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Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes, thighs, tilting lance with coronel and vamplate. Horse in barding, high barde saddle plate, chamfron, manefaire, collar of bells, poitral and armorial caparison. From a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes, thighs, tilting lance with coronel and vamplate. Horse in barding, high barde saddle plate, chamfron, manefaire, collar of bells, poitral and armorial caparison. From a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678509: Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes, thighs, tilting lance with coronel and vamplate. Horse in barding, high barde saddle plate, chamfron, manefaire, collar of bells, poitral and armorial caparison. From a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Maximilian I, Emperor of Germany, 1498. In a suit of fluted armour, helmet with visored beavor, culettes, puckered velvet lamboys and long tassets. Horse in barding, chamfron with cheek pieces, manefaire, fringed croupiere and leg armour. After a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Maximilian I, Emperor of Germany, 1498. In a suit of fluted armour, helmet with visored beavor, culettes, puckered velvet lamboys and long tassets. Horse in barding, chamfron with cheek pieces, manefaire, fringed croupiere and leg armour. After a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678522: Maximilian I, Emperor of Germany, 1498. In a suit of fluted armour, helmet with visored beavor, culettes, puckered velvet lamboys and long tassets. Horse in barding, chamfron with cheek pieces, manefaire, fringed croupiere and leg armour. After a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Cavalry officer and pistolier, 1640. Officer with pistol in helmet and suit of armour with buckram skirt over his thighs, boots and sash sword belt. Private pistolier on horseback in suit of black armour engraved in gilt with plumed helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Cavalry officer and pistolier, 1640. Officer with pistol in helmet and suit of armour with buckram skirt over his thighs, boots and sash sword belt. Private pistolier on horseback in suit of black armour engraved in gilt with plumed helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678593: Cavalry officer and pistolier, 1640. Officer with pistol in helmet and suit of armour with buckram skirt over his thighs, boots and sash sword belt. Private pistolier on horseback in suit of black armour engraved in gilt with plumed helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678620: William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Calochortus has large yellow flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow mariposa lily, Calochortus luteus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The “ical Register,”” London, Ridgway, 1833
Calochortus has large yellow flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow mariposa lily, Calochortus luteus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The “ical Register,”” London, Ridgway, 1833

FLO4678679: Calochortus has large yellow flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow mariposa lily, Calochortus luteus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The “ical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Wing tobacco or ornamental tobacco - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Shiraz or Persian tobacco, Nicotiana alata (Nicotiana persica) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833
Wing tobacco or ornamental tobacco - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Shiraz or Persian tobacco, Nicotiana alata (Nicotiana persica) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833

FLO4678800: Wing tobacco or ornamental tobacco - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Shiraz or Persian tobacco, Nicotiana alata (Nicotiana persica) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Erythrina variete, tropical red flower tree - Engraved by S. Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Erythrina speciosa (Thornless naked-flowering coral tree, Erythrina poianthes var. submis) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Erythrina variete, tropical red flower tree - Engraved by S. Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Erythrina speciosa (Thornless naked-flowering coral tree, Erythrina poianthes var. submis) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678965: Erythrina variete, tropical red flower tree - Engraved by S. Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Erythrina speciosa (Thornless naked-flowering coral tree, Erythrina poianthes var. submis) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Anthocercis variete, native to Australia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Sticky tailflower or clammy anthocercis, Anthocercis viscosa - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' ' The Botanical Register,” London, Ridgway, 1833
Anthocercis variete, native to Australia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Sticky tailflower or clammy anthocercis, Anthocercis viscosa - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' ' The Botanical Register,” London, Ridgway, 1833

FLO4678982: Anthocercis variete, native to Australia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Sticky tailflower or clammy anthocercis, Anthocercis viscosa - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' ' The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

White flower passionflower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Stinking passionflower, Passiflora foetida var. gossypiifolia (Cotton leaved passionflower, Passiflora gossypiifolia Watts) - Engraving by S. after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833
White flower passionflower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Stinking passionflower, Passiflora foetida var. gossypiifolia (Cotton leaved passionflower, Passiflora gossypiifolia Watts) - Engraving by S. after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4679001: White flower passionflower - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Stinking passionflower, Passiflora foetida var. gossypiifolia (Cotton leaved passionflower, Passiflora gossypiifolia Watts) - Engraving by S. after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Araignee lily or sea daffodil or sea lily - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Beach spider lily, Hymenocallis littoralis (Long-ered pancratium, Pancratium pedale) - Waving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Araignee lily or sea daffodil or sea lily - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Beach spider lily, Hymenocallis littoralis (Long-ered pancratium, Pancratium pedale) - Waving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4679079: Araignee lily or sea daffodil or sea lily - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Beach spider lily, Hymenocallis littoralis (Long-ered pancratium, Pancratium pedale) - Waving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Variete of Francoa with Dairy Leaves, endemic in Chile - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Sowthistle-leaved francoa, Francoa appendiculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833
Variete of Francoa with Dairy Leaves, endemic in Chile - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Sowthistle-leaved francoa, Francoa appendiculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833

FLO4679087: Variete of Francoa with Dairy Leaves, endemic in Chile - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Sowthistle-leaved francoa, Francoa appendiculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Fashionable visitors disgusted to find a gallery filled with the hoi-polloi and riff-raff. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Fashionable visitors disgusted to find a gallery filled with the hoi-polloi and riff-raff. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679186: Fashionable visitors disgusted to find a gallery filled with the hoi-polloi and riff-raff. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

Dinner-table accidents in a restaurant. Gentleman dropping a full plate on a lady's lap, waiter opening a bottle of beer in a customer's face, another waiter knocking a diner, etc. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Dinner-table accidents in a restaurant. Gentleman dropping a full plate on a lady's lap, waiter opening a bottle of beer in a customer's face, another waiter knocking a diner, etc. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679193: Dinner-table accidents in a restaurant. Gentleman dropping a full plate on a lady's lap, waiter opening a bottle of beer in a customer's face, another waiter knocking a diner, etc. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679242: A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

Passenger pigeon or wild pigeon. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.
Passenger pigeon or wild pigeon. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.

FLO4679282: Passenger pigeon or wild pigeon. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850. / Bridgeman Images

Dessertion of Theseus killing the Minotaur from a vase in the collection of Thomas Hope. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Dessertion of Theseus killing the Minotaur from a vase in the collection of Thomas Hope. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679299: Dessertion of Theseus killing the Minotaur from a vase in the collection of Thomas Hope. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Ancient vase in the possession of J.P. Anderdon. Vase in red clay with black design of man in lionskin (Hercules) fighting centaurs. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Ancient vase in the possession of J.P. Anderdon. Vase in red clay with black design of man in lionskin (Hercules) fighting centaurs. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679303: Ancient vase in the possession of J.P. Anderdon. Vase in red clay with black design of man in lionskin (Hercules) fighting centaurs. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Fictile vases in the British Museum. Vases in red clay with black designs, showing decorative patterns, warrior on biga two-horse chariot, and fighting warriors. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Fictile vases in the British Museum. Vases in red clay with black designs, showing decorative patterns, warrior on biga two-horse chariot, and fighting warriors. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679315: Fictile vases in the British Museum. Vases in red clay with black designs, showing decorative patterns, warrior on biga two-horse chariot, and fighting warriors. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Fictile vases in the British Museum. Vases in red clay with black decorative patterns. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Fictile vases in the British Museum. Vases in red clay with black decorative patterns. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679319: Fictile vases in the British Museum. Vases in red clay with black decorative patterns. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

The Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
The Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679400: The Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

18th century tourists exploring the Livia family sepulchral chamber, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
18th century tourists exploring the Livia family sepulchral chamber, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679409: 18th century tourists exploring the Livia family sepulchral chamber, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Section through the Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Section through the Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679414: Section through the Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Section of a Tomb of the Equites singulares or Imperial horseguards. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Section of a Tomb of the Equites singulares or Imperial horseguards. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679435: Section of a Tomb of the Equites singulares or Imperial horseguards. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Wall of funeral urns in alcoves in a sepulchral chamber in the Villa Corsina. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Wall of funeral urns in alcoves in a sepulchral chamber in the Villa Corsina. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679475: Wall of funeral urns in alcoves in a sepulchral chamber in the Villa Corsina. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Pitcher plant, Nepenthes distillatoria, native to Sri Lanka. Vulnerable (carnivorous plant) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.
Pitcher plant, Nepenthes distillatoria, native to Sri Lanka. Vulnerable (carnivorous plant) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.

FLO4618602: Pitcher plant, Nepenthes distillatoria, native to Sri Lanka. Vulnerable (carnivorous plant) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany. / Bridgeman Images

Mushroom mushroom, Agaricus pratensis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Mushroom mushroom, Agaricus pratensis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618656: Mushroom mushroom, Agaricus pratensis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Gigantic oak leather, Xylostroma giganteum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Gigantic oak leather, Xylostroma giganteum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618670: Gigantic oak leather, Xylostroma giganteum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Morel mushroom, Morchella esculenta (Phallus esculentus). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Morel mushroom, Morchella esculenta (Phallus esculentus). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618733: Morel mushroom, Morchella esculenta (Phallus esculentus). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Flax, Linum usitatissimum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Flax, Linum usitatissimum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618735: Flax, Linum usitatissimum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Reindeer lichen, Lichen rangiferinus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Reindeer lichen, Lichen rangiferinus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618771: Reindeer lichen, Lichen rangiferinus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Ichthyosis (peeling), dyshidrosis (bullous eczema) and herpetic skin diseases -Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, J.Adlard edition, London, 1822
Ichthyosis (peeling), dyshidrosis (bullous eczema) and herpetic skin diseases -Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, J.Adlard edition, London, 1822

FLO4618812: Ichthyosis (peeling), dyshidrosis (bullous eczema) and herpetic skin diseases -Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, J.Adlard edition, London, 1822 / Bridgeman Images

Skin Diseases: Nodular or Hyde Prurigo and Varietes of Psoriasis - Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, J.Adlard Edition, London, 1822
Skin Diseases: Nodular or Hyde Prurigo and Varietes of Psoriasis - Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, J.Adlard Edition, London, 1822

FLO4618824: Skin Diseases: Nodular or Hyde Prurigo and Varietes of Psoriasis - Lithography by John Pass, published in “Encyclopedia Londinensis” by John Wilkes, J.Adlard Edition, London, 1822 / Bridgeman Images

Student attempting to smuggle a woman in a basket into his rooms at college. Capping a Proctor, or Oxford Bulldogs detecting Brazen Smugglers. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Student attempting to smuggle a woman in a basket into his rooms at college. Capping a Proctor, or Oxford Bulldogs detecting Brazen Smugglers. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618844: Student attempting to smuggle a woman in a basket into his rooms at college. Capping a Proctor, or Oxford Bulldogs detecting Brazen Smugglers. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Regency fops, celebrities and Cyprians, including Mrs. Bertram or Bang, dining and drinking at the Royal Saloon, Piccadilly. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Regency fops, celebrities and Cyprians, including Mrs. Bertram or Bang, dining and drinking at the Royal Saloon, Piccadilly. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618866: Regency fops, celebrities and Cyprians, including Mrs. Bertram or Bang, dining and drinking at the Royal Saloon, Piccadilly. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

New student moving into filthy rooms in a college at Oxford University. College Comforts, a Freshman taking possession of his Rooms. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
New student moving into filthy rooms in a college at Oxford University. College Comforts, a Freshman taking possession of his Rooms. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618879: New student moving into filthy rooms in a college at Oxford University. College Comforts, a Freshman taking possession of his Rooms. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Oxford university students in a pitched battle with locals in the High Street. Town and Gown or the Battle of the Togati and the Town Raff in the High Street, Oxford. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Oxford university students in a pitched battle with locals in the High Street. Town and Gown or the Battle of the Togati and the Town Raff in the High Street, Oxford. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618886: Oxford university students in a pitched battle with locals in the High Street. Town and Gown or the Battle of the Togati and the Town Raff in the High Street, Oxford. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images


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