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Ancient Christian churches in Abyssinia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
Ancient Christian churches in Abyssinia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4619819: Ancient Christian churches in Abyssinia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

ID: FLO4619819

Ancient Christian churches in Abyssinia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

Sumptuous banquet in Abyssinia. A man seated on a sofa serves his guests with a curved knife, while servants bring bread and drink. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Sumptuous banquet in Abyssinia. A man seated on a sofa serves his guests with a curved knife, while servants bring bread and drink. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619839: Sumptuous banquet in Abyssinia. A man seated on a sofa serves his guests with a curved knife, while servants bring bread and drink. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619839

Sumptuous banquet in Abyssinia. A man seated on a sofa serves his guests with a curved knife, while servants bring bread and drink. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Simple variety of Chinese primevere: ecarlate, white purple and pink spotted. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Simple variety of Chinese primevere: ecarlate, white purple and pink spotted. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671200: Simple variety of Chinese primevere: ecarlate, white purple and pink spotted. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671200

Simple variety of Chinese primevere: ecarlate, white purple and pink spotted. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Hybrid cineraries: of purple colour Lady kilmorey and black and purple variete John Standish. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Hybrid cineraries: of purple colour Lady kilmorey and black and purple variete John Standish. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671208: Hybrid cineraries: of purple colour Lady kilmorey and black and purple variete John Standish. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671208

Hybrid cineraries: of purple colour Lady kilmorey and black and purple variete John Standish. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Variete of Hyacinth Excelsior, hybrid of salmon pink colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variete of Hyacinth Excelsior, hybrid of salmon pink colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671302: Variete of Hyacinth Excelsior, hybrid of salmon pink colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671302

Variete of Hyacinth Excelsior, hybrid of salmon pink colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Variety of thoughts and violas: Eyebright (1), Canary (2), In Memoriam (3), White Perfection (4), Advancer (5), Dicksons King (6). Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variety of thoughts and violas: Eyebright (1), Canary (2), In Memoriam (3), White Perfection (4), Advancer (5), Dicksons King (6). Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671345: Variety of thoughts and violas: Eyebright (1), Canary (2), In Memoriam (3), White Perfection (4), Advancer (5), Dicksons King (6). Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671345

Variety of thoughts and violas: Eyebright (1), Canary (2), In Memoriam (3), White Perfection (4), Advancer (5), Dicksons King (6). Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Red flowers from an intermedia begonia. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Red flowers from an intermedia begonia. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671428: Red flowers from an intermedia begonia. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671428

Red flowers from an intermedia begonia. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Meadow saffron, Colchicum autumnal. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Meadow saffron, Colchicum autumnal. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671490: Meadow saffron, Colchicum autumnal. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671490

Meadow saffron, Colchicum autumnal. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Olive tree, Olea Europea. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Olive tree, Olea Europea. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671509: Olive tree, Olea Europea. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671509

Olive tree, Olea Europea. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Boulevard performers, musicians, conjurers, quacks and monkey trainers, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
Boulevard performers, musicians, conjurers, quacks and monkey trainers, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671728: Boulevard performers, musicians, conjurers, quacks and monkey trainers, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

ID: FLO4671728

Boulevard performers, musicians, conjurers, quacks and monkey trainers, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

Woman in a ball gown, with chapeau topped with a pouf decorated with ribbons and laurel leaves, fichu, corset in English taffeta, and blue taffeta petticoat. In her hand is a black ball mask with pink trim. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in a ball gown, with chapeau topped with a pouf decorated with ribbons and laurel leaves, fichu, corset in English taffeta, and blue taffeta petticoat. In her hand is a black ball mask with pink trim. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671829: Woman in a ball gown, with chapeau topped with a pouf decorated with ribbons and laurel leaves, fichu, corset in English taffeta, and blue taffeta petticoat. In her hand is a black ball mask with pink trim. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671829

Woman in a ball gown, with chapeau topped with a pouf decorated with ribbons and laurel leaves, fichu, corset in English taffeta, and blue taffeta petticoat. In her hand is a black ball mask with pink trim. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in mourning dress of black taffeta, fichu of white Italian gauze, and hat-hat in white crepe. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in mourning dress of black taffeta, fichu of white Italian gauze, and hat-hat in white crepe. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671855: Woman in mourning dress of black taffeta, fichu of white Italian gauze, and hat-hat in white crepe. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671855

Woman in mourning dress of black taffeta, fichu of white Italian gauze, and hat-hat in white crepe. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in taffeta pierrot caraco jacket, white linen petticoat, fichu in English gauze, and headdress of artificial roses and ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in taffeta pierrot caraco jacket, white linen petticoat, fichu in English gauze, and headdress of artificial roses and ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671905: Woman in taffeta pierrot caraco jacket, white linen petticoat, fichu in English gauze, and headdress of artificial roses and ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671905

Woman in taffeta pierrot caraco jacket, white linen petticoat, fichu in English gauze, and headdress of artificial roses and ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in bonnet-hat in red, green and white, with yellow plumes and artificial roses, and woman in hat of gauze and taffeta surmounted by feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in bonnet-hat in red, green and white, with yellow plumes and artificial roses, and woman in hat of gauze and taffeta surmounted by feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671939: Woman in bonnet-hat in red, green and white, with yellow plumes and artificial roses, and woman in hat of gauze and taffeta surmounted by feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671939

Woman in bonnet-hat in red, green and white, with yellow plumes and artificial roses, and woman in hat of gauze and taffeta surmounted by feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Fashionable hats of 1788. Half hat in violet gauze with white frills, hat in pink taffeta with ribbons, gauze and feathers, and a pouf in Italian gauze with ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Fashionable hats of 1788. Half hat in violet gauze with white frills, hat in pink taffeta with ribbons, gauze and feathers, and a pouf in Italian gauze with ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4672007: Fashionable hats of 1788. Half hat in violet gauze with white frills, hat in pink taffeta with ribbons, gauze and feathers, and a pouf in Italian gauze with ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4672007

Fashionable hats of 1788. Half hat in violet gauze with white frills, hat in pink taffeta with ribbons, gauze and feathers, and a pouf in Italian gauze with ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Farmer in tunic, coat and hat. Costumes from the period of William I the Conquerant (1027-1087), inspired by the Bayeux Tapestry or Embroidery by Queen Mathilde, 1077. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Farmer in tunic, coat and hat. Costumes from the period of William I the Conquerant (1027-1087), inspired by the Bayeux Tapestry or Embroidery by Queen Mathilde, 1077. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672041: Farmer in tunic, coat and hat. Costumes from the period of William I the Conquerant (1027-1087), inspired by the Bayeux Tapestry or Embroidery by Queen Mathilde, 1077. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672041

Farmer in tunic, coat and hat. Costumes from the period of William I the Conquerant (1027-1087), inspired by the Bayeux Tapestry or Embroidery by Queen Mathilde, 1077. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

King Richard I, known as the Lion Heart (1157-1199), wearing a crown, a scarlet tunic, blue coat, red shoes. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithography by Charles Martin, engraving by Leopold Martin, published in “Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
King Richard I, known as the Lion Heart (1157-1199), wearing a crown, a scarlet tunic, blue coat, red shoes. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithography by Charles Martin, engraving by Leopold Martin, published in “Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672058: King Richard I, known as the Lion Heart (1157-1199), wearing a crown, a scarlet tunic, blue coat, red shoes. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithography by Charles Martin, engraving by Leopold Martin, published in “Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672058

King Richard I, known as the Lion Heart (1157-1199), wearing a crown, a scarlet tunic, blue coat, red shoes. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithography by Charles Martin, engraving by Leopold Martin, published in “Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

King George of England (1166-1216). From his effigy of Worcester Cathedral (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
King George of England (1166-1216). From his effigy of Worcester Cathedral (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672085: King George of England (1166-1216). From his effigy of Worcester Cathedral (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672085

King George of England (1166-1216). From his effigy of Worcester Cathedral (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Aveline de Forst (died 1274), Countess of Lancaster. Represented after his representation in Westminster Abbey (England). Behind her is a woman wearing a simple dress and a veil, according to a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Aveline de Forst (died 1274), Countess of Lancaster. Represented after his representation in Westminster Abbey (England). Behind her is a woman wearing a simple dress and a veil, according to a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672093: Aveline de Forst (died 1274), Countess of Lancaster. Represented after his representation in Westminster Abbey (England). Behind her is a woman wearing a simple dress and a veil, according to a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672093

Aveline de Forst (died 1274), Countess of Lancaster. Represented after his representation in Westminster Abbey (England). Behind her is a woman wearing a simple dress and a veil, according to a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Man's costume in the time of Edward IV (1442-1483), from a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Man's costume in the time of Edward IV (1442-1483), from a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672142: Man's costume in the time of Edward IV (1442-1483), from a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672142

Man's costume in the time of Edward IV (1442-1483), from a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Typical female costume in the time of Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete au nos Jours', 1842 (colour litho)
Typical female costume in the time of Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete au nos Jours', 1842 (colour litho)

FLO4672154: Typical female costume in the time of Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete au nos Jours', 1842 (colour litho), Martin, Charles (1884-1934) / Bridgeman Images

ID: FLO4672154

Typical female costume in the time of Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete au nos Jours', 1842 (colour litho)

Martin, Charles (1884-1934)

Woman's costume at the time of Richard III (1452-1485), wearing an embroidered skirt, a henin headdress with a long veil and a coat trimmed with fur. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Woman's costume at the time of Richard III (1452-1485), wearing an embroidered skirt, a henin headdress with a long veil and a coat trimmed with fur. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672197: Woman's costume at the time of Richard III (1452-1485), wearing an embroidered skirt, a henin headdress with a long veil and a coat trimmed with fur. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672197

Woman's costume at the time of Richard III (1452-1485), wearing an embroidered skirt, a henin headdress with a long veil and a coat trimmed with fur. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

King Edward VI (1537-1553), wearing an extravagant short tunic and a coat, with white stockings. From a portrait of Hans Holbein (1497-1543) preserved at Christ's Hospital (Sussex, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
King Edward VI (1537-1553), wearing an extravagant short tunic and a coat, with white stockings. From a portrait of Hans Holbein (1497-1543) preserved at Christ's Hospital (Sussex, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672255: King Edward VI (1537-1553), wearing an extravagant short tunic and a coat, with white stockings. From a portrait of Hans Holbein (1497-1543) preserved at Christ's Hospital (Sussex, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672255

King Edward VI (1537-1553), wearing an extravagant short tunic and a coat, with white stockings. From a portrait of Hans Holbein (1497-1543) preserved at Christ's Hospital (Sussex, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Frances Howard (1578-1639), Duchess of Richmond. From an engraving of the period. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Frances Howard (1578-1639), Duchess of Richmond. From an engraving of the period. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672282: Frances Howard (1578-1639), Duchess of Richmond. From an engraving of the period. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672282

Frances Howard (1578-1639), Duchess of Richmond. From an engraving of the period. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

James, Marquis of Hamilton (1589-1625). (From Mark Garrard.) Behind him is Tobias Hobson (after the Remarkable People of Caufield). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
James, Marquis of Hamilton (1589-1625). (From Mark Garrard.) Behind him is Tobias Hobson (after the Remarkable People of Caufield). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672283: James, Marquis of Hamilton (1589-1625). (From Mark Garrard.) Behind him is Tobias Hobson (after the Remarkable People of Caufield). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672283

James, Marquis of Hamilton (1589-1625). (From Mark Garrard.) Behind him is Tobias Hobson (after the Remarkable People of Caufield). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Anne Stanhope (died 1663), Countess of Chesterfield, wearing a long yellow dress and a low-cut corset, has long sleeves doubled in pink. By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Anne Stanhope (died 1663), Countess of Chesterfield, wearing a long yellow dress and a low-cut corset, has long sleeves doubled in pink. By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672301: Anne Stanhope (died 1663), Countess of Chesterfield, wearing a long yellow dress and a low-cut corset, has long sleeves doubled in pink. By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672301

Anne Stanhope (died 1663), Countess of Chesterfield, wearing a long yellow dress and a low-cut corset, has long sleeves doubled in pink. By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672313: Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672313

Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

William III of Orange Nassau (1650-1702), King of England, in 1694, behind him Robert Bruce, Earl of Aylesbury, after William Faithorne (1626-1691). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
William III of Orange Nassau (1650-1702), King of England, in 1694, behind him Robert Bruce, Earl of Aylesbury, after William Faithorne (1626-1691). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672344: William III of Orange Nassau (1650-1702), King of England, in 1694, behind him Robert Bruce, Earl of Aylesbury, after William Faithorne (1626-1691). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672344

William III of Orange Nassau (1650-1702), King of England, in 1694, behind him Robert Bruce, Earl of Aylesbury, after William Faithorne (1626-1691). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Frontal bone of the skull. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Frontal bone of the skull. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672402: Frontal bone of the skull. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672402

Frontal bone of the skull. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Intercostal nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Intercostal nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672415: Intercostal nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672415

Intercostal nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Lumbar plexus and crural nerve. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Lumbar plexus and crural nerve. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672455: Lumbar plexus and crural nerve. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672455

Lumbar plexus and crural nerve. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

The nerves of the brachial plexus and the finger. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
The nerves of the brachial plexus and the finger. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672483: The nerves of the brachial plexus and the finger. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672483

The nerves of the brachial plexus and the finger. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Ophthalmic and maxillary nerves of the fifth cranial nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ophthalmic and maxillary nerves of the fifth cranial nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672496: Ophthalmic and maxillary nerves of the fifth cranial nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672496

Ophthalmic and maxillary nerves of the fifth cranial nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Nerves of the skull and eye. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Nerves of the skull and eye. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672497: Nerves of the skull and eye. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672497

Nerves of the skull and eye. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Vertebral column, spine and neck. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Vertebral column, spine and neck. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672546: Vertebral column, spine and neck. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672546

Vertebral column, spine and neck. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Hip joint and thigh bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Hip joint and thigh bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672595: Hip joint and thigh bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672595

Hip joint and thigh bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.


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