Dore, Gustave (1832-83) Assets (2601 in total)

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Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)
Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)

XEE4162390: Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Monument to Alexandre Dumas Pere, d'Artagnan, 1883 (detail) (stone & bronze) (see also 98561, 287761, 287762, 287764) (b/w photo)
Monument to Alexandre Dumas Pere, d'Artagnan, 1883 (detail) (stone & bronze) (see also 98561, 287761, 287762, 287764) (b/w photo)

XIR287763: Monument to Alexandre Dumas Pere, d'Artagnan, 1883 (detail) (stone & bronze) (see also 98561, 287761, 287762, 287764) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

The Animals Fallen Sick With the Plague, illustration for the Fables of La Fontaine (engraving)
The Animals Fallen Sick With the Plague, illustration for the Fables of La Fontaine (engraving)

PER485257: The Animals Fallen Sick With the Plague, illustration for the Fables of La Fontaine (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Laboratoire (pen & ink on paper)
Laboratoire (pen & ink on paper)

NYL871629: Laboratoire (pen & ink on paper), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763829: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771553: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Panurge and Pantagruel -
Panurge and Pantagruel -

XLA3776556: Panurge and Pantagruel -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763897: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3771594: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Accident during the first ascent of the Matterhorn (engraving)
Accident during the first ascent of the Matterhorn (engraving)

SZT2995469: Accident during the first ascent of the Matterhorn (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4156174: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gargantua resting on the towers of the Church of Our Lady. Engraving after the work Gargantua by François Rabelais (1483 - 1553), 1534. Engraving by Gustave Dore (1832-1883).
Gargantua resting on the towers of the Church of Our Lady. Engraving after the work Gargantua by François Rabelais (1483 - 1553), 1534. Engraving by Gustave Dore (1832-1883).

GIA4733046: Gargantua resting on the towers of the Church of Our Lady. Engraving after the work Gargantua by François Rabelais (1483 - 1553), 1534. Engraving by Gustave Dore (1832-1883)., Dore, Gustave (1832-83) / Bridgeman Images

The Prophet Amos Engraving from “The Bible” by Gustave Dore (1832-1883)
The Prophet Amos Engraving from “The Bible” by Gustave Dore (1832-1883)

GIA4715125: The Prophet Amos Engraving from “The Bible” by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Cupid with a Pistol on Top of a Mountain of Skull, 19th century (ink and drawing)
Cupid with a Pistol on Top of a Mountain of Skull, 19th century (ink and drawing)

FIA5404961: Cupid with a Pistol on Top of a Mountain of Skull, 19th century (ink and drawing), Dore, Gustave (1832-83) / Bridgeman Images

Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160853: Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection
Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection

ELD4868799: Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4868877: Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145748: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160448: THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Cours d'anatomie comparee au jardin des plantes, Les différents publics de Paris, 1854 (colour litho)
Cours d'anatomie comparee au jardin des plantes, Les différents publics de Paris, 1854 (colour litho)

STC621355: Cours d'anatomie comparee au jardin des plantes, Les différents publics de Paris, 1854 (colour litho) , Dore, Gustave (1832-83) / Bridgeman Images

On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156171: On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156205: Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156230: Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156287: Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.
The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.

PCT4262559: The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.
Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.

PCT4265335: Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12., Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.
Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.

PCT4265408: Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Detail of an Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Detail of an Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267020: Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Detail of an Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032082: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

PCT4275903: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54)., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277014: Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.
Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277099: Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -
Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -

PCT4282232: Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -, Dore, Gustave (1832-83) / Bridgeman Images

The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -
The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -

PCT4285013: The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images


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