Parrish, Maxfield Frederick (1870-1966) Assets (311 in total)

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Good Mixer, 1924 (oil on panel)
Good Mixer, 1924 (oil on panel)

AIG433611: Good Mixer, 1924 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Lull Brook Winter, 1945 (oil on board)
Lull Brook Winter, 1945 (oil on board)

AIG433614: Lull Brook Winter, 1945 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Shepherds with Sheep, 1898 (lithograph)
Shepherds with Sheep, 1898 (lithograph)

AIG433623: Shepherds with Sheep, 1898 (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Garden of Allah, 1918 (oil on panel)
The Garden of Allah, 1918 (oil on panel)

AIG433629: The Garden of Allah, 1918 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Formal Growth in the Desert, 1902 (oil on board)
Formal Growth in the Desert, 1902 (oil on board)

AIG433638: Formal Growth in the Desert, 1902 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Evening - Twilight, 1927 (oil on panel)
Evening - Twilight, 1927 (oil on panel)

AIG433666: Evening - Twilight, 1927 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Thunderhead, 1943 (oil on panel)
Thunderhead, 1943 (oil on panel)

AIG433678: Thunderhead, 1943 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Tallwood Pearl, or Sheltering Oaks, c.1955 (oil on mother-of-pearl button)
Tallwood Pearl, or Sheltering Oaks, c.1955 (oil on mother-of-pearl button)

AIG433684: Tallwood Pearl, or Sheltering Oaks, c.1955 (oil on mother-of-pearl button), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dream Days, End Papers, 1900 (lithograph)
Dream Days, End Papers, 1900 (lithograph)

AIG433513: Dream Days, End Papers, 1900 (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Boboli Garden, Florence, 1904 (colour litho)
Boboli Garden, Florence, 1904 (colour litho)

AIG433534: Boboli Garden, Florence, 1904 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Autumn Afternoon (w/c on paper)
Autumn Afternoon (w/c on paper)

AIG433633: Autumn Afternoon (w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Augustus Saint-Gaudens Cornish Colony Presentation Plaque, 1905-06 (bronze)
Augustus Saint-Gaudens Cornish Colony Presentation Plaque, 1905-06 (bronze)

AIG433642: Augustus Saint-Gaudens Cornish Colony Presentation Plaque, 1905-06 (bronze), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

New Hampshire Hills, 1932 (oil on panel)
New Hampshire Hills, 1932 (oil on panel)

AIG433670: New Hampshire Hills, 1932 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Moonlight - Deep Snow, 1944 (oil on panel)
Moonlight - Deep Snow, 1944 (oil on panel)

AIG433679: Moonlight - Deep Snow, 1944 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Rocky Stream Landscape, 1949 (oil on panel)
Rocky Stream Landscape, 1949 (oil on panel)

AIG433682: Rocky Stream Landscape, 1949 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Ponte Vecchio, Firenze, c.1887-88 (watercolour, pen & ink on paper)
Ponte Vecchio, Firenze, c.1887-88 (watercolour, pen & ink on paper)

AIG433688: Ponte Vecchio, Firenze, c.1887-88 (watercolour, pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Old King Cole, 1895 (oil on canvas)
Old King Cole, 1895 (oil on canvas)

AIG433724: Old King Cole, 1895 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

At the same time the earth, trembling, opened just before the magician and uncovered a stone, laid horizontally, with a brass ring fixed into the middle, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
At the same time the earth, trembling, opened just before the magician and uncovered a stone, laid horizontally, with a brass ring fixed into the middle, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321093: At the same time the earth, trembling, opened just before the magician and uncovered a stone, laid horizontally, with a brass ring fixed into the middle, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Prospector,  (oil on paper laid on board)
The Prospector,  (oil on paper laid on board)

CH823305: The Prospector, (oil on paper laid on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Decennial Anniversary Cover,  (watercolour and ink on paper)
Decennial Anniversary Cover,  (watercolour and ink on paper)

CH985169: Decennial Anniversary Cover, (watercolour and ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cinderella, 1913 (oil on panel)
Cinderella, 1913 (oil on panel)

CH984970: Cinderella, 1913 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Proserpina and the Sea Nymphs, 1908 (oil on canvas)
Proserpina and the Sea Nymphs, 1908 (oil on canvas)

CH1767691: Proserpina and the Sea Nymphs, 1908 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992257: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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