Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Post Chaise
The Post Chaise

AGN51053: The Post Chaise, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Restoration Dressing Room c.1789
Restoration Dressing Room c.1789

SC26339: Restoration Dressing Room c.1789, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Inn Interior (w/c on paper) (see also NP 125704)
Inn Interior (w/c on paper) (see also NP 125704)

BKB100476: Inn Interior (w/c on paper) (see also NP 125704), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at a card party'
'Dr Syntax at a card party'

XLF3781196: 'Dr Syntax at a card party', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax and the gypsies'
'Dr Syntax and the gypsies'

XLF3781164: 'Dr Syntax and the gypsies', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The advertisement for a wife'
'The advertisement for a wife'

XLF3781206: 'The advertisement for a wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax pursued by a bull'
'Dr Syntax pursued by a bull'

XLF3781146: 'Dr Syntax pursued by a bull', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at Freemason's Hall'
'Dr Syntax at Freemason's Hall'

XLF3781186: 'Dr Syntax at Freemason's Hall', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Humbugging or Raising the Devil, 1800 (lithograph)
Humbugging or Raising the Devil, 1800 (lithograph)

XIR176278: Humbugging or Raising the Devil, 1800 (lithograph), Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)
La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)

XYC150255: La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper)
A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper)

XYC283578: A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cheating at Cards (w/c with pen & ink on paper)
Cheating at Cards (w/c with pen & ink on paper)

XYC281122: Cheating at Cards (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper)
A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper)

CH378075: A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vauxhall Gardens  by
Vauxhall Gardens  by

XLE3747611: Vauxhall Gardens by, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving)
A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98387: A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries off a Virago from a house while a nightwatchman with lantern looks on. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a Virago from a house while a nightwatchman with lantern looks on. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690508: The skeleton of Death carries off a Virago from a house while a nightwatchman with lantern looks on. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mishap, 1806 (pen, brown ink & w/c on paper)
The Mishap, 1806 (pen, brown ink & w/c on paper)

CH378083: The Mishap, 1806 (pen, brown ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Broadstairs (pencil, pen and grey ink and watercolour)
Broadstairs (pencil, pen and grey ink and watercolour)

CH651902: Broadstairs (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Love letter, c.1790 (pen & ink and w/c on paper)
The Love letter, c.1790 (pen & ink and w/c on paper)

XYC234028: The Love letter, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Country (w/c on paper)
Four O'Clock in the Country (w/c on paper)

NWP132610: Four O'Clock in the Country (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)
A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)

CEC43146: A Group of Antiquaries, c.1805 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798
Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

GHL16919: Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Smithfield Market, 1810 (w/c on paper)
Smithfield Market, 1810 (w/c on paper)

GHL100933: Smithfield Market, 1810 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125753: "Pleasure First, Pay Later", 1812 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Duet (w/c)
The Duet (w/c)

DEC84547: The Duet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Devonshire House, Piccadilly (w/c on paper)
Devonshire House, Piccadilly (w/c on paper)

CWA124817: Devonshire House, Piccadilly (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)
Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

BAC155884: Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Private Concert, plate 2 from the series
A Private Concert, plate 2 from the series

DMW937620: A Private Concert, plate 2 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Introduction to courtship'
'Introduction to courtship'

XLF3781212: 'Introduction to courtship', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776
The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

BAL20787: The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)
The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

XYC245525: The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hedger and Ditcher (pen & ink and w/c on paper)
The Hedger and Ditcher (pen & ink and w/c on paper)

XYC277134: The Hedger and Ditcher (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)
Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)

CH378081: Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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