Rowlandson, Thomas (1756-1827) Assets (1157 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection
A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection

LZT1012364: A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection
A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012385: A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Marching’, c.1798 (aquatint, sepia)
‘Soldiers Marching’, c.1798 (aquatint, sepia)

NAM5929058: ‘Soldiers Marching’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Cobblers (watercolour and pencil on paper)
At the Cobblers (watercolour and pencil on paper)

XJF696681: At the Cobblers (watercolour and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured)
‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured)

NAM5929584: ‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English Barracks, 1788 (aquatint, coloured)
English Barracks, 1788 (aquatint, coloured)

NAM5929050: English Barracks, 1788 (aquatint, coloured), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bishop and Death (pencil, pen and ink and watercolour)
The Bishop and Death (pencil, pen and ink and watercolour)

CH651903: The Bishop and Death (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Street Musicians, 1823 (pen and ink and watercolour)
Street Musicians, 1823 (pen and ink and watercolour)

CH651936: Street Musicians, 1823 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour)
Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour)

CH651924: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Regatta on the Thames below Westminster, (pen and ink and watercolour)
A Regatta on the Thames below Westminster, (pen and ink and watercolour)

CH651938: A Regatta on the Thames below Westminster, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour)
The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour)

CH651921: The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Brodum and his Assistant as Work Pro Bono Publico (pencil, pen & ink and watercolour on paper)
Dr. Brodum and his Assistant as Work Pro Bono Publico (pencil, pen & ink and watercolour on paper)

CH474186: Dr. Brodum and his Assistant as Work Pro Bono Publico (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint)
The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint)

STC444549: The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fishseller (ink, pencil & watercolour on paper)
The Fishseller (ink, pencil & watercolour on paper)

TW473905: The Fishseller (ink, pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081546: La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving)
The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving)

STC2966884: The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)
Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)

STC2962497: Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving)
Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving)

STC2962500: Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Going, A Going!!, pub. 1813 (hand coloured engraving)
A Going, A Going!!, pub. 1813 (hand coloured engraving)

STC2962515: A Going, A Going!!, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)
The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)

STC2962498: The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)
Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)

STC2962501: Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Frontispiece from The English Dance of Death, pub. 1815 (coloured engraving)
Frontispiece from The English Dance of Death, pub. 1815 (coloured engraving)

STC3715311: Frontispiece from The English Dance of Death, pub. 1815 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Honiton, Devonshire
Honiton, Devonshire

EX17130: Honiton, Devonshire, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Seeking New Accommodation, 1789 (ink and w/c)
Seeking New Accommodation, 1789 (ink and w/c)

PFA60023: Seeking New Accommodation, 1789 (ink and w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Old Church, Newtown, Isle of Wight
Old Church, Newtown, Isle of Wight

CH36593: Old Church, Newtown, Isle of Wight, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hindoo Incantations, A View in Elephanta, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Hindoo Incantations, A View in Elephanta, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190614: Hindoo Incantations, A View in Elephanta, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving)
Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving)

GHL190757: Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Stolen Kiss (w/c on paper)
A Stolen Kiss (w/c on paper)

BOU202932: A Stolen Kiss (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Weighing and Rubbing Down' and 'The Betting Post', c.1789 (litho)
'Weighing and Rubbing Down' and 'The Betting Post', c.1789 (litho)

XZL151184: 'Weighing and Rubbing Down' and 'The Betting Post', c.1789 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Richardson's Theatre, published by Ackermann's (coloured engraving)
Richardson's Theatre, published by Ackermann's (coloured engraving)

XZL151578: Richardson's Theatre, published by Ackermann's (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper)
Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper)

XYC158077: Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Worn Out Debaucher, c.1790-95 (pen and ink and w/c on laid paper)
A Worn Out Debaucher, c.1790-95 (pen and ink and w/c on laid paper)

XYC151481: A Worn Out Debaucher, c.1790-95 (pen and ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving)
Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving)

STC2562164: Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature of the fashion for large hats, 1786 (coloured engraving)
Caricature of the fashion for large hats, 1786 (coloured engraving)

CHT171326: Caricature of the fashion for large hats, 1786 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Looking at the Comet till you get a Criek in the Neck, 1811 (hand-coloured engraving)
Looking at the Comet till you get a Criek in the Neck, 1811 (hand-coloured engraving)

STC740534: Looking at the Comet till you get a Criek in the Neck, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

John Bull at the Opera, 1803 (pencil, pen and ink and watercolour)
John Bull at the Opera, 1803 (pencil, pen and ink and watercolour)

CH824110: John Bull at the Opera, 1803 (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top