Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Monkey Tricks, c.1800 (pen and ink with w/c on paper)
Monkey Tricks, c.1800 (pen and ink with w/c on paper)

AAH101936: Monkey Tricks, c.1800 (pen and ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)
Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)

NP125728: Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125748: "The Thickest Block of the Three", 1812 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter (pen, w/c & pencil on paper)
The South Gate, Exeter (pen, w/c & pencil on paper)

NP125759: The South Gate, Exeter (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Huntsman rising (w/c on paper)
A Huntsman rising (w/c on paper)

OJ451914: A Huntsman rising (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cheyne Walk, Chelsea (pen & ink and w/c on paper)
Cheyne Walk, Chelsea (pen & ink and w/c on paper)

MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Passing Flirtation (pen, grey ink & w/c on paper)
A Passing Flirtation (pen, grey ink & w/c on paper)

SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A wagon and horses passing a family on a wayside (pen & ink and wash on paper)
A wagon and horses passing a family on a wayside (pen & ink and wash on paper)

SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309565: The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Association: Advance Arms (coloured engraving)
Clerkenwell Association: Advance Arms (coloured engraving)

LLJ604117: Clerkenwell Association: Advance Arms (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)
Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)

LLJ611060: Placard. Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia (coloured engraving)
The Scold, with news of Olivia (coloured engraving)

STC810270: The Scold, with news of Olivia (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)
The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)

STC779964: The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection
The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection

LZT1012365: The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection
Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012373: Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection
The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection

LZT1012382: The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection
Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection

LZT1012387: Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection
A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection

LZT1012361: A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection
Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012380: Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)
Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)

GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Introduction, 1800 (w/c on paper)
The Introduction, 1800 (w/c on paper)

SAG186640: The Introduction, 1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two Musicians, c.1774 (w/c on paper)
Two Musicians, c.1774 (w/c on paper)

CEC128115: Two Musicians, c.1774 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sleepy Congregation (ink & w/c on paper)
A Sleepy Congregation (ink & w/c on paper)

NP125705: A Sleepy Congregation (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125752: "Captain Squander, Bang up to the Mark" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Picnic on Dartmoor (pen & ink and w/c on paper)
A Picnic on Dartmoor (pen & ink and w/c on paper)

LMG109249: A Picnic on Dartmoor (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214673: Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Walnuts to pickle (coloured engraving)
Walnuts to pickle (coloured engraving)

LLJ558301: Walnuts to pickle (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Flounders (coloured engraving)
Flounders (coloured engraving)

LLJ558356: Flounders (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rhubarb (coloured engraving)
Rhubarb (coloured engraving)

LLJ558336: Rhubarb (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earthen-ware (coloured engraving)
Earthen-ware (coloured engraving)

LLJ558360: Earthen-ware (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coal-heavers (coloured engraving)
Coal-heavers (coloured engraving)

LLJ558324: Coal-heavers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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