Parrish, Maxfield Frederick (1870-1966) Assets (311 in total)

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Thy Rocks and Rills, The Old Mill, 1942 (oil on masonite)
Thy Rocks and Rills, The Old Mill, 1942 (oil on masonite)

AIG433561: Thy Rocks and Rills, The Old Mill, 1942 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Prometheus, 1919 (colour litho)
Prometheus, 1919 (colour litho)

AIG433573: Prometheus, 1919 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Contentment, 1927 (oil on panel)
Contentment, 1927 (oil on panel)

AIG433576: Contentment, 1927 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Humpty Dumpty, Cutout, 1921 (oil on paper)
Humpty Dumpty, Cutout, 1921 (oil on paper)

AIG433606: Humpty Dumpty, Cutout, 1921 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Scassi, Genoa, 1903 (oil on paper)
Villa Scassi, Genoa, 1903 (oil on paper)

AIG433533: Villa Scassi, Genoa, 1903 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, 1956 (oil on board)
Sheltering Oaks, 1956 (oil on board)

CH1767589: Sheltering Oaks, 1956 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board)
The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board)

CH1767591: The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The City of Brass by Maxfield Parrish, 1909 (screen print)
The City of Brass by Maxfield Parrish, 1909 (screen print)

GRC3035750: The City of Brass by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC3506773: At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Storm, 1907 (oil on canvas)
The Storm, 1907 (oil on canvas)

PLL3949714: The Storm, 1907 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Artist, 1909 (oil on paper)
The Artist, 1909 (oil on paper)

BRR5896079: The Artist, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236194: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236211: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236196: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992258: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992265: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992250: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992247: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992260: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Twenty-First of October, 1902 (oil on board)
The Twenty-First of October, 1902 (oil on board)

AIG433520: The Twenty-First of October, 1902 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)
Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)

AIG433532: Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Ancient Tree, 1941 (oil on board)
Ancient Tree, 1941 (oil on board)

AIG433559: Ancient Tree, 1941 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Venetian Lamplighters, 1922 (oil on panel)
Venetian Lamplighters, 1922 (oil on panel)

AIG433574: Venetian Lamplighters, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

A Dark Futurist, 1923 (oil on panel)
A Dark Futurist, 1923 (oil on panel)

AIG433610: A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Letter to Austin Purves, c.1904 (pencil on paper)
Letter to Austin Purves, c.1904 (pencil on paper)

AIG433640: Letter to Austin Purves, c.1904 (pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)
Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)

AIG433656: Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Gameraia, 1903 (oil on canvas)
Villa Gameraia, 1903 (oil on canvas)

AIG433529: Villa Gameraia, 1903 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Stone House, or The Morning Light, 1954 (oil on panel)
Little Stone House, or The Morning Light, 1954 (oil on panel)

AIG433571: Little Stone House, or The Morning Light, 1954 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Reverie, 1926 (oil on panel)
Reverie, 1926 (oil on panel)

AIG433577: Reverie, 1926 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dies Irae, 1902 (pen & ink on board)
Dies Irae, 1902 (pen & ink on board)

AIG433637: Dies Irae, 1902 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Road to the Valley, 1943 (oil on masonite)
Road to the Valley, 1943 (oil on masonite)

AIG433677: Road to the Valley, 1943 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Glen Mill, 1950 (oil on panel)
Glen Mill, 1950 (oil on panel)

AIG433683: Glen Mill, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Indian Drinking Rum, 1899 (pen & ink on paper)
Indian Drinking Rum, 1899 (pen & ink on paper)

AIG433695: Indian Drinking Rum, 1899 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)
Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)

AIG433531: Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)
Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)

AIG433570: Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Prospector, 1909 (oil on paper)
The Prospector, 1909 (oil on paper)

AIG433597: The Prospector, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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