Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
XYC226637: Light-Horse Cavalry Barracks (w/c & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC239815: Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC158051: A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC203416: The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF869675: Six Stages of Mending a Face, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PVD1681047: A flat between two sharps, 1803 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204076: Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204085: Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
WHT161696: The Stud Farm, 1786 (w/c and pen and ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ABT143133: The Rabbit Merchant (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204086: The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC238962: A Village Scene with Figures and Ruined Buildings (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234023: The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC249725: Checkmate, c.1790 (w/c & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC245524: The Return of the Fleet to Great Yarmouth after the Defeat of the Dutch in 1797, c.1797 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC308409: Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666922: Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666939: Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4997465: Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4997467: Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760684: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690182: Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690259: The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690328: The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690452: The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690368: The skeleton of Death joins a group of suitors for fair heiress Belinda, and defeats the lawyer, doctor, parson, Quaker, colonel and baronet for the prize. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690582: Shower Bath: women taking a cold shower in a bathroom hiding their modesty from a male intruder, 19th century. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690485: The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690264: The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images