Dore, Gustave (1832-83) Assets (2602 in total)
Results
XLF3790858: The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images
XLF3779981: Artaxerxes granting liberty to the Jews. - Bible, Dore, Gustave (1832-83) / Bridgeman Images
XLF3780026: Paradise Lost: Fall of the rebel angels, artist Doré, Dore, Gustave (1832-83) / Bridgeman Images
XLF3780138: Victorian Fish Market engraving by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images
XLF3780043: Prophet Amos, engraving by Gustave Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images
XLF3780050: The prophet Ezra praying, by Gustave Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images
STC3587725: Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images
PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images
PCT4285050: Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images
PCT4285061: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -, Dore, Gustave (1832-83) / Bridgeman Images
PCT4285144: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images
PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images
PCT4288737: The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -, Dore, Gustave (1832-83) / Bridgeman Images
LSE4324488: Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4325635: One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4326293: A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4326303: A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4326328: A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4326339: A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images