Blake, William (1757-1827) Assets (1068 in total)

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Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111247: Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273291: Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c)
'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c)

XYC284249: 'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220135: 'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC237818: 'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222346: 'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222350: 'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 62 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
The Bard, design 62 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222857: The Bard, design 62 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 72 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 72 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222867: The Fatal Sisters, design 72 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225031: 'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239820: 'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)
Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)

FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 91 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 91 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222349: 'The Triumphs of Owen', design 91 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222559: 'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243176: 'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256357: Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222342: 'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222356: 'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222360: 'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Ecchoeing Green', plate 2 (Bentley 7) from 'Songs of Innocence and of Experience', c.1789-94 (relief etching with pen & ink and w/c)
'The Ecchoeing Green', plate 2 (Bentley 7) from 'Songs of Innocence and of Experience', c.1789-94 (relief etching with pen & ink and w/c)

XYC223009: 'The Ecchoeing Green', plate 2 (Bentley 7) from 'Songs of Innocence and of Experience', c.1789-94 (relief etching with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Arise O Rintrah...' plate 9 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
'Arise O Rintrah...' plate 9 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223021: 'Arise O Rintrah...' plate 9 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215088: 'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Little Girl... illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.12 (Bentley 23) 1789-94 (relief etching with pen & w/c on paper)
Little Girl... illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.12 (Bentley 23) 1789-94 (relief etching with pen & w/c on paper)

XYC225781: Little Girl... illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.12 (Bentley 23) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Laughing Song,' plate 13 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'Laughing Song,' plate 13 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225880: 'Laughing Song,' plate 13 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Chimney Sweeper', plate 13 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Chimney Sweeper', plate 13 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218332: 'The Chimney Sweeper', plate 13 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222347: 'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 102 from' The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Epitaph on Mrs. Clarke', design 102 from' The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222556: 'Epitaph on Mrs. Clarke', design 102 from' The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 65 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 65 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222860: The Bard, design 65 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222869: The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215080: Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215083: Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Experience, Title Page, form 'Songs of Experience,' 1794 (relief etching with watercolour)
Experience, Title Page, form 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225891: Experience, Title Page, form 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215078: Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper)
Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper)

XYC215086: Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Pindar and Lais, 1820 (pencil on paper)
Pindar and Lais, 1820 (pencil on paper)

HMP244350: Pindar and Lais, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images


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