Blake, William (1757-1827) Assets (1068 in total)

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Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173623: Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'A Dream', plate 4 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'A Dream', plate 4 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218323: 'A Dream', plate 4 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218329: 'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225892: 'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225034: 'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Clod & the Pebble', plate 40 (Bentley 32) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Clod & the Pebble', plate 40 (Bentley 32) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220128: 'The Clod & the Pebble', plate 40 (Bentley 32) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'London', plate 51 (Bentley 46) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'London', plate 51 (Bentley 46) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220138: 'London', plate 51 (Bentley 46) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper)
'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper)

XYC218326: 'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Ecchoing Green', plate 10 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Ecchoing Green', plate 10 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218330: 'The Ecchoing Green', plate 10 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper)
The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper)

XYC225779: The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225042: 'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Visionary head, 1820 (pencil on paper)
Visionary head, 1820 (pencil on paper)

HMP244351: Visionary head, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220884: 'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220895: 'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256360: 'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225037: 'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper)
The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper)

XYC225772: The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225894: 'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper)
'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper)

XYC223023: 'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222541: 'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222359: 'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222546: 'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220885: 'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)

XYC222543: 'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222549: 'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper)
'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC223012: 'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220121: 'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220886: 'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256359: 'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)
Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146943: Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83110: P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83139: P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151696: The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)
Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)

XYC151892: Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)
My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146939: My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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