Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081502: Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081520: Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lambeth Cavalry, c.1799 (colour litho)
Lambeth Cavalry, c.1799 (colour litho)

NAM3062345: Lambeth Cavalry, c.1799 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Milk Sop
The Milk Sop

BAL5327: The Milk Sop, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Boxing Match,  (pen and ink and watercolour)
The Boxing Match,  (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Shrimp, Sir?, 1799 (pencil, pen & brown ink and watercolour on paper)
A Shrimp, Sir?, 1799 (pencil, pen & brown ink and watercolour on paper)

CH378070: A Shrimp, Sir?, 1799 (pencil, pen & brown ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man Fishing, c.1780 (pen & brown ink and w/c on paper)
Man Fishing, c.1780 (pen & brown ink and w/c on paper)

MAN276856: Man Fishing, c.1780 (pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)
An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)

XYC224056: An English Postilion, c.1785 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)
The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)

XYC226635: The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)
A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)

XYC283582: A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)
Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)

XYC322079: Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Serving Punch, c.1815-20 (pen & ink and watercolour over pencil on paper)
Serving Punch, c.1815-20 (pen & ink and watercolour over pencil on paper)

XYC239818: Serving Punch, c.1815-20 (pen & ink and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)
A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)

XYC238966: A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr and Mrs Jolly at their Country House (watercolour, pen & ink and pencil on paper)
Mr and Mrs Jolly at their Country House (watercolour, pen & ink and pencil on paper)

XYC239819: Mr and Mrs Jolly at their Country House (watercolour, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)
Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)

XYC249713: Mrs Abington, reclining on a couch (pen, graphite & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)
A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)

XYC249719: A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return from the Hunt, 1787 (pen & ink with w/c on paper)
The Return from the Hunt, 1787 (pen & ink with w/c on paper)

XYC250004: The Return from the Hunt, 1787 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)
Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)

XYC250013: Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213544: Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213543: Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Carter and the Gypsies (pen & ink and w/c on paper)
The Carter and the Gypsies (pen & ink and w/c on paper)

AGN271132: The Carter and the Gypsies (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Market Place (pen & ink on paper)
Market Place (pen & ink on paper)

AGN271134: Market Place (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Amusement (pen & ink and w/c on paper)
Sea Amusement (pen & ink and w/c on paper)

AGN271133: Sea Amusement (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Riding School (pen & ink on paper)
The Riding School (pen & ink on paper)

XYC226634: The Riding School (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Review in a Market Place, c.1790 (pen & ink with w/c on paper)
A Review in a Market Place, c.1790 (pen & ink with w/c on paper)

XYC250012: A Review in a Market Place, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse Fair, Southampton (pen & ink & w/c on paper)
Horse Fair, Southampton (pen & ink & w/c on paper)

STC205060: Horse Fair, Southampton (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)
Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)

CEC43143: Visitors in Venice, c.1810 (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Southwark Cavalry, c.1799 (coloured aquatint)
Southwark Cavalry, c.1799 (coloured aquatint)

NAM3062344: Southwark Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madness at the Dinner Table, 1816 (w/c on paper)
Madness at the Dinner Table, 1816 (w/c on paper)

BNM123594: Madness at the Dinner Table, 1816 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mary Spriggens, the Midwife (w/c, pen & ink)
Mary Spriggens, the Midwife (w/c, pen & ink)

BNM76690: Mary Spriggens, the Midwife (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563167: Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside the Inn (w/c on paper)
Outside the Inn (w/c on paper)

CBE201721: Outside the Inn (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98390: The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Strollers (w/c on paper)
The Strollers (w/c on paper)

CBE198635: The Strollers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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