Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309566: The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309569: The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Horse Trader, 1816 (w/c and ink on paper)
The Horse Trader, 1816 (w/c and ink on paper)

BSA266823: The Horse Trader, 1816 (w/c and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Paris Diligence (pen & ink and w/c on paper)
The Paris Diligence (pen & ink and w/c on paper)

XYC239816: The Paris Diligence (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213547: The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213545: The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Launching of H.M.S. 'Hibernia' at Devonport, c.1804 (pen & ink & w/c on paper)
The Launching of H.M.S. 'Hibernia' at Devonport, c.1804 (pen & ink & w/c on paper)

XYC234036: The Launching of H.M.S. 'Hibernia' at Devonport, c.1804 (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Customs House at Boulogne - verso: Graphite Sketch of Horses, Carriages and Buildings (pen & ink & w/c on paper)
The Customs House at Boulogne - verso: Graphite Sketch of Horses, Carriages and Buildings (pen & ink & w/c on paper)

XYC234968: The Customs House at Boulogne - verso: Graphite Sketch of Horses, Carriages and Buildings (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081517: Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

City Courtship, pub. 1786 (hand coloured engraving)
City Courtship, pub. 1786 (hand coloured engraving)

STC2962508: City Courtship, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving)
Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving)

STC2962517: Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Preaching
Dr. Syntax Preaching

BAL42745: Dr. Syntax Preaching, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century
Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century

LSE4084496: Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Raucous Lunch at a Country House (ink & colour wash on paper)
A Raucous Lunch at a Country House (ink & colour wash on paper)

BOU2601947: A Raucous Lunch at a Country House (ink & colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pays a Nocturnal Visit to Dungaree, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Pays a Nocturnal Visit to Dungaree, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190615: Pays a Nocturnal Visit to Dungaree, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)
Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)

NCO191728: Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper)
A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper)

XYC286495: A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bucks of the First Head, cartoon of Oxford undergraduates
Bucks of the First Head, cartoon of Oxford undergraduates

BAL3866: Bucks of the First Head, cartoon of Oxford undergraduates, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Irish Steam Packet (pencil, pen & brown ink and watercolour on paper)
The Irish Steam Packet (pencil, pen & brown ink and watercolour on paper)

CH20825: The Irish Steam Packet (pencil, pen & brown ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place, 1790 (w/c)
The Market Place, 1790 (w/c)

TBM350436: The Market Place, 1790 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gamester Going to Bed (w/c with pen & ink on paper)
The Gamester Going to Bed (w/c with pen & ink on paper)

CBE204078: The Gamester Going to Bed (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Public Breakfast (pen & ink and w/c on paper)
A Public Breakfast (pen & ink and w/c on paper)

CBE204081: A Public Breakfast (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)
The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98396: The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On The Thames (pen and ink, w/c)
On The Thames (pen and ink, w/c)

CBE85850: On The Thames (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Molly Moggs and the Vicar (pen and ink, w/c)
Molly Moggs and the Vicar (pen and ink, w/c)

CBE85849: Molly Moggs and the Vicar (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Wet Nurse Interrupted (w/c on paper)
Wet Nurse Interrupted (w/c on paper)

CBE198647: Wet Nurse Interrupted (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Brambles Trip to the Bath
Matthew Brambles Trip to the Bath

FAS45861: Matthew Brambles Trip to the Bath, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666985: Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997474: Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999759: Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999856: Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999357: Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999845: Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999383: Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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