Dore, Gustave (1832-83) Assets (2601 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Gargantua by Rabelais, illustration by Gustave Doré.
Gargantua by Rabelais, illustration by Gustave Doré.

LSE4403066: Gargantua by Rabelais, illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

The Crucifixion (w/c and gouache on paper)
The Crucifixion (w/c and gouache on paper)

PFA134468: The Crucifixion (w/c and gouache on paper), Dore, Gustave (1832-83) / Bridgeman Images

Drolatic Tales An Old Tropuat by Honore de Balzac drawing by Gustave Dore grave by Deghouny 1855
Drolatic Tales An Old Tropuat by Honore de Balzac drawing by Gustave Dore grave by Deghouny 1855

XRH1733757: Drolatic Tales An Old Tropuat by Honore de Balzac drawing by Gustave Dore grave by Deghouny 1855, Dore, Gustave (1832-83) / Bridgeman Images

The Downfall of King Pellam's Castle, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)
The Downfall of King Pellam's Castle, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)

STC3587823: The Downfall of King Pellam's Castle, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089581: The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

La promenade des detenus en prison - in “” London” by Gustave Dore, 1876
La promenade des detenus en prison - in “” London” by Gustave Dore, 1876

LSE4103626: La promenade des detenus en prison - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century
Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century

LSE4104417: Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie
He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie

LSE4095616: He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie, Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, Maison Caillot rue de la Procession, Chaussee du Maine (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, Maison Caillot rue de la Procession, Chaussee du Maine (pen & brown ink wash & pencil on paper)

XIR414934: Album of the Siege of Paris, Maison Caillot rue de la Procession, Chaussee du Maine (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images

A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)

STC377532: A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Warehousing, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)
Warehousing, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)

STC377547: Warehousing, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Madonna and Child (bronze)
Madonna and Child (bronze)

PNH351938: Madonna and Child (bronze), Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869011: Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4869024: The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162095: L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4163358: The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.
Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.

PCT4265338: Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138

PCT4265357: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138, Dore, Gustave (1832-83) / Bridgeman Images

The writer Cervantes rides on a wing horse (Pegase), his book “Don Quixote” and a feather in his hand, flying over other writers carrying (heavily!) their books. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
The writer Cervantes rides on a wing horse (Pegase), his book “Don Quixote” and a feather in his hand, flying over other writers carrying (heavily!) their books. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4266981: The writer Cervantes rides on a wing horse (Pegase), his book “Don Quixote” and a feather in his hand, flying over other writers carrying (heavily!) their books. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267109: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)
illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)

PCT4275230: illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

PCT4278257: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape, Dore, Gustave (1832-83) / Bridgeman Images

Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -
Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -

PCT4285001: Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -, Dore, Gustave (1832-83) / Bridgeman Images

The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285117: The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

A Nocturnal Discourse - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
A Nocturnal Discourse - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157183: A Nocturnal Discourse - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy: Paradiso, 1885 (engraving)
The Divine Comedy: Paradiso, 1885 (engraving)

XEE4145326: The Divine Comedy: Paradiso, 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145503: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145594: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161111: Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160438: Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160487: Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

PCT4275836: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68)., Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

PCT4278398: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat, Dore, Gustave (1832-83) / Bridgeman Images

Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.
Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.

PCT4262554: Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images


Back to top