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Sheet music pages for Orazi e Curiazi, opera by Mercadante (1846)
Sheet music pages for Orazi e Curiazi, opera by Mercadante (1846)

LRI4566130: Sheet music pages for Orazi e Curiazi, opera by Mercadante (1846), Mercadante, Saverio (1795-1870) / Bridgeman Images

Frontispiece of Robert le diable, opera by Meyerbeer (19th century)
Frontispiece of Robert le diable, opera by Meyerbeer (19th century)

LRI4566177: Frontispiece of Robert le diable, opera by Meyerbeer (19th century), Unknown Artist, (19th century) / Bridgeman Images

Frontispiece of Brahma ballet by Monplaisir and  dell'Argine (watercolour, 1883-1884)
Frontispiece of Brahma ballet by Monplaisir and  dell'Argine (watercolour, 1883-1884)

LRI4566228: Frontispiece of Brahma ballet by Monplaisir and dell'Argine (watercolour, 1883-1884), Italian School, (19th century) / Bridgeman Images

Musical score of Dixit dominus by Monteverdi
Musical score of Dixit dominus by Monteverdi

LRI4566255: Musical score of Dixit dominus by Monteverdi / Bridgeman Images

Portrait of Anne d'Este, Ferrara, Duchess of Guise and Nemours, 1549 (oil on canvas)
Portrait of Anne d'Este, Ferrara, Duchess of Guise and Nemours, 1549 (oil on canvas)

JLJ4566295: Portrait of Anne d'Este, Ferrara, Duchess of Guise and Nemours, 1549 (oil on canvas), French School, (16th century) / Bridgeman Images

Portrait of a maiden, 1765 (oil on canvas)
Portrait of a maiden, 1765 (oil on canvas)

JLJ4566305: Portrait of a maiden, 1765 (oil on canvas), Greuze, Jean Baptiste (1725-1805) / Bridgeman Images

Portrait of Madame Manuel, Countess of Gramedo, 19th century (oil on canvas)
Portrait of Madame Manuel, Countess of Gramedo, 19th century (oil on canvas)

JLJ4566359: Portrait of Madame Manuel, Countess of Gramedo, 19th century (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

Louis XIV furniture: chest of drawers with metal inlay with acanth, 1680-1700
Louis XIV furniture: chest of drawers with metal inlay with acanth, 1680-1700

JLJ4566460: Louis XIV furniture: chest of drawers with metal inlay with acanth, 1680-1700, Boulle, Andre Charles (1642-1732) / Bridgeman Images

First page of the symphony score reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart , Lichtenthal version (19th century)
First page of the symphony score reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart , Lichtenthal version (19th century)

LRI4566487: First page of the symphony score reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart , Lichtenthal version (19th century), Unknown Artist, (19th century) / Bridgeman Images

Page of the symphony reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart, Lichtenthal version (19th century)
Page of the symphony reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart, Lichtenthal version (19th century)

LRI4566507: Page of the symphony reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart, Lichtenthal version (19th century), Unknown Artist, (19th century) / Bridgeman Images

Image of propaganda with a peasant in the People's Republic of China. Illustration, China, 1960s.
Image of propaganda with a peasant in the People's Republic of China. Illustration, China, 1960s.

LSE4321716: Image of propaganda with a peasant in the People's Republic of China. Illustration, China, 1960s. / Bridgeman Images

Propaganda image with the worker, the soldier and the woman in the People's Republic of China. Illustration, China, 1960s.
Propaganda image with the worker, the soldier and the woman in the People's Republic of China. Illustration, China, 1960s.

LSE4321719: Propaganda image with the worker, the soldier and the woman in the People's Republic of China. Illustration, China, 1960s. / Bridgeman Images

Chinese military watch by two doves of peace. Cover of the newspaper
Chinese military watch by two doves of peace. Cover of the newspaper

LSE4321748: Chinese military watch by two doves of peace. Cover of the newspaper "Armed Forces of Chinese Peoples", Shanghai, 1959. / Bridgeman Images

Peasant going to the fields of dawn to work. Chinese cutting paper, in “Le papier decoupe d'art”, Shanghai, 1949.
Peasant going to the fields of dawn to work. Chinese cutting paper, in “Le papier decoupe d'art”, Shanghai, 1949.

LSE4321799: Peasant going to the fields of dawn to work. Chinese cutting paper, in “Le papier decoupe d'art”, Shanghai, 1949. / Bridgeman Images

Portrait of a couple of communist revolutionaries from black Africa. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.
Portrait of a couple of communist revolutionaries from black Africa. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.

LSE4321804: Portrait of a couple of communist revolutionaries from black Africa. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972. / Bridgeman Images

Commemoration of the death of Zhou Enlai (or Chou En-Lai) or Cheou Ngen-lai (Ngen lai) or Chu En Lai) (1898-1976), died January 8, 1976, seen by Zhou En Lai with a worker. Stamp, China Post, 1977.
Commemoration of the death of Zhou Enlai (or Chou En-Lai) or Cheou Ngen-lai (Ngen lai) or Chu En Lai) (1898-1976), died January 8, 1976, seen by Zhou En Lai with a worker. Stamp, China Post, 1977.

LSE4321871: Commemoration of the death of Zhou Enlai (or Chou En-Lai) or Cheou Ngen-lai (Ngen lai) or Chu En Lai) (1898-1976), died January 8, 1976, seen by Zhou En Lai with a worker. Stamp, China Post, 1977. / Bridgeman Images

Da Zhai, a model agricultural village for the Chinese communist regime, an example of modern agronomy. Stamp, China Post, 1974.
Da Zhai, a model agricultural village for the Chinese communist regime, an example of modern agronomy. Stamp, China Post, 1974.

LSE4321883: Da Zhai, a model agricultural village for the Chinese communist regime, an example of modern agronomy. Stamp, China Post, 1974. / Bridgeman Images

View of the United States concession on the Huangpu River in Shanghai in 1860, China. Engraving by Lancelot, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.
View of the United States concession on the Huangpu River in Shanghai in 1860, China. Engraving by Lancelot, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.

LSE4322241: View of the United States concession on the Huangpu River in Shanghai in 1860, China. Engraving by Lancelot, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

View of the French Anglo squadron in the mouth of the Hai He River in the Bohai Sea in Tanggu, China. Engraving by Lebreton, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.
View of the French Anglo squadron in the mouth of the Hai He River in the Bohai Sea in Tanggu, China. Engraving by Lebreton, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.

LSE4322246: View of the French Anglo squadron in the mouth of the Hai He River in the Bohai Sea in Tanggu, China. Engraving by Lebreton, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864., Lebreton, Louis (1818-66) / Bridgeman Images

Walls and Gate of Pekin (Beijing), China. Engraving by Lancelot, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.
Walls and Gate of Pekin (Beijing), China. Engraving by Lancelot, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864.

LSE4322269: Walls and Gate of Pekin (Beijing), China. Engraving by Lancelot, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1864., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

Troop of Chinese gunners in the 1870s. Engraving from a drawing by Bassot, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.
Troop of Chinese gunners in the 1870s. Engraving from a drawing by Bassot, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

LSE4322328: Troop of Chinese gunners in the 1870s. Engraving from a drawing by Bassot, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876., Bassot, Ferdinand (1843-1900) / Bridgeman Images

Chinese server in San Francisco, USA in the 19th century. Engraving after a drawing by Maillart, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.
Chinese server in San Francisco, USA in the 19th century. Engraving after a drawing by Maillart, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

LSE4322359: Chinese server in San Francisco, USA in the 19th century. Engraving after a drawing by Maillart, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876., French School, (19th century) / Bridgeman Images

Yuanmingyuan European Palace, the perfect Clarte Garden at Ete Palace near Pekin (Beijing). Engraving after a drawing by Deroy, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.
Yuanmingyuan European Palace, the perfect Clarte Garden at Ete Palace near Pekin (Beijing). Engraving after a drawing by Deroy, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

LSE4322374: Yuanmingyuan European Palace, the perfect Clarte Garden at Ete Palace near Pekin (Beijing). Engraving after a drawing by Deroy, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876., Deroy (19th century) (after) / Bridgeman Images

View of the Shanghai Gate on the Huangpu River, China in the years 1870-1880. Engraving after a drawing by Weber, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882.
View of the Shanghai Gate on the Huangpu River, China in the years 1870-1880. Engraving after a drawing by Weber, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882.

LSE4322417: View of the Shanghai Gate on the Huangpu River, China in the years 1870-1880. Engraving after a drawing by Weber, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882., Weber, Theodore (1838-1907) / Bridgeman Images

Preparation of Chinese rice noodles. Engraving after a drawing by FERDINANDUS, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.
Preparation of Chinese rice noodles. Engraving after a drawing by FERDINANDUS, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.

LSE4322435: Preparation of Chinese rice noodles. Engraving after a drawing by FERDINANDUS, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

Dr. Piassetzky travels to China, always accompanied by Chinese. Engraving after a drawing by Tofani, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.
Dr. Piassetzky travels to China, always accompanied by Chinese. Engraving after a drawing by Tofani, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.

LSE4322437: Dr. Piassetzky travels to China, always accompanied by Chinese. Engraving after a drawing by Tofani, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882., Tofani, Oswaldo (1849-1915) / Bridgeman Images

A protocol scene coming out of the table between Chinese Governor Tzo and a Western delegation. Engraving after a drawing by Pranishnikoff, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.
A protocol scene coming out of the table between Chinese Governor Tzo and a Western delegation. Engraving after a drawing by Pranishnikoff, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882.

LSE4322443: A protocol scene coming out of the table between Chinese Governor Tzo and a Western delegation. Engraving after a drawing by Pranishnikoff, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1882., Pranishnikoff, Ivan (1841-1909) / Bridgeman Images

Fandango, 1948 (poster)
Fandango, 1948 (poster)

LSE4322784: Fandango, 1948 (poster) / Bridgeman Images

The gods come to admire Krishna, embodies in the body of a beautiful child, Ganesha (Ganesh or Ganapati) sitting on the knees of his mother Parvati. Pat: painted roll of the Bengal region, serving as a narrative medium for singers Baoul (Baul). Leonard de Selva private collection.
The gods come to admire Krishna, embodies in the body of a beautiful child, Ganesha (Ganesh or Ganapati) sitting on the knees of his mother Parvati. Pat: painted roll of the Bengal region, serving as a narrative medium for singers Baoul (Baul). Leonard de Selva private collection.

LSE4322830: The gods come to admire Krishna, embodies in the body of a beautiful child, Ganesha (Ganesh or Ganapati) sitting on the knees of his mother Parvati. Pat: painted roll of the Bengal region, serving as a narrative medium for singers Baoul (Baul). Leonard de Selva private collection., Indian School / Bridgeman Images

Portrait of Emmanuel Vauchez, French politician. Caricature of Gill, Paris.
Portrait of Emmanuel Vauchez, French politician. Caricature of Gill, Paris.

LSE4322852: Portrait of Emmanuel Vauchez, French politician. Caricature of Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Jules Castagnary (1830-1888), French politician, lawyer, journalist, amateur and art critic. Cartoon by Gill, Paris.
Portrait of Jules Castagnary (1830-1888), French politician, lawyer, journalist, amateur and art critic. Cartoon by Gill, Paris.

LSE4322856: Portrait of Jules Castagnary (1830-1888), French politician, lawyer, journalist, amateur and art critic. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Mario Proth (1832-1891), French writer, literary critic and publicist. Cartoon by Gill, Paris.
Portrait of Mario Proth (1832-1891), French writer, literary critic and publicist. Cartoon by Gill, Paris.

LSE4322900: Portrait of Mario Proth (1832-1891), French writer, literary critic and publicist. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Adolphe Cochery (1819-1900), a French lawyer and politician, he was the founder of the Ecole Superieure de Telegraphie (the current Ecole Nationale Superieure des Telecommunications). Cartoon by Gill, Paris.
Portrait of Adolphe Cochery (1819-1900), a French lawyer and politician, he was the founder of the Ecole Superieure de Telegraphie (the current Ecole Nationale Superieure des Telecommunications). Cartoon by Gill, Paris.

LSE4323028: Portrait of Adolphe Cochery (1819-1900), a French lawyer and politician, he was the founder of the Ecole Superieure de Telegraphie (the current Ecole Nationale Superieure des Telecommunications). Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

Lenin (1870-1924) in conversation with Comrade Bonch-Bruevich in the Kremlin in 1918. Photography, in
Lenin (1870-1924) in conversation with Comrade Bonch-Bruevich in the Kremlin in 1918. Photography, in

LSE4323067: Lenin (1870-1924) in conversation with Comrade Bonch-Bruevich in the Kremlin in 1918. Photography, in "Our Illyich", State Edition for Children, Moscow, 1956., Russian Photographer, (20th century) / Bridgeman Images

Reading illustrated. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.
Reading illustrated. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.

LSE4323117: Reading illustrated. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897., French School, (19th century) / Bridgeman Images

The Great Mosquee al-Hocine, Cairo. Egyptian Islamic image, 19th century. Leonard de Selva collection.
The Great Mosquee al-Hocine, Cairo. Egyptian Islamic image, 19th century. Leonard de Selva collection.

LSE4323132: The Great Mosquee al-Hocine, Cairo. Egyptian Islamic image, 19th century. Leonard de Selva collection., Egyptian School, (19th century) / Bridgeman Images


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