Parrish, Maxfield Frederick (1870-1966) Assets (311 in total)

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Egypt, 1922 (colour litho)
Egypt, 1922 (colour litho)

AIG150605: Egypt, 1922 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

L'Allegro, 1901 (oil on paper)
L'Allegro, 1901 (oil on paper)

CH89282: L'Allegro, 1901 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper)
The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper)

CH92972: The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Egyptian Sculpture,1903 (oil on paper)
The Egyptian Sculpture,1903 (oil on paper)

CH985012: The Egyptian Sculpture,1903 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, 1956 (oil on board)
Sheltering Oaks, 1956 (oil on board)

CH1767589: Sheltering Oaks, 1956 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC3506773: At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Storm, 1907 (oil on canvas)
The Storm, 1907 (oil on canvas)

PLL3949714: The Storm, 1907 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236196: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236194: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236211: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board)
The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board)

CH1767591: The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Artist, 1909 (oil on paper)
The Artist, 1909 (oil on paper)

BRR5896079: The Artist, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992258: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992265: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992250: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992247: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992260: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mr. Pickle, 1911 (pencil on cut paper affixed to cardboard)
Mr. Pickle, 1911 (pencil on cut paper affixed to cardboard)

CH1767592: Mr. Pickle, 1911 (pencil on cut paper affixed to cardboard), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The City of Brass by Maxfield Parrish, 1909 (screen print)
The City of Brass by Maxfield Parrish, 1909 (screen print)

GRC3035750: The City of Brass by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321097: The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mutabile Semper, Chocolate, 1900 (pen & ink on board)
Mutabile Semper, Chocolate, 1900 (pen & ink on board)

AIG433509: Mutabile Semper, Chocolate, 1900 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Gori, La Palazzina, Siena, 1903 (oil on panel)
Villa Gori, La Palazzina, Siena, 1903 (oil on panel)

AIG433530: Villa Gori, La Palazzina, Siena, 1903 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)
Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)

AIG433647: Spotted Horse and Soldier cutout, c.1910 (collage mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mermen, 1916 (oil on panel with cut-out reliefs)
Mermen, 1916 (oil on panel with cut-out reliefs)

AIG433653: Mermen, 1916 (oil on panel with cut-out reliefs), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

White Birch Winter, 1931 (oil on panel)
White Birch Winter, 1931 (oil on panel)

AIG433669: White Birch Winter, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

New Hampshire Winter Paradise, 1939 (colour litho)
New Hampshire Winter Paradise, 1939 (colour litho)

AIG433503: New Hampshire Winter Paradise, 1939 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Walls Were As Of Jasper, 1900 (oil on board)
The Walls Were As Of Jasper, 1900 (oil on board)

AIG433512: The Walls Were As Of Jasper, 1900 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Parading Soldiers, 1912 (oil and collage)
Parading Soldiers, 1912 (oil and collage)

AIG433599: Parading Soldiers, 1912 (oil and collage), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Rocks and Rills, 1942 (oil on canvas)
The Rocks and Rills, 1942 (oil on canvas)

CH823306: The Rocks and Rills, 1942 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Valley, 1946 (oil on masonite)
Deep Valley, 1946 (oil on masonite)

CH985038: Deep Valley, 1946 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mask and Pierrot, 1908 (oil on paper laid down on panel)
Mask and Pierrot, 1908 (oil on paper laid down on panel)

CH985115: Mask and Pierrot, 1908 (oil on paper laid down on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Old King Cole, 1895 (oil on canvas)
Old King Cole, 1895 (oil on canvas)

CH985167: Old King Cole, 1895 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Her Window, 1922 (oil on panel)
Her Window, 1922 (oil on panel)

CH822962: Her Window, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Twenty-First of October, 1902 (oil on board)
The Twenty-First of October, 1902 (oil on board)

AIG433520: The Twenty-First of October, 1902 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Gameraia, 1903 (oil on canvas)
Villa Gameraia, 1903 (oil on canvas)

AIG433529: Villa Gameraia, 1903 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)
Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)

AIG433532: Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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