Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997467: Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999594: Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.
Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

FLO4999805: Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999844: Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989326: Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)
Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)

NCO191728: Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving)
Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving)

GHL190757: Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Talk Me Dead Fellow (pen & ink with wash on paper)
A Talk Me Dead Fellow (pen & ink with wash on paper)

BOU2601861: A Talk Me Dead Fellow (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Raucous Lunch at a Country House (ink & colour wash on paper)
A Raucous Lunch at a Country House (ink & colour wash on paper)

BOU2601947: A Raucous Lunch at a Country House (ink & colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Oyster Stall (pen & brown ink with wash on paper)
The Oyster Stall (pen & brown ink with wash on paper)

BOU2601860: The Oyster Stall (pen & brown ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Stolen Kiss (w/c on paper)
A Stolen Kiss (w/c on paper)

BOU202932: A Stolen Kiss (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young Ladies, boarded and educated, 1803 (w/c)
Young Ladies, boarded and educated, 1803 (w/c)

MOL58390: Young Ladies, boarded and educated, 1803 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Visits Harrowgate (sic) from the Dr. Syntax series, 1812-21
The Doctor Visits Harrowgate (sic) from the Dr. Syntax series, 1812-21

HAG38251: The Doctor Visits Harrowgate (sic) from the Dr. Syntax series, 1812-21, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Richmond Bridge (w/c, pen & ink on paper)
Richmond Bridge (w/c, pen & ink on paper)

MOL134385: Richmond Bridge (w/c, pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125734: "French Travelling, or The First Stage from Calais", aquatinted by Francis Jukes (1747-1812), pub. by T. Smith, 1785 (coloured etching with aquatint) (pair of 125733), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125710: "Englishmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125711), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stag Hunt (pen & w/c on paper)
The Stag Hunt (pen & w/c on paper)

NP125738: The Stag Hunt (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A View on the Isle of Wight (w/c on paper)
A View on the Isle of Wight (w/c on paper)

AGN270944: A View on the Isle of Wight (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper)
Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper)

UCL284479: Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 1 from the series
The Morning Ride, plate 1 from the series

DMW937623: The Morning Ride, plate 1 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, plate 4 from the series
The Fish Market, plate 4 from the series

DMW937622: The Fish Market, plate 4 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pump Room, plate 3 from the series
The Pump Room, plate 3 from the series

DMW937621: The Pump Room, plate 3 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saloop (coloured engraving)
Saloop (coloured engraving)

LLJ558311: Saloop (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweeps (coloured engraving)
Sweeps (coloured engraving)

LLJ558347: Sweeps (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billet Doux (coloured engraving)
Billet Doux (coloured engraving)

LLJ558321: Billet Doux (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Peep at the comet (coloured engraving)
Peep at the comet (coloured engraving)

LLJ558345: Peep at the comet (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fishseller (ink, pencil & watercolour on paper)
The Fishseller (ink, pencil & watercolour on paper)

TW473905: The Fishseller (ink, pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax at an auction (coloured engraving)
Doctor Syntax at an auction (coloured engraving)

LLJ604655: Doctor Syntax at an auction (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Cavalry (coloured engraving)
Clerkenwell Cavalry (coloured engraving)

LLJ604118: Clerkenwell Cavalry (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

General view of the interior of the Chelsea Hospital (coloured engraving)
General view of the interior of the Chelsea Hospital (coloured engraving)

LLJ605266: General view of the interior of the Chelsea Hospital (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309569: The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309566: The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125722: "'Tis not Antiques Alone can Please the Eye", pub. by T. Smith, 1786 (sepia etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125714: "A Little Bigger", pub. by S.W. Fores, 1791 (coloured etching) (pair of 125715), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Love and Law (w/c on paper)
Love and Law (w/c on paper)

THB3076385: Love and Law (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection
The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection

LZT1012377: The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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