Blake, William (1757-1827) Assets (1065 in total)

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'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)
'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)

XYC309871: 'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images

Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash)
Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash)

TOP73474: Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash), Blake, William (1757-1827) / Bridgeman Images

Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273290: Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83104: P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83117: P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109653: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113939: Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113943: The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Book of Urizen, plate 2, 1794 (etching)
The Book of Urizen, plate 2, 1794 (etching)

NUM938612: The Book of Urizen, plate 2, 1794 (etching), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995597: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995605: The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995618: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper)
Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper)

FIT995619: Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)
Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)

PHL434537: Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper), Blake, William (1757-1827) / Bridgeman Images

Europe, a prophecy, 1794 (illustration)
Europe, a prophecy, 1794 (illustration)

CCI1949292: Europe, a prophecy, 1794 (illustration), Blake, William (1757-1827) / Bridgeman Images

Albions angel rose upon, 1794 (illustration)
Albions angel rose upon, 1794 (illustration)

CCI1825116: Albions angel rose upon, 1794 (illustration), Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)

XYC222339: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience, Plate 22,
Songs of Innocence and of Experience, Plate 22,

XYC225885: Songs of Innocence and of Experience, Plate 22, "The Little Girl Found", 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225886: 'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper)
Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper)

XYC225767: Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225881: 'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 108 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 108 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222553: 'Elegy written in a Country Church-Yard', design 108 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222871: 'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Now comes the night...' plate 7 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)
'Now comes the night...' plate 7 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)

XYC223019: 'Now comes the night...' plate 7 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper)
Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper)

XYC291039: Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256354: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256358: 'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256363: 'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256901: 'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256908: 'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256913: 'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257427: 'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

For Children. The Gates of Paradise (and Frontispiece), 1793 (engraving)
For Children. The Gates of Paradise (and Frontispiece), 1793 (engraving)

XYC289255: For Children. The Gates of Paradise (and Frontispiece), 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Title page of 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
Title page of 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285568: Title page of 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309864: 'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c)
Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309884: Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images


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