Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
LZT1012368: Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ607331: The result of purchasing a blind horse (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ603854: Interior of a workhouse in the St James's Parish (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ604027: Dr Syntax at Freemason's Hall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC810337: Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558990: The Pass-room Bridewell Prison (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558353: Distressed sailors (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ585189: On frail ice, the whirring skate, Becomes an instrument of Fate (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ586172: Royal Institution, Albemarle Street, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ610662: Fleet Prison, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ610668: British Institution, Pall Mall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ611038: The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BBC211027: Miseries of Travelling, 1807 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC213549: Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309567: Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309570: Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125720: "Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125704: 'The Cole Hole' (ink & w/c on paper) (see also BKB 100476), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125732: "Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125747: Return from Epsom Races, 1823 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125702: French Soldiers on Parade (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC148812: The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC1630654: Accommodation Ladder, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1013391: Miss Worthy's Marriage. Dr. Syntax in the Chair. Coloured Aquatint Circa 1820. Food and Drink, 19th Century, Wedding, Party, People, in the Garden, Manor House, UK, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CCI1825137: Performance at Drury Lane Theatre, London, 1808 (illustration), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2562165: Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM3037600: Light Horse Volunteers of London and Westminster, Commanded by Colonel Herries, Reviewed by His Majesty on Wimbledon Common, 5 July 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
