Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)
The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)

BAL40159: The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Laurence Sterne - 'Sentimental
Laurence Sterne - 'Sentimental

XLA3769486: Laurence Sterne - 'Sentimental, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000030: Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690374: The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor's Consultation, 1815-1820 (pen and ink and w/c over graphite on paper)
The Doctor's Consultation, 1815-1820 (pen and ink and w/c over graphite on paper)

XYC309852: The Doctor's Consultation, 1815-1820 (pen and ink and w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper)
Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper)

XYC234021: Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hazard Room (watercolour)
The Hazard Room (watercolour)

BAL5328: The Hazard Room (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Duchess of Devonshire and her Sister, the Countess of Bessborough (w/c with pen and black ink over pencil on paper)
The Duchess of Devonshire and her Sister, the Countess of Bessborough (w/c with pen and black ink over pencil on paper)

XYC146395: The Duchess of Devonshire and her Sister, the Countess of Bessborough (w/c with pen and black ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper)
Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper)

XYC159606: Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A little bigger, 1791 (watercolour)
A little bigger, 1791 (watercolour)

FIA5329901: A little bigger, 1791 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at Covent Garden Theatre, London (coloured engraving)
Dr Syntax at Covent Garden Theatre, London (coloured engraving)

LLJ586446: Dr Syntax at Covent Garden Theatre, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Subscription Club Room (pen & ink and w/c on paper)
The Subscription Club Room (pen & ink and w/c on paper)

AGN271135: The Subscription Club Room (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Fencing Match, 1788 (coloured engraving)
A Fencing Match, 1788 (coloured engraving)

BSA266472: A Fencing Match, 1788 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Hitt at Backgammon (coloured etching)
A Hitt at Backgammon (coloured etching)

GHL44241: A Hitt at Backgammon (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax sketching after nature
Dr. Syntax sketching after nature

SC14457: Dr. Syntax sketching after nature, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Description of a Boxing Match, 1812 (colour engraving)
Description of a Boxing Match, 1812 (colour engraving)

CHT221626: Description of a Boxing Match, 1812 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Syntax Star-gazing, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Syntax Star-gazing, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213548: Syntax Star-gazing, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Affectionate Farewell or, Kick for Kick, published by R. Ackermann, 17th April 1814 (coloured engraving)
The Affectionate Farewell or, Kick for Kick, published by R. Ackermann, 17th April 1814 (coloured engraving)

CHT217255: The Affectionate Farewell or, Kick for Kick, published by R. Ackermann, 17th April 1814 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125721: "Four o'Clock in the Country", pub. 1788 (coloured etching with aquatint) (pair of 125720), Rowlandson, Thomas (1756-1827) / Bridgeman Images

CWA124843: "The Covent Garden Night Mare", pub. by W. Humphrey, 1784 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.1732 A French Coffee House (pen and ink, w/c)
No.1732 A French Coffee House (pen and ink, w/c)

FIT89111: No.1732 A French Coffee House (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dutch Merchants, 1796 (colour litho and w/c on paper)
Dutch Merchants, 1796 (colour litho and w/c on paper)

LMG139555: Dutch Merchants, 1796 (colour litho and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in a court of justice'
'Dr Syntax in a court of justice'

XLF3781175: 'Dr Syntax in a court of justice', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with a blue stocking beauty'
'Dr Syntax with a blue stocking beauty'

XLF3781190: 'Dr Syntax with a blue stocking beauty', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax - rural sports'
'Dr Syntax - rural sports'

XLF3781155: 'Dr Syntax - rural sports', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'A noble hunting party'
'A noble hunting party'

XLF3781204: 'A noble hunting party', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Chess Players'
'The Chess Players'

XLF3781503: 'The Chess Players', Rowlandson, Thomas (1756-1827) / Bridgeman Images

CBE86185: "I could have travelled much cheaper by the opposition coach" (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

We Three Logger-Heads Be, c.1805 (ink, pencil & w/c on paper)
We Three Logger-Heads Be, c.1805 (ink, pencil & w/c on paper)

TW474088: We Three Logger-Heads Be, c.1805 (ink, pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Filial Piety!, 1788 (hand-coloured etching)
Filial Piety!, 1788 (hand-coloured etching)

ROC6952549: Filial Piety!, 1788 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760707: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mishap, 1806 (pen, brown ink & w/c on paper)
The Mishap, 1806 (pen, brown ink & w/c on paper)

CH378083: The Mishap, 1806 (pen, brown ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Broadstairs (pencil, pen and grey ink and watercolour)
Broadstairs (pencil, pen and grey ink and watercolour)

CH651902: Broadstairs (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving)
A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98387: A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vauxhall Gardens  by
Vauxhall Gardens  by

XLE3747611: Vauxhall Gardens by, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Love letter, c.1790 (pen & ink and w/c on paper)
The Love letter, c.1790 (pen & ink and w/c on paper)

XYC234028: The Love letter, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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