Dore, Gustave (1832-83) Assets (2601 in total)

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The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

La Torre Nueva, Zaragoza in the 19th century, 1878 (wood engraving)
La Torre Nueva, Zaragoza in the 19th century, 1878 (wood engraving)

KWE441347: La Torre Nueva, Zaragoza in the 19th century, 1878 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, Gate of Auteuil (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, Gate of Auteuil (pen & brown ink wash & pencil on paper)

XIR414929: Album of the Siege of Paris, Gate of Auteuil (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images

London, 1871, after an unpublished drawing by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.
London, 1871, after an unpublished drawing by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478450: London, 1871, after an unpublished drawing by Gustave Dore. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

After a work by Gustave Dore for Balzac's Les Contes Drolatiques.  From Life and Reminiscences of Gustave Dore, published 1885.
After a work by Gustave Dore for Balzac's Les Contes Drolatiques.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478442: After a work by Gustave Dore for Balzac's Les Contes Drolatiques. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

The Monkey and The Dolphin after a work by Gustave Dore for a La Fontaine fable. From Life and Reminiscences of Gustave Dore, published 1885.
The Monkey and The Dolphin after a work by Gustave Dore for a La Fontaine fable. From Life and Reminiscences of Gustave Dore, published 1885.

KWE478448: The Monkey and The Dolphin after a work by Gustave Dore for a La Fontaine fable. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

El Palacio de la Inquisicion in the 19th century, 1878 (wood engraving)
El Palacio de la Inquisicion in the 19th century, 1878 (wood engraving)

KWE441346: El Palacio de la Inquisicion in the 19th century, 1878 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

A dentist's antechamber, 1862 (engraving)
A dentist's antechamber, 1862 (engraving)

XEE4144670: A dentist's antechamber, 1862 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156150: Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156180: Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Illustration from History of Don Quixote, 19th century (engraving)
Illustration from History of Don Quixote, 19th century (engraving)

XEE4156188: Illustration from History of Don Quixote, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156232: The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156266: Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -
An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -

PCT4288748: An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -, Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.
Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.

XEE4160073: Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring
Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring

XEE4160179: Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160435: Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868817: Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868847: Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection
Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection

ELD4868954: Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032093: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Reconciliation of Jacob and Esau. Genesis, XXXIII, 4. Illustration of Gustave Doré.
Reconciliation of Jacob and Esau. Genesis, XXXIII, 4. Illustration of Gustave Doré.

GIA4741411: Reconciliation of Jacob and Esau. Genesis, XXXIII, 4. Illustration of Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet the giant Anteas. Ill. for the Divine Comedy by Dante Anlighieri by Gustave Doré.
Dante and Virgil meet the giant Anteas. Ill. for the Divine Comedy by Dante Anlighieri by Gustave Doré.

GIA4767020: Dante and Virgil meet the giant Anteas. Ill. for the Divine Comedy by Dante Anlighieri by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Queen of Sheba before Solomon Engraved by Gustave Dore
The Queen of Sheba before Solomon Engraved by Gustave Dore

XEE4154699: The Queen of Sheba before Solomon Engraved by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156203: Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156238: Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156249: Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156268: Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4160120: Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Divine Comedy, Dante and Virgil, 19th century (engraving)
Divine Comedy, Dante and Virgil, 19th century (engraving)

TRK5459238: Divine Comedy, Dante and Virgil, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

However, four of his people threw mustard in his mouth, one after the other, continually, full-shoveled. Extract from Gargantua by François Rabelais (1483 - 1553), engraving by Gustave Dore (1832-1883).
However, four of his people threw mustard in his mouth, one after the other, continually, full-shoveled. Extract from Gargantua by François Rabelais (1483 - 1553), engraving by Gustave Dore (1832-1883).

GIA4733078: However, four of his people threw mustard in his mouth, one after the other, continually, full-shoveled. Extract from Gargantua by François Rabelais (1483 - 1553), engraving by Gustave Dore (1832-1883)., Dore, Gustave (1832-83) / Bridgeman Images

Arrival in Cairo of the Crusaders prisoners, engraving by Gustave Doré. 19th century.
Arrival in Cairo of the Crusaders prisoners, engraving by Gustave Doré. 19th century.

GIA4771775: Arrival in Cairo of the Crusaders prisoners, engraving by Gustave Doré. 19th century., Dore, Gustave (1832-83) / Bridgeman Images


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