Blake, William (1757-1827) Assets (1068 in total)

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When the Almighty was yet with me, When my Children were about me, 1825 (engraving)
When the Almighty was yet with me, When my Children were about me, 1825 (engraving)

XDM1071381: When the Almighty was yet with me, When my Children were about me, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825
With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825

MNS882801: With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825, Blake, William (1757-1827) / Bridgeman Images

When the Almighty was yet with me, When my Children were about me, 1825
When the Almighty was yet with me, When my Children were about me, 1825

MNS882792: When the Almighty was yet with me, When my Children were about me, 1825, Blake, William (1757-1827) / Bridgeman Images

Thy Sons & thy Daughters were eating & drinking Wine…, 1825
Thy Sons & thy Daughters were eating & drinking Wine…, 1825

MNS882793: Thy Sons & thy Daughters were eating & drinking Wine…, 1825, Blake, William (1757-1827) / Bridgeman Images

Title page from Illustrations of the Book of Job, 1825
Title page from Illustrations of the Book of Job, 1825

MNS882790: Title page from Illustrations of the Book of Job, 1825, Blake, William (1757-1827) / Bridgeman Images

When the morning Stars sang together, & all the Sons of God shouted for joy, 1825
When the morning Stars sang together, & all the Sons of God shouted for joy, 1825

MNS882804: When the morning Stars sang together, & all the Sons of God shouted for joy, 1825, Blake, William (1757-1827) / Bridgeman Images

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)
The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

CH985822: The Divine Image, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995616: The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)
'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)

XYC285516: 'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto)
'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto)

XYC285540: 'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto), Blake, William (1757-1827) / Bridgeman Images

'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285549: 'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)
Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)

XYC285553: Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256362: And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256903: 'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257426: 'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)
The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)

XYC225770: The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225877: 'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215081: Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Landscape with Spire, c.1801 (pencil on paper)
Landscape with Spire, c.1801 (pencil on paper)

XYC215094: Landscape with Spire, c.1801 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225764: Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)
When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)

XYC225774: When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225041: 'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)

IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218322: Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218328: 'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222341: 'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222357: 'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222545: 'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'In thoughts perturb'd...',  plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)
'In thoughts perturb'd...',  plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)

XYC223022: 'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220879: 'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256900: '7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256906: 'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)
Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)

XYC243175: Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)
A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)

PHL434538: A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83101: P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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