Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
LLJ611143: Crimping a Quaker (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH1197611: Greenwich Hospital, 1822 (watercolour, brown ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CCI2085482: London, River Thames and the docks, 1808 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CCI1832752: Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XOS3746296: A Sailor's Marriage, 1805 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081536: Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081542: The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081551: The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC3085946: Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House, from "The English Spy", pub. 1824 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC149959: The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC190616: Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PFA178592: View of Exeter from the River Exmouth (brown ink & w/c wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC174263: St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962495: Nil Amplius Opto "I am at the Summit of my Wishes, pub. 1780 (hand coloured engraving, Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962504: Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962507: Introduction, pub. 1793 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962513: Recovery of a Dormant Title or a Breeches Maker become a Lord, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
JMT2963359: The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4089894: Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933, Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL34723: Entrance from Mile End or Whitechapel Turnpike (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CHT142100: The Anatomist, published by Thomas Tegg, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651828: The Gaming Table, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234019: The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XCF290988: Steward, from a series entitled Country Characters, 1799 (etching with w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309559: Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
