Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
XLF3781185: 'Miss Worthy's marriage - Dr Syntax in the chair', Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937616: An Assembly Ball, plate 10 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937625: The King's Bath, plate 7 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLF3781138: 'Dr Syntax setting out on his tour to the Lakes', Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558990: The Pass-room Bridewell Prison (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558353: Distressed sailors (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ585189: On frail ice, the whirring skate, Becomes an instrument of Fate (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ586172: Royal Institution, Albemarle Street, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ607331: The result of purchasing a blind horse (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ610662: Fleet Prison, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ611038: The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ604027: Dr Syntax at Freemason's Hall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC810337: Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BLL1203622: Sports of a Country Fair, 1810 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012375: Butterfly Hunting, 1806, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1013391: Miss Worthy's Marriage. Dr. Syntax in the Chair. Coloured Aquatint Circa 1820. Food and Drink, 19th Century, Wedding, Party, People, in the Garden, Manor House, UK, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651922: Age and Youth, (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651948: Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
![Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.XJF.6141540.7055475/448237.jpg?old-wm)
XJF448237: Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF473767: The Two Patriotic Duchess's on their Canvass, 1784 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC308304: Plate 5 from 'Cries of London', 1799 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309567: Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309570: Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC322081: A Race of the Knavesmire at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
