Parrish, Maxfield Frederick (1870-1966) Assets (311 in total)

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Villa Medici, Rome, 1903-04 (lithograph)
Villa Medici, Rome, 1903-04 (lithograph)

AIG433537: Villa Medici, Rome, 1903-04 (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)
Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)

AIG433570: Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Waterfall, 1930 (oil on panel)
Waterfall, 1930 (oil on panel)

AIG433579: Waterfall, 1930 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Prospector, 1909 (oil on paper)
The Prospector, 1909 (oil on paper)

AIG433597: The Prospector, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Morning, 1922 (oil on panel)
Morning, 1922 (oil on panel)

AIG433609: Morning, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Evening, or Winterscape, 1953 (oil on artist board)
Evening, or Winterscape, 1953 (oil on artist board)

AIG433615: Evening, or Winterscape, 1953 (oil on artist board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)

AIG433618: Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

October, or Dreaming, 1928 (oil on panel)
October, or Dreaming, 1928 (oil on panel)

AIG433667: October, or Dreaming, 1928 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Just a Moment Please, c.1935 (oil on panel)
Just a Moment Please, c.1935 (oil on panel)

AIG433673: Just a Moment Please, c.1935 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The River at Ascutney, 1942 (oil on panel)
The River at Ascutney, 1942 (oil on panel)

AIG433676: The River at Ascutney, 1942 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Twenty-First of October, 1902 (oil on board)
The Twenty-First of October, 1902 (oil on board)

AIG433520: The Twenty-First of October, 1902 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Gameraia, 1903 (oil on canvas)
Villa Gameraia, 1903 (oil on canvas)

AIG433529: Villa Gameraia, 1903 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)
Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)

AIG433532: Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Ancient Tree, 1941 (oil on board)
Ancient Tree, 1941 (oil on board)

AIG433559: Ancient Tree, 1941 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Stone House, or The Morning Light, 1954 (oil on panel)
Little Stone House, or The Morning Light, 1954 (oil on panel)

AIG433571: Little Stone House, or The Morning Light, 1954 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Venetian Lamplighters, 1922 (oil on panel)
Venetian Lamplighters, 1922 (oil on panel)

AIG433574: Venetian Lamplighters, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Reverie, 1926 (oil on panel)
Reverie, 1926 (oil on panel)

AIG433577: Reverie, 1926 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

A Dark Futurist, 1923 (oil on panel)
A Dark Futurist, 1923 (oil on panel)

AIG433610: A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dies Irae, 1902 (pen & ink on board)
Dies Irae, 1902 (pen & ink on board)

AIG433637: Dies Irae, 1902 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Letter to Austin Purves, c.1904 (pencil on paper)
Letter to Austin Purves, c.1904 (pencil on paper)

AIG433640: Letter to Austin Purves, c.1904 (pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Farmer with Clasped Hands in Back, c.1920s (oil & watercolour on paper)
Farmer with Clasped Hands in Back, c.1920s (oil & watercolour on paper)

AIG433656: Farmer with Clasped Hands in Back, c.1920s (oil & watercolour on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Road to the Valley, 1943 (oil on masonite)
Road to the Valley, 1943 (oil on masonite)

AIG433677: Road to the Valley, 1943 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Glen Mill, 1950 (oil on panel)
Glen Mill, 1950 (oil on panel)

AIG433683: Glen Mill, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Indian Drinking Rum, 1899 (pen & ink on paper)
Indian Drinking Rum, 1899 (pen & ink on paper)

AIG433695: Indian Drinking Rum, 1899 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)
Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)

DAM184640: Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Lamp Seller of Baghdad, 1923 (lithograph)
Lamp Seller of Baghdad, 1923 (lithograph)

AIG150189: Lamp Seller of Baghdad, 1923 (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Djer-Kiss, 1916 (colour litho)
Djer-Kiss, 1916 (colour litho)

AIG150192: Djer-Kiss, 1916 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sugar Hill: Late Afternoon, 1930 (oil on board)
Sugar Hill: Late Afternoon, 1930 (oil on board)

CH96175: Sugar Hill: Late Afternoon, 1930 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321097: The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper)
Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper)

CH92921: Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Valley, 1946 (oil on masonite)
Deep Valley, 1946 (oil on masonite)

CH985038: Deep Valley, 1946 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Her Window, 1922 (oil on panel)
Her Window, 1922 (oil on panel)

CH822962: Her Window, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Rocks and Rills, 1942 (oil on canvas)
The Rocks and Rills, 1942 (oil on canvas)

CH823306: The Rocks and Rills, 1942 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Autumn Brook, 1948 (oil on board)
Autumn Brook, 1948 (oil on board)

CH1767338: Autumn Brook, 1948 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mask and Pierrot, 1908 (oil on paper laid down on panel)
Mask and Pierrot, 1908 (oil on paper laid down on panel)

CH985115: Mask and Pierrot, 1908 (oil on paper laid down on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Old King Cole, 1895 (oil on canvas)
Old King Cole, 1895 (oil on canvas)

CH985167: Old King Cole, 1895 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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