Blake, William (1757-1827) Assets (1065 in total)

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The Book of Job42:11 illustrated by william Blake
The Book of Job42:11 illustrated by william Blake

XLA3765302: The Book of Job42:11 illustrated by william Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 42:15 illustrated by William Blake
The Book of Job 42:15 illustrated by William Blake

XLA3765303: The Book of Job 42:15 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

FIT113944: "Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83131: P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83193: P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83203: P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)
I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)

FIT63149: I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

plate 11 Book of Job, 1825 (engraving, w/c and wash)
plate 11 Book of Job, 1825 (engraving, w/c and wash)

FIT57617: plate 11 Book of Job, 1825 (engraving, w/c and wash), Blake, William (1757-1827) / Bridgeman Images

Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273286: Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273296: The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273297: Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995608: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995610: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

FIT995615: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995617: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222340: 'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)
'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)

XYC222554: 'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222555: 'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222854: The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223025: 'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220888: 'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225889: 'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)
Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)

XND70241: Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)
Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)

XND70244: Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)
America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)

XND70217: America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)
The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)

XND70224: The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Five Visionary Heads of Women, c.1820 (graphite on paper)
Five Visionary Heads of Women, c.1820 (graphite on paper)

XYC281168: Five Visionary Heads of Women, c.1820 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

XCF282076: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239823: 'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256910: 'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)

XYC309858: The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images


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