandson, Thomas (1756-1827)

The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)
The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)

XYC203416: The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC203416

The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)

Rowlandson, Thomas (1756-1827)

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174265: Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174265

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Dr Syntax in the House of Commons, 1820 (engraving)
Dr Syntax in the House of Commons, 1820 (engraving)

BBC211030: Dr Syntax in the House of Commons, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BBC211030

Dr Syntax in the House of Commons, 1820 (engraving)

Rowlandson, Thomas (1756-1827)

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC209606

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

Rowlandson, Thomas (1756-1827)

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)
Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

STC171107: Hampton Court Palace, The Garden Front, 1859 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC171107

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

Rowlandson, Thomas (1756-1827)

The Picnic (w/c on paper)
The Picnic (w/c on paper)

XYC239817: The Picnic (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC239817

The Picnic (w/c on paper)

Rowlandson, Thomas (1756-1827)

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)
Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

STC2962509: Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962509

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)
Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

STC2966875: Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2966875

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

'Dr Syntax and the bees'
'Dr Syntax and the bees'

XLF3781176: 'Dr Syntax and the bees', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781176

'Dr Syntax and the bees'

Rowlandson, Thomas (1756-1827)

'Dr Syntax setting out in search of a wife'
'Dr Syntax setting out in search of a wife'

XLF3781187: 'Dr Syntax setting out in search of a wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781187

'Dr Syntax setting out in search of a wife'

Rowlandson, Thomas (1756-1827)

'The banns forbidden'
'The banns forbidden'

XLF3781191: 'The banns forbidden', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781191

'The banns forbidden'

Rowlandson, Thomas (1756-1827)

'Death of Punch'
'Death of Punch'

XLF3781202: 'Death of Punch', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781202

'Death of Punch'

Rowlandson, Thomas (1756-1827)

'Dr Syntax soliloquising'
'Dr Syntax soliloquising'

XLF3781189: 'Dr Syntax soliloquising', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781189

'Dr Syntax soliloquising'

Rowlandson, Thomas (1756-1827)

'Dr Syntax received by the maid instead of the mistress'
'Dr Syntax received by the maid instead of the mistress'

XLF3781201: 'Dr Syntax received by the maid instead of the mistress', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781201

'Dr Syntax received by the maid instead of the mistress'

Rowlandson, Thomas (1756-1827)

The Reverend Doctor Syntax
The Reverend Doctor Syntax

XLF3781136: The Reverend Doctor Syntax, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781136

The Reverend Doctor Syntax

Rowlandson, Thomas (1756-1827)

'Dr Syntax lamenting the loss of his wife'
'Dr Syntax lamenting the loss of his wife'

XLF3781166: 'Dr Syntax lamenting the loss of his wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781166

'Dr Syntax lamenting the loss of his wife'

Rowlandson, Thomas (1756-1827)

Greenwich watercolour
Greenwich watercolour

XLF3793567: Greenwich watercolour, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3793567

Greenwich watercolour

Rowlandson, Thomas (1756-1827)

Six Stages of Mending a Face, 1792 (etching)
Six Stages of Mending a Face, 1792 (etching)

XJF869675: Six Stages of Mending a Face, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF869675

Six Stages of Mending a Face, 1792 (etching)

Rowlandson, Thomas (1756-1827)

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)
A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XOS3038279

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

Rowlandson, Thomas (1756-1827)

Light-Horse Cavalry Barracks (w/c & pen & ink on paper)
Light-Horse Cavalry Barracks (w/c & pen & ink on paper)

XYC226637: Light-Horse Cavalry Barracks (w/c & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC226637

Light-Horse Cavalry Barracks (w/c & pen & ink on paper)

Rowlandson, Thomas (1756-1827)

The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)
The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)

XYC229198: The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC229198

The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)

Rowlandson, Thomas (1756-1827)

Fillial Affection, or A Trip to Gretna Green, 1780s (litho)
Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF437534

Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

Rowlandson, Thomas (1756-1827)

Checkmate, c.1790 (w/c & ink over graphite on paper)
Checkmate, c.1790 (w/c & ink over graphite on paper)

XYC249725: Checkmate, c.1790 (w/c & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC249725

Checkmate, c.1790 (w/c & ink over graphite on paper)

Rowlandson, Thomas (1756-1827)


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