Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper)
Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper)

AAH3057561: Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Social Holiday, 1820 (pen & ink with wash on paper)
A Social Holiday, 1820 (pen & ink with wash on paper)

BOU2602006: A Social Holiday, 1820 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Pretty Pair (pen & ink with wash on paper)
A Pretty Pair (pen & ink with wash on paper)

BOU2601862: A Pretty Pair (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Peep O Day Boy, 1799 (ink and w/c on paper)
A Peep O Day Boy, 1799 (ink and w/c on paper)

TML151237: A Peep O Day Boy, 1799 (ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctors Differ (pen & ink & w/c on paper)
Doctors Differ (pen & ink & w/c on paper)

NP125741: Doctors Differ (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809
Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809

BAL32967: Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Hunting Incident (pen & ink & w/c on paper)
A Hunting Incident (pen & ink & w/c on paper)

NP125746: A Hunting Incident (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monuments in Westminster Abbey (sepia ink and pencil)
Monuments in Westminster Abbey (sepia ink and pencil)

GHL49519: Monuments in Westminster Abbey (sepia ink and pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)
A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)

CH378078: A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breedwell Family, 1807 (pen & ink and w/c on paper)
The Breedwell Family, 1807 (pen & ink and w/c on paper)

CH378079: The Breedwell Family, 1807 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Trinity Library, Cambridge (pencil, pen & ink and w/c on paper)
Trinity Library, Cambridge (pencil, pen & ink and w/c on paper)

CH378071: Trinity Library, Cambridge (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Suovetaurilia (wash over pencil & ink)
Suovetaurilia (wash over pencil & ink)

HMG392114: Suovetaurilia (wash over pencil & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide at Greenwich (brown ink & wash on paper)
Low Tide at Greenwich (brown ink & wash on paper)

PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Amorous Attentions, c.1800 (w/c on paper)
Amorous Attentions, c.1800 (w/c on paper)

BOU202931: Amorous Attentions, c.1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)
'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)
From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)

STC2966887: From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)
Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)

STC2962506: Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Antiquarians a la Greque, pub. 1805 (hand coloured engraving)
Antiquarians a la Greque, pub. 1805 (hand coloured engraving)

STC2962514: Antiquarians a la Greque, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)
Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)

STC2966791: Madame Very, Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

High Life, 1794 (pen and ink and watercolour)
High Life, 1794 (pen and ink and watercolour)

WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cry for a Cat (pen and ink & w/c on paper)
A Cry for a Cat (pen and ink & w/c on paper)

CBE201722: A Cry for a Cat (pen and ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Doublepulse (w/c with pen & ink on paper)
Doctor Doublepulse (w/c with pen & ink on paper)

CBE204075: Doctor Doublepulse (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dancing Dogs (pen & ink with w/c on paper)
Dancing Dogs (pen & ink with w/c on paper)

CBE204080: Dancing Dogs (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at an Auction, 1820 (engraving)
Dr Syntax at an Auction, 1820 (engraving)

CBE200625: Dr Syntax at an Auction, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper)
Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper)

XBM115506: Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lazing on a Sofa (w/c over pen and ink)
Lazing on a Sofa (w/c over pen and ink)

MAA6322105: Lazing on a Sofa (w/c over pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving)
Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving)

KWE7212187: Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The funeral of Syntax'
'The funeral of Syntax'

XLF3781213: 'The funeral of Syntax', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax losing his way'
'Dr Syntax losing his way'

XLF3781139: 'Dr Syntax losing his way', Rowlandson, Thomas (1756-1827) / Bridgeman Images


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