Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)
The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)
A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)

XYC249719: A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Review in a Market Place, c.1790 (pen & ink with w/c on paper)
A Review in a Market Place, c.1790 (pen & ink with w/c on paper)

XYC250012: A Review in a Market Place, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)
The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)

XCF290981: The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)
Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)

XYC322079: Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper)
Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper)

XYC239818: Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)
The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)

XYC234019: The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)
A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)

XYC283582: A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Steward, from a series entitled Country Characters, 1799 (etching with w/c)
Steward, from a series entitled Country Characters, 1799 (etching with w/c)

XCF290988: Steward, from a series entitled Country Characters, 1799 (etching with w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How to Twist Your Neck' (pen, red ink and w/c on paper)
'How to Twist Your Neck' (pen, red ink and w/c on paper)

XYC158076: 'How to Twist Your Neck' (pen, red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)
The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)

XYC149959: The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)
The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)

XYC145593: The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

XTD75449: "All Fates he vow'd to him were known, And yet He could not tell his own", caricature of a fortune teller, pub. by R. Ackermann, 1815 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sailor's Marriage, 1805 (coloured etching)
A Sailor's Marriage, 1805 (coloured etching)

XOS3746296: A Sailor's Marriage, 1805 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Market
Covent Garden Market

CH27222: Covent Garden Market, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper)
A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper)

CH378070: A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Boxing Match,  (pen and ink and watercolour)
The Boxing Match,  (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table, (pencil, pen and ink and watercolour)
The Gaming Table, (pencil, pen and ink and watercolour)

CH651828: The Gaming Table, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)
The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)

CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cruel Mistress (pen & brown ink and colour wash on paper)
The Cruel Mistress (pen & brown ink and colour wash on paper)

CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)
Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)

CH1197611: Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Forge, 1790 (pen and w/c over pencil on paper)
At the Forge, 1790 (pen and w/c over pencil on paper)

XBM115508: At the Forge, 1790 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98390: The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Alchemist (w/c on paper)
The Alchemist (w/c on paper)

CBE204079: The Alchemist (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Darning The Sock (pen & ink, w/c)
Darning The Sock (pen & ink, w/c)

CBE86184: Darning The Sock (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Funcking the Corsican, pub. 1813 (hand coloured engraving)
Funcking the Corsican, pub. 1813 (hand coloured engraving)

STC4071325: Funcking the Corsican, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)
A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)

XYC238966: A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)
Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)

XYC250013: Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)
An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)

XYC224056: An English Postilion, c.1785 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)
Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)

XYC249713: Mrs Abington, reclining on a couch (pen, graphite & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Riding School (pen & ink on paper)
The Riding School (pen & ink on paper)

XYC226634: The Riding School (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)
The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)

XYC226635: The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return from the Hunt, 1787 (pen & ink with w/c on paper)
The Return from the Hunt, 1787 (pen & ink with w/c on paper)

XYC250004: The Return from the Hunt, 1787 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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