Blake, William (1757-1827) Assets (1065 in total)

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The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper)
The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper)

XYC225772: The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper)
The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper)

XYC225779: The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head, 1819-20 (pencil on paper)
A Visionary Head, 1819-20 (pencil on paper)

XYC215090: A Visionary Head, 1819-20 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper)
'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC223012: 'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)
Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)

FIT282805: Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching), Blake, William (1757-1827) / Bridgeman Images

FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Battle scene (pen & ink) (b/w photo)
Battle scene (pen & ink) (b/w photo)

AGN81814: Battle scene (pen & ink) (b/w photo), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83110: P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83113: P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83115: P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)
P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)

FIT88861: P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151695: Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151696: The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper)
'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper)

XYC218326: 'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218329: 'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591071: Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819., Blake, William (1757-1827) / Bridgeman Images

William Cowper portrait
William Cowper portrait

XLA3750912: William Cowper portrait, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761444: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761453: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Milton Advancing Disrobed and Ungirded by William Blake
Milton Advancing Disrobed and Ungirded by William Blake

XLA3761488: Milton Advancing Disrobed and Ungirded by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Descent of Peace (w/c on paper)
The Descent of Peace (w/c on paper)

WHT161686: The Descent of Peace (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222541: 'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)

XYC222543: 'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222546: 'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222549: 'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper)
'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper)

XYC223023: 'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222359: 'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

A Woody Landscape, c.1801 (w/c and graphite on paper)
A Woody Landscape, c.1801 (w/c and graphite on paper)

XYC215096: A Woody Landscape, c.1801 (w/c and graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)
'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)

XYC285541: 'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso), Blake, William (1757-1827) / Bridgeman Images


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