Blake, William (1757-1827) Assets (1068 in total)
Results
XYC215096: A Woody Landscape, c.1801 (w/c and graphite on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218330: 'The Ecchoing Green', plate 10 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222359: 'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222543: 'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222546: 'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220128: 'The Clod & the Pebble', plate 40 (Bentley 32) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222549: 'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223012: 'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223023: 'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220885: 'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222541: 'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220884: 'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220138: 'London', plate 51 (Bentley 46) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC225779: The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225894: 'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC225042: 'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
MNS882795: Then went Satan forth from the presence of the Lord, 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882798: Let the Day perish wherein I was Born, 1825, Blake, William (1757-1827) / Bridgeman Images
XYC285538: 'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto), Blake, William (1757-1827) / Bridgeman Images
XYC285541: 'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso), Blake, William (1757-1827) / Bridgeman Images
XYC285550: 'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285542: 'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto), Blake, William (1757-1827) / Bridgeman Images
XYC285560: 'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown), Blake, William (1757-1827) / Bridgeman Images
XYC285514: 'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285537: 'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso), Blake, William (1757-1827) / Bridgeman Images
XYC285555: 'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285561: 'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XBM99628: The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images
XBM99626: The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images
XBM99629: The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images
FIT109645: Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FLO4591071: Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819., Blake, William (1757-1827) / Bridgeman Images
IMA1557090: Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images
IMA1557094: I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images
