Dore, Gustave (1832-83) Assets (2601 in total)

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The Dove Sent Forth from the Ark, 19th century (engraving)
The Dove Sent Forth from the Ark, 19th century (engraving)

XEE4160445: The Dove Sent Forth from the Ark, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Samson removing the gates of Gaza , 19th century (engraving)
Samson removing the gates of Gaza , 19th century (engraving)

XEE4160952: Samson removing the gates of Gaza , 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

David, King of the United Kingdom of Israel Mourning the Death of Absalom, 19th century (engraving)
David, King of the United Kingdom of Israel Mourning the Death of Absalom, 19th century (engraving)

XEE4161054: David, King of the United Kingdom of Israel Mourning the Death of Absalom, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145628: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156195: Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156207: Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156244: Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156288: Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The miraculous draught of fishes, 19th century (engraving)
The miraculous draught of fishes, 19th century (engraving)

XEE4160676: The miraculous draught of fishes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Mary Magdalene repenting, 19th century (engraving)
Mary Magdalene repenting, 19th century (engraving)

XEE4160894: Mary Magdalene repenting, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Moses brings forth water from the rock - Book of Exodus, 19th century (engraving)
Moses brings forth water from the rock - Book of Exodus, 19th century (engraving)

XEE4161010: Moses brings forth water from the rock - Book of Exodus, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326293: A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329304: Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145610: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145732: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Charles Philipon (1806-62), c.1860 (oil on canvas)
Portrait of Charles Philipon (1806-62), c.1860 (oil on canvas)

XIR209535: Portrait of Charles Philipon (1806-62), c.1860 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145463: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145577: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145769: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection.
View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection.

XEE4177545: View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267159: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277083: Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326303: A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326328: A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326339: A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032134: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324488: Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325635: One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326331: A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329086: Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877
Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877

XEE4152083: Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877, Dore, Gustave (1832-83) / Bridgeman Images

The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving)
The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving)

ELD4831298: The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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