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House in Paris 20th.
House in Paris 20th.

TEC4616406: House in Paris 20th. / Bridgeman Images

ID: TEC4616406

House in Paris 20th.

Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.
Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.

TEC4616433: Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style. / Bridgeman Images

ID: TEC4616433

Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.
The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

TEC4616490: The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05. / Bridgeman Images

ID: TEC4616490

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.
The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.

TEC4616522: The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05. / Bridgeman Images

ID: TEC4616522

The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.

The eye and the human spirit (oil on canvas, 1930)
The eye and the human spirit (oil on canvas, 1930)

LRI4616590: The eye and the human spirit (oil on canvas, 1930), Martini, Alberto (1876-1954) / Bridgeman Images

ID: LRI4616590

The eye and the human spirit (oil on canvas, 1930)

Martini, Alberto (1876-1954)

A comet seen in the sky of the planet Mars - illustration - Comet Over Candor on Mars - Illustration - A comet passes over Candor Chasma, one of the canyons of Valles Marineris. In the sky, the bright spot is the planet Earth. A comet lights up the Martian predawn over the twisted landscape of Candor Chasma. The distant mountains are several kilometers high. The planet Earth shines as a bright blue star in the sky
A comet seen in the sky of the planet Mars - illustration - Comet Over Candor on Mars - Illustration - A comet passes over Candor Chasma, one of the canyons of Valles Marineris. In the sky, the bright spot is the planet Earth. A comet lights up the Martian predawn over the twisted landscape of Candor Chasma. The distant mountains are several kilometers high. The planet Earth shines as a bright blue star in the sky

PIX4617044: A comet seen in the sky of the planet Mars - illustration - Comet Over Candor on Mars - Illustration - A comet passes over Candor Chasma, one of the canyons of Valles Marineris. In the sky, the bright spot is the planet Earth. A comet lights up the Martian predawn over the twisted landscape of Candor Chasma. The distant mountains are several kilometers high. The planet Earth shines as a bright blue star in the sky / Bridgeman Images

ID: PIX4617044

A comet seen in the sky of the planet Mars - illustration - Comet Over Candor on Mars - Illustration - A comet passes over Candor Chasma, one of the canyons of Valles Marineris. In the sky, the bright spot is the planet Earth. A comet lights up the Martian predawn over the twisted landscape of Candor Chasma. The distant mountains are several kilometers high. The planet Earth shines as a bright blue star in the sky

Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight
Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight

PIX4617124: Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight / Bridgeman Images

ID: PIX4617124

Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight

Mercury by Mariner 10 - Mercury by Mariner 10 - Basin Caloris - The Basin Caloris is the rest of a large impact crater; visible half on the left of the image, it measures 1300 km in diameter. Mosaic of images obtained by the Mariner 10 probe
Mercury by Mariner 10 - Mercury by Mariner 10 - Basin Caloris - The Basin Caloris is the rest of a large impact crater; visible half on the left of the image, it measures 1300 km in diameter. Mosaic of images obtained by the Mariner 10 probe

PIX4617148: Mercury by Mariner 10 - Mercury by Mariner 10 - Basin Caloris - The Basin Caloris is the rest of a large impact crater; visible half on the left of the image, it measures 1300 km in diameter. Mosaic of images obtained by the Mariner 10 probe / Bridgeman Images

ID: PIX4617148

Mercury by Mariner 10 - Mercury by Mariner 10 - Basin Caloris - The Basin Caloris is the rest of a large impact crater; visible half on the left of the image, it measures 1300 km in diameter. Mosaic of images obtained by the Mariner 10 probe

Avenue Frochot in Paris 9th.
Avenue Frochot in Paris 9th.

TEC4617168: Avenue Frochot in Paris 9th. / Bridgeman Images

ID: TEC4617168

Avenue Frochot in Paris 9th.

Mercury by Mariner 10 - Mercury by Mariner 10 - Region cratere Kuiper - Mosaic of images made by the Mariner 10 probe. Region around the Kuiper crater (small bright white crater at the bottom right of the picture) and the Lermontov crater (large white crater at the top left center)
Mercury by Mariner 10 - Mercury by Mariner 10 - Region cratere Kuiper - Mosaic of images made by the Mariner 10 probe. Region around the Kuiper crater (small bright white crater at the bottom right of the picture) and the Lermontov crater (large white crater at the top left center)

PIX4617192: Mercury by Mariner 10 - Mercury by Mariner 10 - Region cratere Kuiper - Mosaic of images made by the Mariner 10 probe. Region around the Kuiper crater (small bright white crater at the bottom right of the picture) and the Lermontov crater (large white crater at the top left center) / Bridgeman Images

ID: PIX4617192

Mercury by Mariner 10 - Mercury by Mariner 10 - Region cratere Kuiper - Mosaic of images made by the Mariner 10 probe. Region around the Kuiper crater (small bright white crater at the bottom right of the picture) and the Lermontov crater (large white crater at the top left center)

Avenue Frochot in Paris 9th.
Avenue Frochot in Paris 9th.

TEC4617195: Avenue Frochot in Paris 9th. / Bridgeman Images

ID: TEC4617195

Avenue Frochot in Paris 9th.

Window in Paris 9th.
Window in Paris 9th.

TEC4617221: Window in Paris 9th. / Bridgeman Images

ID: TEC4617221

Window in Paris 9th.

Paris seen from the 20th arrondissement.
Paris seen from the 20th arrondissement.

OMG4616946: Paris seen from the 20th arrondissement. / Bridgeman Images

ID: OMG4616946

Paris seen from the 20th arrondissement.

Reconstruction of a building grid in Paris 20th. Photography 20/04/00.
Reconstruction of a building grid in Paris 20th. Photography 20/04/00.

OMG4617036: Reconstruction of a building grid in Paris 20th. Photography 20/04/00. / Bridgeman Images

ID: OMG4617036

Reconstruction of a building grid in Paris 20th. Photography 20/04/00.

Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight, taken away from the planet
Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight, taken away from the planet

PIX4617129: Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight, taken away from the planet / Bridgeman Images

ID: PIX4617129

Mercury by Mariner 10 - Mercury by Mariner 10 - Mosaic of images obtained by the Mariner 10 probe on 29 March 1974 during its first flight, taken away from the planet

Morris column in front of the Paris Opera.
Morris column in front of the Paris Opera.

TEC4617134: Morris column in front of the Paris Opera. / Bridgeman Images

ID: TEC4617134

Morris column in front of the Paris Opera.

Details of buildings, avenue Frochot in Paris 9e.
Details of buildings, avenue Frochot in Paris 9e.

TEC4617170: Details of buildings, avenue Frochot in Paris 9e. / Bridgeman Images

ID: TEC4617170

Details of buildings, avenue Frochot in Paris 9e.

Courtyard in the rue des Martyrs in Paris 9th.
Courtyard in the rue des Martyrs in Paris 9th.

TEC4617302: Courtyard in the rue des Martyrs in Paris 9th. / Bridgeman Images

ID: TEC4617302

Courtyard in the rue des Martyrs in Paris 9th.

Three (Drawing, 1968)
Three (Drawing, 1968)

LRI4617307: Three (Drawing, 1968), Novelli, Gastone (1925-68) / Bridgeman Images

ID: LRI4617307

Three (Drawing, 1968)

Novelli, Gastone (1925-68)

Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.
Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

TEC4617537: Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal. / Bridgeman Images

ID: TEC4617537

Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

Rue Notre Dame de Lorette in Paris 9th.
Rue Notre Dame de Lorette in Paris 9th.

TEC4617256: Rue Notre Dame de Lorette in Paris 9th. / Bridgeman Images

ID: TEC4617256

Rue Notre Dame de Lorette in Paris 9th.

Long flight kite (Mixed media on canvas, 1965)
Long flight kite (Mixed media on canvas, 1965)

LRI4617282: Long flight kite (Mixed media on canvas, 1965), Novelli, Gastone (1925-68) / Bridgeman Images

ID: LRI4617282

Long flight kite (Mixed media on canvas, 1965)

Novelli, Gastone (1925-68)

Landscape Cassis, 1910 (Painting)
Landscape Cassis, 1910 (Painting)

LRI4617379: Landscape Cassis, 1910 (Painting), Picabia, Francis (1879-1953) / Bridgeman Images

ID: LRI4617379

Landscape Cassis, 1910 (Painting)

Picabia, Francis (1879-1953)

Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.
Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

TEC4617546: Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal. / Bridgeman Images

ID: TEC4617546

Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

Base on Titan - Illustration - Titan 2121: Departing blimp - Astronauts on a mining base on the surface of Titan. 100 years from now space exploration may have evolved to space exploitation on some very exotic worlds. Could it be possible that some day a natural resource of extraordinary value could be found on a world 700 million miles away? a resource that would justify an unprecedented investment in an infrastructure capable of bringing these resources to market? This image suggests how a large - scale mining operation on the surface of Saturn's moon Titan might appear
Base on Titan - Illustration - Titan 2121: Departing blimp - Astronauts on a mining base on the surface of Titan. 100 years from now space exploration may have evolved to space exploitation on some very exotic worlds. Could it be possible that some day a natural resource of extraordinary value could be found on a world 700 million miles away? a resource that would justify an unprecedented investment in an infrastructure capable of bringing these resources to market? This image suggests how a large - scale mining operation on the surface of Saturn's moon Titan might appear

PIX4626188: Base on Titan - Illustration - Titan 2121: Departing blimp - Astronauts on a mining base on the surface of Titan. 100 years from now space exploration may have evolved to space exploitation on some very exotic worlds. Could it be possible that some day a natural resource of extraordinary value could be found on a world 700 million miles away? a resource that would justify an unprecedented investment in an infrastructure capable of bringing these resources to market? This image suggests how a large - scale mining operation on the surface of Saturn's moon Titan might appear / Bridgeman Images

ID: PIX4626188

Base on Titan - Illustration - Titan 2121: Departing blimp - Astronauts on a mining base on the surface of Titan. 100 years from now space exploration may have evolved to space exploitation on some very exotic worlds. Could it be possible that some day a natural resource of extraordinary value could be found on a world 700 million miles away? a resource that would justify an unprecedented investment in an infrastructure capable of bringing these resources to market? This image suggests how a large - scale mining operation on the surface of Saturn's moon Titan might appear

Corner building, Boulevard Exelmans, Paris 16th arrondissement.
Corner building, Boulevard Exelmans, Paris 16th arrondissement.

MDA4626260: Corner building, Boulevard Exelmans, Paris 16th arrondissement. / Bridgeman Images

ID: MDA4626260

Corner building, Boulevard Exelmans, Paris 16th arrondissement.

View of the fountain made by Jacques Ignace Hittorff and the obelisque of Place de la Concorde in Paris.
View of the fountain made by Jacques Ignace Hittorff and the obelisque of Place de la Concorde in Paris.

LRI4626302: View of the fountain made by Jacques Ignace Hittorff and the obelisque of Place de la Concorde in Paris., Hittorff, Jacques Ignace (1792-1867) / Bridgeman Images

ID: LRI4626302

View of the fountain made by Jacques Ignace Hittorff and the obelisque of Place de la Concorde in Paris.

Hittorff, Jacques Ignace (1792-1867)

Vue de l'Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in Paris (Louvre)
Vue de l'Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in Paris (Louvre)

LRI4626311: Vue de l'Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in Paris (Louvre), Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853) / Bridgeman Images

ID: LRI4626311

Vue de l'Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in Paris (Louvre)

Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853)

Facade of the Museum of Modern Art, Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th. Architects: Jean Claude Dondel (1904-1989), Andre Aubert (1905-1987), Paul Viard (born 1880) and Marcel Dastugue (1881-1960), construction 1934-1937. In the foreground are the couchees of Louis Dejean (1872-1954), Leon Drivier (1878-1951) and Auguste Guenot (1882-1966).
Facade of the Museum of Modern Art, Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th. Architects: Jean Claude Dondel (1904-1989), Andre Aubert (1905-1987), Paul Viard (born 1880) and Marcel Dastugue (1881-1960), construction 1934-1937. In the foreground are the couchees of Louis Dejean (1872-1954), Leon Drivier (1878-1951) and Auguste Guenot (1882-1966).

LBY4626101: Facade of the Museum of Modern Art, Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th. Architects: Jean Claude Dondel (1904-1989), Andre Aubert (1905-1987), Paul Viard (born 1880) and Marcel Dastugue (1881-1960), construction 1934-1937. In the foreground are the couchees of Louis Dejean (1872-1954), Leon Drivier (1878-1951) and Auguste Guenot (1882-1966). / Bridgeman Images

ID: LBY4626101

Facade of the Museum of Modern Art, Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th. Architects: Jean Claude Dondel (1904-1989), Andre Aubert (1905-1987), Paul Viard (born 1880) and Marcel Dastugue (1881-1960), construction 1934-1937. In the foreground are the couchees of Louis Dejean (1872-1954), Leon Drivier (1878-1951) and Auguste Guenot (1882-1966).

The statue of Liberte, on the Ile aux Cygnes in Paris 16th. Sculpture 1889, by Frederic Auguste Bartholdi (1834-1904). Photography 10/03/06.
The statue of Liberte, on the Ile aux Cygnes in Paris 16th. Sculpture 1889, by Frederic Auguste Bartholdi (1834-1904). Photography 10/03/06.

LBY4626170: The statue of Liberte, on the Ile aux Cygnes in Paris 16th. Sculpture 1889, by Frederic Auguste Bartholdi (1834-1904). Photography 10/03/06. / Bridgeman Images

ID: LBY4626170

The statue of Liberte, on the Ile aux Cygnes in Paris 16th. Sculpture 1889, by Frederic Auguste Bartholdi (1834-1904). Photography 10/03/06.

Saturn seen from the Atmosphere of Titan - Saturn from Titan - Illustration
Saturn seen from the Atmosphere of Titan - Saturn from Titan - Illustration

PIX4626232: Saturn seen from the Atmosphere of Titan - Saturn from Titan - Illustration / Bridgeman Images

ID: PIX4626232

Saturn seen from the Atmosphere of Titan - Saturn from Titan - Illustration

Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th arrondissement. Architects: Dondel, Aubert, Viart and Dastugue, 1937. onstruit for the Universal Exhibition of 1937, it now houses in the east wing the Musee d'Art Moderne de la Ville de Paris. France, an immense allegory of Antoine Bourdelle, dominates the court in all its verticalite. Elegated in 1948 by the Free French Association.
Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th arrondissement. Architects: Dondel, Aubert, Viart and Dastugue, 1937. onstruit for the Universal Exhibition of 1937, it now houses in the east wing the Musee d'Art Moderne de la Ville de Paris. France, an immense allegory of Antoine Bourdelle, dominates the court in all its verticalite. Elegated in 1948 by the Free French Association.

LBY4626097: Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th arrondissement. Architects: Dondel, Aubert, Viart and Dastugue, 1937. onstruit for the Universal Exhibition of 1937, it now houses in the east wing the Musee d'Art Moderne de la Ville de Paris. France, an immense allegory of Antoine Bourdelle, dominates the court in all its verticalite. Elegated in 1948 by the Free French Association. / Bridgeman Images

ID: LBY4626097

Palais de Tokyo, 11-13 avenue du President Wilson, Paris 16th arrondissement. Architects: Dondel, Aubert, Viart and Dastugue, 1937. onstruit for the Universal Exhibition of 1937, it now houses in the east wing the Musee d'Art Moderne de la Ville de Paris. France, an immense allegory of Antoine Bourdelle, dominates the court in all its verticalite. Elegated in 1948 by the Free French Association.

The bridges over the Seine in Paris 15th and 16th. (Pont de Bir Hakeim (Bir-Hakeim), Pont Rouelle, Pont de Grenelle and Pont Mirabeau). Photography 18/07/09.
The bridges over the Seine in Paris 15th and 16th. (Pont de Bir Hakeim (Bir-Hakeim), Pont Rouelle, Pont de Grenelle and Pont Mirabeau). Photography 18/07/09.

LBY4626211: The bridges over the Seine in Paris 15th and 16th. (Pont de Bir Hakeim (Bir-Hakeim), Pont Rouelle, Pont de Grenelle and Pont Mirabeau). Photography 18/07/09. / Bridgeman Images

ID: LBY4626211

The bridges over the Seine in Paris 15th and 16th. (Pont de Bir Hakeim (Bir-Hakeim), Pont Rouelle, Pont de Grenelle and Pont Mirabeau). Photography 18/07/09.

The galleries of modern and contemporary architecture of the Cite de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07.
The galleries of modern and contemporary architecture of the Cite de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07.

MDA4626346: The galleries of modern and contemporary architecture of the Cite de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07. / Bridgeman Images

ID: MDA4626346

The galleries of modern and contemporary architecture of the Cite de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07.

The molding gallery of the Musee des monuments francais de la Cité de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07.
The molding gallery of the Musee des monuments francais de la Cité de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07.

MDA4626446: The molding gallery of the Musee des monuments francais de la Cité de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07. / Bridgeman Images

ID: MDA4626446

The molding gallery of the Musee des monuments francais de la Cité de l'architecture et du patrimoine, 1 place du Trocadero and 11 November, Paris. Architect Jean Francois Bodin, rehabilitation 2007. Photography 20/10/07.

Saint Ambrose Altar: detail of the part facing the fideles representing scenes of the life of Christ (Golden altar representing scenes of the life of Christ) - Golden reliefs ciseles by the goldsmith Vuolvino (or Volvinio) and entourage, approximately 835, Basilica saint Ambrose (Basilica sant Ambrogio) Milan - Golden Altar of Saint Ambrose: frontal of the high alter (detail) illustrated with scenes from the life of Christ - Embossed gold work by the goldsmith Vuolvino (or Volvinio), circa 835. Basilica of Sant'Ambrogio, Milan, Italy
Saint Ambrose Altar: detail of the part facing the fideles representing scenes of the life of Christ (Golden altar representing scenes of the life of Christ) - Golden reliefs ciseles by the goldsmith Vuolvino (or Volvinio) and entourage, approximately 835, Basilica saint Ambrose (Basilica sant Ambrogio) Milan - Golden Altar of Saint Ambrose: frontal of the high alter (detail) illustrated with scenes from the life of Christ - Embossed gold work by the goldsmith Vuolvino (or Volvinio), circa 835. Basilica of Sant'Ambrogio, Milan, Italy

LRI4626498: Saint Ambrose Altar: detail of the part facing the fideles representing scenes of the life of Christ (Golden altar representing scenes of the life of Christ) - Golden reliefs ciseles by the goldsmith Vuolvino (or Volvinio) and entourage, approximately 835, Basilica saint Ambrose (Basilica sant Ambrogio) Milan - Golden Altar of Saint Ambrose: frontal of the high alter (detail) illustrated with scenes from the life of Christ - Embossed gold work by the goldsmith Vuolvino (or Volvinio), circa 835. Basilica of Sant'Ambrogio, Milan, Italy, Wolvinus (Vuolvinius, Vuolvino or Volvinio) (active c.824-859) / Bridgeman Images

ID: LRI4626498

Saint Ambrose Altar: detail of the part facing the fideles representing scenes of the life of Christ (Golden altar representing scenes of the life of Christ) - Golden reliefs ciseles by the goldsmith Vuolvino (or Volvinio) and entourage, approximately 835, Basilica saint Ambrose (Basilica sant Ambrogio) Milan - Golden Altar of Saint Ambrose: frontal of the high alter (detail) illustrated with scenes from the life of Christ - Embossed gold work by the goldsmith Vuolvino (or Volvinio), circa 835. Basilica of Sant'Ambrogio, Milan, Italy

Wolvinus (Vuolvinius, Vuolvino or Volvinio) (active c.824-859)


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