Blake, William (1757-1827) Assets (1065 in total)

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Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243175: Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pencil, pen and grey ink)
Job and his Daughters (pencil, pen and grey ink)

CH36591: Job and his Daughters (pencil, pen and grey ink), Blake, William (1757-1827) / Bridgeman Images

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)
The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

CH985822: The Divine Image, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)
At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146937: At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

XND70232: The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151894: 'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151895: 'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

When the Almighty was yet with me, When my Children were about me, 1825 (engraving)
When the Almighty was yet with me, When my Children were about me, 1825 (engraving)

XDM1071381: When the Almighty was yet with me, When my Children were about me, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head, for Varley (pencil)
A Visionary Head, for Varley (pencil)

MAA6322678: A Visionary Head, for Varley (pencil), Blake, William (1757-1827) / Bridgeman Images

Albions Angel, 1793 (illustration)
Albions Angel, 1793 (illustration)

CCI1822974: Albions Angel, 1793 (illustration), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pencil, brush and grey ink and watercolour)
Job and his Daughters (pencil, brush and grey ink and watercolour)

CH1765029: Job and his Daughters (pencil, brush and grey ink and watercolour), Blake, William (1757-1827) / Bridgeman Images

Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113935: Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113941: The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109646: Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109650: "Albion's Angel Stood Beside", plate 5 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)

IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images

Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273294: Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Colinet tending the lawn, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet tending the lawn, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273295: Colinet tending the lawn, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving)
P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving)

FIT77544: P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77547: P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83101: P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83134: P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83152: P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)
Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)

CEC44181: Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper), Blake, William (1757-1827) / Bridgeman Images

A Divine Image (engraving)
A Divine Image (engraving)

FIT55414: A Divine Image (engraving), Blake, William (1757-1827) / Bridgeman Images

A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)
A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)

PHL434538: A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995616: The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Queen of Heaven in Glory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Queen of Heaven in Glory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909187: The Queen of Heaven in Glory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Shrine of Apollo: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)
The Shrine of Apollo: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)

WHT161687: The Shrine of Apollo: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)
The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)

WHT161691: The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job and His Family, c.1825
Illustrations of The Book of Job: Job and His Family, c.1825

WHT6426398: Illustrations of The Book of Job: Job and His Family, c.1825, Blake, William (1757-1827) / Bridgeman Images

'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225031: 'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode to Adversity', design 40 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'Ode to Adversity', design 40 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225032: 'Ode to Adversity', design 40 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode to Adversity, design 36 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 36 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225765: Ode to Adversity, design 36 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper)
The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper)

XYC225769: The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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