Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)
Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)

NP125737: Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mourners, 1815 (w/c on paper)
The Mourners, 1815 (w/c on paper)

STC115405: The Mourners, 1815 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mary Spriggens, the Midwife (w/c, pen & ink)
Mary Spriggens, the Midwife (w/c, pen & ink)

BON76690: Mary Spriggens, the Midwife (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of Exeter from the River Exmouth (brown ink & w/c wash on paper)
View of Exeter from the River Exmouth (brown ink & w/c wash on paper)

PFA178592: View of Exeter from the River Exmouth (brown ink & w/c wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190616: Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309562: The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309559: Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309571: The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309563: The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309572: A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taking the water (pen & ink and w/c over pencil on paper)
Taking the water (pen & ink and w/c over pencil on paper)

SFA413837: Taking the water (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Landscape with monks (pen & ink and wash on paper)
Landscape with monks (pen & ink and wash on paper)

SFA413836: Landscape with monks (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)
View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)

STC444698: View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Shoe black (coloured engraving)
Shoe black (coloured engraving)

LLJ558362: Shoe black (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chairs to mend (coloured engraving)
Chairs to mend (coloured engraving)

LLJ558329: Chairs to mend (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel  (coloured engraving)
Newgate chapel  (coloured engraving)

LLJ559079: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cucumbers (coloured engraving)
Cucumbers (coloured engraving)

LLJ558314: Cucumbers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)
The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)

STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Sale Room, East India House (coloured engraving)
The Sale Room, East India House (coloured engraving)

LLJ608422: The Sale Room, East India House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sad Sloppy Weather (coloured engraving)
Sad Sloppy Weather (coloured engraving)

LLJ610566: Sad Sloppy Weather (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Crimping a Quaker (coloured engraving)
Crimping a Quaker (coloured engraving)

LLJ611143: Crimping a Quaker (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stamp Office, Somerset House, Strand, London (coloured engraving)
Stamp Office, Somerset House, Strand, London (coloured engraving)

LLJ584946: Stamp Office, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billingsgate Market (coloured engraving)
Billingsgate Market (coloured engraving)

LLJ582196: Billingsgate Market (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News (coloured engraving)
Great News (coloured engraving)

LLJ583004: Great News (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell
Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell

LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection
La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (print)
Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (print)

CCI1832752: Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London, River Thames and the docks, 1808 (engraving)
London, River Thames and the docks, 1808 (engraving)

CCI2085482: London, River Thames and the docks, 1808 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving)
La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving)

STC2966792: La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Cavalry, c.1799 (coloured aquatint)
Clerkenwell Cavalry, c.1799 (coloured aquatint)

NAM3062346: Clerkenwell Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Southwark Cavalry, c.1799 (coloured aquatint)
Southwark Cavalry, c.1799 (coloured aquatint)

NAM3062344: Southwark Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lambeth Cavalry, c.1799 (colour litho)
Lambeth Cavalry, c.1799 (colour litho)

NAM3062345: Lambeth Cavalry, c.1799 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Connoisseur, (hand coloured engraving)
Connoisseur, (hand coloured engraving)

STC3025390: Connoisseur, (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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