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Blake, William (1757-1827) Assets (1068 in total)

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'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)
'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

XYC223015: 'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223015

'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

Blake, William (1757-1827)

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225033

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC309866: 'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC309866

'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

Blake, William (1757-1827)

Each Creature, Thenot, to his task is born, 1821 (wood engraving)
Each Creature, Thenot, to his task is born, 1821 (wood engraving)

XYC309890: Each Creature, Thenot, to his task is born, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

ID: XYC309890

Each Creature, Thenot, to his task is born, 1821 (wood engraving)

Blake, William (1757-1827)

Five Visionary Heads of Women, c.1820 (graphite on paper)
Five Visionary Heads of Women, c.1820 (graphite on paper)

XYC281168: Five Visionary Heads of Women, c.1820 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC281168

Five Visionary Heads of Women, c.1820 (graphite on paper)

Blake, William (1757-1827)

The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)
The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)

XYC291022: The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC291022

The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)

Blake, William (1757-1827)

'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220124: 'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220124

'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220132

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)
'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

XYC220139: 'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220139

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

Blake, William (1757-1827)

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220890: 'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220890

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

Blake, William (1757-1827)

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995608: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995608

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

Blake, William (1757-1827)

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

FIT995615: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995615

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

Blake, William (1757-1827)

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995610: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995610

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

Blake, William (1757-1827)

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995617: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995617

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

Blake, William (1757-1827)

FIT113952: "I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113952

"I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151694: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC151694

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144096: A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC144096

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT111246

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

Blake, William (1757-1827)

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT111249

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144095: The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC144095

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151692: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC151692

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)
Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

FIT167639: Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT167639

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

Blake, William (1757-1827)

I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)
I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)

FIT63149: I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: FIT63149

I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)

Blake, William (1757-1827)

America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)
America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)

XND70217: America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XND70217

America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)

Blake, William (1757-1827)

Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)
Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)

XND70241: Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70241

Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)

Blake, William (1757-1827)

P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83182: P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83182

P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83193: P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83193

P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83203: P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83203

P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

FIT113946: "Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113946

"Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

FIT113964: "Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113964

"Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)
No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)

FIT77537: No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT77537

No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)

Blake, William (1757-1827)

The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)
The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)

XND70224: The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: XND70224

The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)

Blake, William (1757-1827)

Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)
Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)

XND70244: Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70244

Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)

Blake, William (1757-1827)

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT109659

"On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83131: P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83131

P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83151: P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83151

P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)


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