Blake, William (1757-1827) Assets (1068 in total)
Results
XYC197604: Plate 76 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113936: Christ Placed on the Pinnacle of the Temple, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113954: A Memorable Fancy, text and illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
CH985824: The Lamb, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images
HEH5854537: Lucifer and the Pope in Hell, c.1794-96 (colour etching), Blake, William (1757-1827) / Bridgeman Images
XYC225893: 'Earth's Answer,' plate 34 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC223008: 'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil), Blake, William (1757-1827) / Bridgeman Images
XYC222558: 'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223025: 'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83146: P.124-1950.pt46 The Little Vagabond: plate 46 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83155: P.125-1950.pt2 Frontispiece: plate 2 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
MAM714615: The Raising of Jairus's Daughter, c.1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
XLA3761446: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images
XLA3761506: York, London, and Jerusalem by William Blake, Blake, William (1757-1827) / Bridgeman Images
FIA5403184: The Good and Evil Angels Struggling for Possession of A Child, 1795 (chromolithography), Blake, William (1757-1827) / Bridgeman Images
XYC309871: 'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images
XYC239821: 'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC309864: 'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309867: 'Wave shadows of discontent..', plate 7 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309884: Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC291039: Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256908: 'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256358: 'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC256901: 'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256913: 'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC257427: 'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225036: 'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256354: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC256363: 'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
PHL434537: Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper), Blake, William (1757-1827) / Bridgeman Images
FIT83194: P.125-1950.pt41 The Angel: plate 41 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
