Blake, William (1757-1827) Assets (1065 in total)

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'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285521: A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285526: 'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285548: 'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285552: 'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)
The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)

XOS3493144: The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Songs of Experience: Frontispiece, c.1825 (brown ink etching hand-coloured in watercolour)
Songs of Experience: Frontispiece, c.1825 (brown ink etching hand-coloured in watercolour)

XOS3493163: Songs of Experience: Frontispiece, c.1825 (brown ink etching hand-coloured in watercolour), Blake, William (1757-1827) / Bridgeman Images

Night, 1789 (hand-coloured relief-etching, watercolour)
Night, 1789 (hand-coloured relief-etching, watercolour)

CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Sacrifice, 1825 (line engraving on paper)
Illustrations of The Book of Job: Job's Sacrifice, 1825 (line engraving on paper)

WHT6439615: Illustrations of The Book of Job: Job's Sacrifice, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Creation, 1825 (line engraving on paper)
Illustrations of The Book of Job: The Creation, 1825 (line engraving on paper)

WHT6439616: Illustrations of The Book of Job: The Creation, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Satan Going Forth from the Presence of the Lord, c.1825
Illustrations of The Book of Job: Satan Going Forth from the Presence of the Lord, c.1825

WHT6426397: Illustrations of The Book of Job: Satan Going Forth from the Presence of the Lord, c.1825, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Comforters, 1825 (engraving)
Illustrations of The Book of Job: Job's Comforters, 1825 (engraving)

WHT6437194: Illustrations of The Book of Job: Job's Comforters, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Evil Dream, 1825 (engraving)
Illustrations of The Book of Job: Job's Evil Dream, 1825 (engraving)

WHT6437196: Illustrations of The Book of Job: Job's Evil Dream, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215082: Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173622: The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)
Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

FIT167639: Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109647: "Silent as Despairing Love", plate 2 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109657: "What Time the Thirteen Governors", plate 13 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109661: "Help! Help!", plate 10 from 'For the Sexes, The Gates of Paradise', pub. 1793 (line engraving), Blake, William (1757-1827) / Bridgeman Images

FIT113946: "Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113952: "I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113960: "One on earth that ever broke a net....", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113964: "Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144096: A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151694: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83151: P124-1950.pt51 To Tirzah: plate 51 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt27 On Another's Sorrow: plate 27 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt27 On Another's Sorrow: plate 27 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83180: P.125-1950.pt27 On Another's Sorrow: plate 27 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83182: P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)
No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)

FIT77537: No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220131: 'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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