Blake, William (1757-1827) Assets (1068 in total)

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'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309864: 'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c)
Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309884: Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Ages on ages roll'd over him...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c)
'Ages on ages roll'd over him...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c)

XYC285511: 'Ages on ages roll'd over him...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Thus wept the Angel voice...', plate 12 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Thus wept the Angel voice...', plate 12 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285546: 'Thus wept the Angel voice...', plate 12 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

I Found Him Beneath a Tree, plate 3 from 'For Children. The Gates of Paradise', 1793 (engraving)
I Found Him Beneath a Tree, plate 3 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146932: I Found Him Beneath a Tree, plate 3 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving)
Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146940: Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256901: 'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256908: 'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256354: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)
Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)

PHL434537: Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper), Blake, William (1757-1827) / Bridgeman Images

'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)
'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220876: 'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223014: 'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)

XYC222339: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222548: 'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222859: The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Title Page from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)
Title Page from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)

XYC151688: Title Page from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC151889: The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)
'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)

XYC151886: 'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'From Every One of the Four Regions...', plate 18 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)
'From Every One of the Four Regions...', plate 18 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)

XYC162460: 'From Every One of the Four Regions...', plate 18 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Title Page, recto, plate 2 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c on paper)
Title Page, recto, plate 2 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c on paper)

XYC151690: Title Page, recto, plate 2 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173618: The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Then the Divine Hand...', plate 35 from 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen and w/c on paper)
'Then the Divine Hand...', plate 35 from 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen and w/c on paper)

XYC144694: 'Then the Divine Hand...', plate 35 from 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on the Death of a Favourite Cat, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
Ode on the Death of a Favourite Cat, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173617: Ode on the Death of a Favourite Cat, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving)
Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146934: Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Water, plate 4 from 'For Children. Gates of Paradise', 1793 (engraving)
Water, plate 4 from 'For Children. Gates of Paradise', 1793 (engraving)

XYC146933: Water, plate 4 from 'For Children. Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving)
Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146938: Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Elevation and Plan of a Monument, 1819-20 (pencil on paper)
Elevation and Plan of a Monument, 1819-20 (pencil on paper)

XYC215091: Elevation and Plan of a Monument, 1819-20 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222856: The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222865: The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c)
'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c)

XYC223011: 'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)
'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)

XYC222361: 'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222550: 'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215084: Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225036: 'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience, Plate 22,
Songs of Innocence and of Experience, Plate 22,

XYC225885: Songs of Innocence and of Experience, Plate 22, "The Little Girl Found", 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Found', plate 6 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Little Girl Found', plate 6 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218325: 'The Little Girl Found', plate 6 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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