Dore, Gustave (1832-83) Assets (2602 in total)

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Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage

PCT4278407: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book
Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book

PCT4282223: Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book, Dore, Gustave (1832-83) / Bridgeman Images

Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -
Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -

PCT4285050: Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.
Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.

GIA4733360: Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré.
Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré.

GIA4763020: Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -
The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -

PCT4288737: The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -, Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277083: Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.

PCT4278292: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters., Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285144: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285108: The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267163: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.
In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.

PCT4265339: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267113: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267152: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262560: Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267159: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4157518: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008326: Gustave Dore’s Don Quixote: "In spite of his arms, he thrashed him like a wheat-sheaf" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008341: Gustave Dore’s Don Quixote: "When they came nearer, even patient Rozinante himself started at the dreadful sound" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008362: Gustave Dore’s Don Quixote: "At last I resolved to trust a renegade of Murcia, who had shown me great proofs of his kindness" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008374: Gustave Dore’s Don Quixote: "Another damsel comes into the room, and begins to inform him what castle that is, and how she is enchanted in it" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008386: Gustave Dore’s Don Quixote: "To all this fine expostulation Sancho answered not a word" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008398: Gustave Dore’s Don Quixote: "Observe what a vast company of glittering horse comes pouring out of the city, in pursuit of the Christian lovers" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008404: Gustave Dore’s Don Quixote: "'Absit!' cried the doctor" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008407: Gustave Dore’s Don Quixote: "The figure in the gown stood up" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008410: Gustave Dore’s Don Quixote: "He kissed the duke and duchess's hand at parting, and received his master's benediction" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008413: Gustave Dore’s Don Quixote: "Pray, my Lord Don Quixote, retire, for this poor young creature will not come to herself while you are by" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008425: Gustave Dore’s Don Quixote: "The squires left Don Quixote, Roque, and Sancho to await their return" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008428: Gustave Dore’s Don Quixote: "Don Quixote stayed there, waiting the appraoch of day" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156159: Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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