Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving)
'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving)

CHT173795: 'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper)
The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98397: The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint)
Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint)

VIB7135179: Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760704: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690144: The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690467: The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690191: The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The English Dance of Death, 1815 (lithograph)
The English Dance of Death, 1815 (lithograph)

FLO4690104: The English Dance of Death, 1815 (lithograph), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rout at the Dowager Duchess of Portland, 1811
Rout at the Dowager Duchess of Portland, 1811

MOL1320: Rout at the Dowager Duchess of Portland, 1811, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax tumbling into the water'
'Dr Syntax tumbling into the water'

XLF3781149: 'Dr Syntax tumbling into the water', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The billiard table'
'The billiard table'

XLF3781194: 'The billiard table', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax copying the wit of the window'
'Dr Syntax copying the wit of the window'

XLF3781142: 'Dr Syntax copying the wit of the window', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax made free of the cellar'
'Dr Syntax made free of the cellar'

XLF3781152: 'Dr Syntax made free of the cellar', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax and his counterpart'
'Dr Syntax and his counterpart'

XLF3781162: 'Dr Syntax and his counterpart', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax visits a boarding school'
'Dr Syntax visits a boarding school'

XLF3781180: 'Dr Syntax visits a boarding school', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Social Day, 1812 (watercolour over pencil and pen & ink with wash on paper)
The Social Day, 1812 (watercolour over pencil and pen & ink with wash on paper)

WGL828733: The Social Day, 1812 (watercolour over pencil and pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808
The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808

PCT5953916: The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Scene in a Farce called the Quaker, 1783 (pen & wash)
Scene in a Farce called the Quaker, 1783 (pen & wash)

DNE6200207: Scene in a Farce called the Quaker, 1783 (pen & wash), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Game of Dice (oil on canvas)
A Game of Dice (oil on canvas)

CH378076: A Game of Dice (oil on canvas), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travellers on the road (pen & ink, wash and pencil on paper)
Travellers on the road (pen & ink, wash and pencil on paper)

SFA413835: Travellers on the road (pen & ink, wash and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Midwife going to a Labour, pub. 1811 (hand coloured engraving)
A Midwife going to a Labour, pub. 1811 (hand coloured engraving)

STC2962516: A Midwife going to a Labour, pub. 1811 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries of London - the Thames at Wapping (w/c)
Miseries of London - the Thames at Wapping (w/c)

GHL61927: Miseries of London - the Thames at Wapping (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)
The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)

BAL40159: The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810
'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810

BRO43299: 'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)
The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)

NCO190485: The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Visit from the Doctor's Assistant, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Last Visit from the Doctor's Assistant, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190617: Last Visit from the Doctor's Assistant, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)
Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)

STC3239914: Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Market, c.1795-1810 (pen and ink, watercolour and pencil on wove paper)
Covent Garden Market, c.1795-1810 (pen and ink, watercolour and pencil on wove paper)

XYC145673: Covent Garden Market, c.1795-1810 (pen and ink, watercolour and pencil on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814
'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814

GHL40028: 'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814, Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Theatre, In the Pit (pen, watercolour & pencil on paper)
At the Theatre, In the Pit (pen, watercolour & pencil on paper)

NP125745: At the Theatre, In the Pit (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)
The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)

STC115411: The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Arms, Dorchester (pen & ink and w/c on paper)
The King's Arms, Dorchester (pen & ink and w/c on paper)

FIT282913: The King's Arms, Dorchester (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chemical Lectures, c.1809 (engraving)
Chemical Lectures, c.1809 (engraving)

XJF308091: Chemical Lectures, c.1809 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)
Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)

XYC250014: Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309561: Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Bramble's Trip to Bath: Arrival at Bath (watercolour, pen & ink and pencil on paper laid on mount)
Matthew Bramble's Trip to Bath: Arrival at Bath (watercolour, pen & ink and pencil on paper laid on mount)

XYC237804: Matthew Bramble's Trip to Bath: Arrival at Bath (watercolour, pen & ink and pencil on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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