Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from
R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from

STC3090262: R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from "The English Spy", pub. 1824 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Cavalry, c.1799 (coloured aquatint)
Westminster Cavalry, c.1799 (coloured aquatint)

NAM3062343: Westminster Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Love Letter
The Love Letter

WOR49069: The Love Letter, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Diligence
The Diligence

SC26770: The Diligence, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Turk and a Tartar (ink and w/c)
A Turk and a Tartar (ink and w/c)

MAL85977: A Turk and a Tartar (ink and w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries of Travelling, 1807 (coloured engraving)
Miseries of Travelling, 1807 (coloured engraving)

BBC211027: Miseries of Travelling, 1807 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

French Soldiers on Parade (pen & w/c on paper)
French Soldiers on Parade (pen & w/c on paper)

NP125702: French Soldiers on Parade (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125720: "Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125732: "Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Return from Epsom Races, 1823 (pen, watercolour & pencil on paper)
Return from Epsom Races, 1823 (pen, watercolour & pencil on paper)

NP125747: Return from Epsom Races, 1823 (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)
'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)

NP125704: 'The Cole Hole' (ink & w/c on paper) (see also BKB 100476), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cart Race, pub. by William Holland, 1789 (coloured etching)
A Cart Race, pub. by William Holland, 1789 (coloured etching)

NP125719: A Cart Race, pub. by William Holland, 1789 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View from above the Cliffs, the Mumbles, South Wales (pen, watercolour & pencil on paper)
View from above the Cliffs, the Mumbles, South Wales (pen, watercolour & pencil on paper)

NP125749: View from above the Cliffs, the Mumbles, South Wales (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209608: Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

French Prisoners on Parole at Bodmin, Cornwall, 1795 (pen & ink and w/c on paper)
French Prisoners on Parole at Bodmin, Cornwall, 1795 (pen & ink and w/c on paper)

XYC159605: French Prisoners on Parole at Bodmin, Cornwall, 1795 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving)
Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving)

STC2562165: Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Every Man has his Hobby Horse, pub. 1784 (hand coloured engraving)
Every Man has his Hobby Horse, pub. 1784 (hand coloured engraving)

STC2962502: Every Man has his Hobby Horse, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)
A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)

XYC208278: A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209609: Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)
Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)

STC3258451: Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disembarkation of the Royalists of Toulon
The Disembarkation of the Royalists of Toulon

BYD3850776: The Disembarkation of the Royalists of Toulon, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctors Differ (pencil, pen & black ink with watercolour on paper)
Doctors Differ (pencil, pen & black ink with watercolour on paper)

CH3729757: Doctors Differ (pencil, pen & black ink with watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Accommodation Ladder, 1811 (hand-coloured engraving)
Accommodation Ladder, 1811 (hand-coloured engraving)

STC1630654: Accommodation Ladder, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Middlesex Cavalry (coloured aquatint)
Middlesex Cavalry (coloured aquatint)

NAM3062347: Middlesex Cavalry (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Performance at Drury Lane Theatre, London, 1808 (illustration)
Performance at Drury Lane Theatre, London, 1808 (illustration)

CCI1825137: Performance at Drury Lane Theatre, London, 1808 (illustration), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax before the Court of Justice - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax before the Court of Justice - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081507: Dr Syntax before the Court of Justice - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081525: Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gluttony (pen & w/c on paper)
Gluttony (pen & w/c on paper)

NP125703: Gluttony (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062)
Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062)

NP125736: Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125760: "The Charms of a Red Coat" (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125712: "A Visit to the Aunt", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125713), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bookseller and Author, 1784, Hand-Colored Etching and Aquatint, Rosenwald Collection
Bookseller and Author, 1784, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012362: Bookseller and Author, 1784, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection
Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection

LZT1012368: Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweet Lavender, 1820 (engraving)
Sweet Lavender, 1820 (engraving)

BAL66822: Sweet Lavender, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Called Up or the False Alarm, pub. 1786 (hand coloured engraving)
The Doctor Called Up or the False Alarm, pub. 1786 (hand coloured engraving)

STC2962510: The Doctor Called Up or the False Alarm, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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