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Painting n 530 (oil on canvas, 1915)
Painting n 530 (oil on canvas, 1915)

LRI4616224: Painting n 530 (oil on canvas, 1915), Magnelli, Alberto (1888-1971) / Bridgeman Images

ID: LRI4616224

Painting n 530 (oil on canvas, 1915)

Magnelli, Alberto (1888-1971)

Bigleaf periwinkle, large periwinkle or blue periwinkle, Vinca major. Handcoloured stipple engraving by Duruisseau after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.
Bigleaf periwinkle, large periwinkle or blue periwinkle, Vinca major. Handcoloured stipple engraving by Duruisseau after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616249: Bigleaf periwinkle, large periwinkle or blue periwinkle, Vinca major. Handcoloured stipple engraving by Duruisseau after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4616249

Bigleaf periwinkle, large periwinkle or blue periwinkle, Vinca major. Handcoloured stipple engraving by Duruisseau after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

Redouté, Pierre Joseph (1759-1840)

Kraal honey thorn, Lycium afrum. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819.
Kraal honey thorn, Lycium afrum. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616345: Kraal honey thorn, Lycium afrum. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4616345

Kraal honey thorn, Lycium afrum. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceau's Treat des Arbres et Shrustes, Paris, 1804-1819.

Redouté, Pierre Joseph (1759-1840)

Eastern baccharis, groundsel bush, sea myrtle or saltbush, Baccharis halimifolia. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.
Eastern baccharis, groundsel bush, sea myrtle or saltbush, Baccharis halimifolia. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616574: Eastern baccharis, groundsel bush, sea myrtle or saltbush, Baccharis halimifolia. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4616574

Eastern baccharis, groundsel bush, sea myrtle or saltbush, Baccharis halimifolia. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

Redouté, Pierre Joseph (1759-1840)

Harlequin and Pomone (oil on canvas, 1948)
Harlequin and Pomone (oil on canvas, 1948)

LRI4616600: Harlequin and Pomone (oil on canvas, 1948), Marini, Marino (1901-80) / Bridgeman Images

ID: LRI4616600

Harlequin and Pomone (oil on canvas, 1948)

Marini, Marino (1901-80)

Spurge laurel, Daphne laureola. Handcoloured stipple engraving by Tassaert after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Trees et Shrustes, Paris, 1804-1819.
Spurge laurel, Daphne laureola. Handcoloured stipple engraving by Tassaert after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Trees et Shrustes, Paris, 1804-1819.

FLO4616591: Spurge laurel, Daphne laureola. Handcoloured stipple engraving by Tassaert after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Trees et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4616591

Spurge laurel, Daphne laureola. Handcoloured stipple engraving by Tassaert after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Trees et Shrustes, Paris, 1804-1819.

Redouté, Pierre Joseph (1759-1840)

Surrealism: automatic drawing in Chinese ink by Andre Masson (1896-1987) Collection Schwarz - courtesy Mudima
Surrealism: automatic drawing in Chinese ink by Andre Masson (1896-1987) Collection Schwarz - courtesy Mudima

LRI4616610: Surrealism: automatic drawing in Chinese ink by Andre Masson (1896-1987) Collection Schwarz - courtesy Mudima, Masson, André (1896-1987) / Bridgeman Images

ID: LRI4616610

Surrealism: automatic drawing in Chinese ink by Andre Masson (1896-1987) Collection Schwarz - courtesy Mudima

Masson, André (1896-1987)

Woman of the English nobility, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Woman of the English nobility, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616618: Woman of the English nobility, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616618

Woman of the English nobility, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Ecclesiastic costume of the Order of Benedictine, 17th century, after a painting of 1651 by Eustache Lesueur (1616-1655) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (184-1899), edition 1867
Ecclesiastic costume of the Order of Benedictine, 17th century, after a painting of 1651 by Eustache Lesueur (1616-1655) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (184-1899), edition 1867

FLO4616704: Ecclesiastic costume of the Order of Benedictine, 17th century, after a painting of 1651 by Eustache Lesueur (1616-1655) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (184-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616704

Ecclesiastic costume of the Order of Benedictine, 17th century, after a painting of 1651 by Eustache Lesueur (1616-1655) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (184-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

French peasant 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French peasant 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616774: French peasant 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616774

French peasant 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Three Skull, 20th century (ink drawing)
Three Skull, 20th century (ink drawing)

LRI4616619: Three Skull, 20th century (ink drawing), Masson, André (1896-1987) / Bridgeman Images

ID: LRI4616619

Three Skull, 20th century (ink drawing)

Masson, André (1896-1987)

Mars view at the telescope - Illustration - Mars view at the telescope - Illustration - Mars view with a 15 cm telescope in good conditions
Mars view at the telescope - Illustration - Mars view at the telescope - Illustration - Mars view with a 15 cm telescope in good conditions

PIX4616764: Mars view at the telescope - Illustration - Mars view at the telescope - Illustration - Mars view with a 15 cm telescope in good conditions, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4616764

Mars view at the telescope - Illustration - Mars view at the telescope - Illustration - Mars view with a 15 cm telescope in good conditions

Dixon, Don (b.1951)

French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616840: French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616840

French woman in summer dress, 17th century, from an engraving by Jean Saint Jean - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

French woman in fashion of the 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French woman in fashion of the 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616886: French woman in fashion of the 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616886

French woman in fashion of the 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

French woman under the reign of King Henry III (1551-1589) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French woman under the reign of King Henry III (1551-1589) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616995: French woman under the reign of King Henry III (1551-1589) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616995

French woman under the reign of King Henry III (1551-1589) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Bartklime Linck, Swiss clown, 1533 - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867
Bartklime Linck, Swiss clown, 1533 - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867

FLO4616981: Bartklime Linck, Swiss clown, 1533 - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616981

Bartklime Linck, Swiss clown, 1533 - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Native Americans of Nootka. Nootka man with tattooed brow and nose ring, men and women in woven hats, animal-skin cloaks, earrings and face piercings, and baby in papoose. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native Americans of Nootka. Nootka man with tattooed brow and nose ring, men and women in woven hats, animal-skin cloaks, earrings and face piercings, and baby in papoose. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621473: Native Americans of Nootka. Nootka man with tattooed brow and nose ring, men and women in woven hats, animal-skin cloaks, earrings and face piercings, and baby in papoose. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621473

Native Americans of Nootka. Nootka man with tattooed brow and nose ring, men and women in woven hats, animal-skin cloaks, earrings and face piercings, and baby in papoose. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621744: View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621744

View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620600: Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620600

Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Reclining Figure, arch leg, Geneva, Switzerland, 1969-1970. Photography 10/06/00 9bronze)
Reclining Figure, arch leg, Geneva, Switzerland, 1969-1970. Photography 10/06/00 9bronze)

TEC4556964: Reclining Figure, arch leg, Geneva, Switzerland, 1969-1970. Photography 10/06/00 9bronze), Moore, Henry Spencer (1898-1986) / Bridgeman Images

ID: TEC4556964

Reclining Figure, arch leg, Geneva, Switzerland, 1969-1970. Photography 10/06/00 9bronze)

Moore, Henry Spencer (1898-1986)

Window in Berlin, Schlutzenstrasse District. Architecture by Aldo Rossi. Photography 15/10/97
Window in Berlin, Schlutzenstrasse District. Architecture by Aldo Rossi. Photography 15/10/97

TEC4557121: Window in Berlin, Schlutzenstrasse District. Architecture by Aldo Rossi. Photography 15/10/97, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: TEC4557121

Window in Berlin, Schlutzenstrasse District. Architecture by Aldo Rossi. Photography 15/10/97

Rossi, Aldo (1931-1997)

Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97
Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97

TEC4558141: Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: TEC4558141

Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97

Rossi, Aldo (1931-1997)

Tour de Lille-Europe (Lille Europe), Euralille, Lille, Nord, nord pas de calais, Nord-Pas-De-Calais), France. Architecture by Claude Vasconi, 1991-1994. Photography 1994. The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architectures.
Tour de Lille-Europe (Lille Europe), Euralille, Lille, Nord, nord pas de calais, Nord-Pas-De-Calais), France. Architecture by Claude Vasconi, 1991-1994. Photography 1994. The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architectures.

TEC4554496: Tour de Lille-Europe (Lille Europe), Euralille, Lille, Nord, nord pas de calais, Nord-Pas-De-Calais), France. Architecture by Claude Vasconi, 1991-1994. Photography 1994. The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architectures., Koolhaas, Rem (b.1944) / Bridgeman Images

ID: TEC4554496

Tour de Lille-Europe (Lille Europe), Euralille, Lille, Nord, nord pas de calais, Nord-Pas-De-Calais), France. Architecture by Claude Vasconi, 1991-1994. Photography 1994. The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architectures.

Koolhaas, Rem (b.1944)

Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97
Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97

TEC4558150: Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: TEC4558150

Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97

Rossi, Aldo (1931-1997)

Javier Mariscal floor inside Hotel Puerta America, 41 Avenida America in Madrid, Spain. Architecture 2005. Photography 13/09/05
Javier Mariscal floor inside Hotel Puerta America, 41 Avenida America in Madrid, Spain. Architecture 2005. Photography 13/09/05

LBY4555088: Javier Mariscal floor inside Hotel Puerta America, 41 Avenida America in Madrid, Spain. Architecture 2005. Photography 13/09/05, Mariscal, Javier (b.1950) / Bridgeman Images

ID: LBY4555088

Javier Mariscal floor inside Hotel Puerta America, 41 Avenida America in Madrid, Spain. Architecture 2005. Photography 13/09/05

Mariscal, Javier (b.1950)

The Lycee d'Isle d'Abeau (Isere), acrian architect Fainsilber, 1991.
The Lycee d'Isle d'Abeau (Isere), acrian architect Fainsilber, 1991.

TEC4560418: The Lycee d'Isle d'Abeau (Isere), acrian architect Fainsilber, 1991., Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4560418

The Lycee d'Isle d'Abeau (Isere), acrian architect Fainsilber, 1991.

Fainsilber, Adrien (b.1932)

Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier -
Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier -

PCT4293045: Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4293045

Oplontis, near Naples, Italy (Napoli, Italia): murals in Villa Poppaea - Roman fresco detail of the living room with peacock and comedy mask (theatre) - Roman art - Photo Patrice Cartier -

Cartier, Patrice

Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier -
Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier -

PCT4293624: Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4293624

Nano e gallo: dwarf having fun with a rooster. Roman Mosaic - Archaeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Photo Patrice Cartier -

Cartier, Patrice

Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -
Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -

PCT4293630: Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -, Roman (1st century AD) / Bridgeman Images

ID: PCT4293630

Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli, Museo Archeologico Nazionale) - Photo Patrice Cartier -

Roman (1st century AD)

Marble pavement panel decorated showing naked Aphrodite leaning on a column as she takes off a sandal. Comes from the triclinium of a house in Pompei - Archeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Venere, Venus - Photo Patrice Cartier -
Marble pavement panel decorated showing naked Aphrodite leaning on a column as she takes off a sandal. Comes from the triclinium of a house in Pompei - Archeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Venere, Venus - Photo Patrice Cartier -

PCT4293667: Marble pavement panel decorated showing naked Aphrodite leaning on a column as she takes off a sandal. Comes from the triclinium of a house in Pompei - Archeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Venere, Venus - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4293667

Marble pavement panel decorated showing naked Aphrodite leaning on a column as she takes off a sandal. Comes from the triclinium of a house in Pompei - Archeological Museum of Naples, Italy - Museo Archeologico Nazionale, Napoli, Italia - Venere, Venus - Photo Patrice Cartier -

Cartier, Patrice

Advertising poster of the Byrrh aperitif (lithograph)
Advertising poster of the Byrrh aperitif (lithograph)

PCT4257069: Advertising poster of the Byrrh aperitif (lithograph) / Bridgeman Images

ID: PCT4257069

Advertising poster of the Byrrh aperitif (lithograph)

Portrait of Raymond Duchamp (Raymond Duchamp-Villon) (1876-1818), brother of the artist, 1901 (oil on canvas)
Portrait of Raymond Duchamp (Raymond Duchamp-Villon) (1876-1818), brother of the artist, 1901 (oil on canvas)

LSE4314997: Portrait of Raymond Duchamp (Raymond Duchamp-Villon) (1876-1818), brother of the artist, 1901 (oil on canvas), Villon, Jacques (1875-1963) / Bridgeman Images

ID: LSE4314997

Portrait of Raymond Duchamp (Raymond Duchamp-Villon) (1876-1818), brother of the artist, 1901 (oil on canvas)

Villon, Jacques (1875-1963)

Self-portrait. Painting by Frantisek (Francois) Kupka (1871-1957), Oil On Canvas 1905. Czech art, 20th century. Veletrzni Palace (Fairs Palace), Prague (Czech Republic).
Self-portrait. Painting by Frantisek (Francois) Kupka (1871-1957), Oil On Canvas 1905. Czech art, 20th century. Veletrzni Palace (Fairs Palace), Prague (Czech Republic).

LSE4315912: Self-portrait. Painting by Frantisek (Francois) Kupka (1871-1957), Oil On Canvas 1905. Czech art, 20th century. Veletrzni Palace (Fairs Palace), Prague (Czech Republic)., Kupka, Frantisek (1871-1957) / Bridgeman Images

ID: LSE4315912

Self-portrait. Painting by Frantisek (Francois) Kupka (1871-1957), Oil On Canvas 1905. Czech art, 20th century. Veletrzni Palace (Fairs Palace), Prague (Czech Republic).

Kupka, Frantisek (1871-1957)

The myth of Telephus. 1st century BC. (relief)
The myth of Telephus. 1st century BC. (relief)

LRI4592680: The myth of Telephus. 1st century BC. (relief), Roman, (1st century BC) / Bridgeman Images

ID: LRI4592680

The myth of Telephus. 1st century BC. (relief)

Roman, (1st century BC)

Ionic column from the temple of Minerva Polias at Priene. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ionic column from the temple of Minerva Polias at Priene. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592929: Ionic column from the temple of Minerva Polias at Priene. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592929

Ionic column from the temple of Minerva Polias at Priene. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Plans and elevations of the piggery of the Duke of Bedford's farm at Woburn Abbey. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Plans and elevations of the piggery of the Duke of Bedford's farm at Woburn Abbey. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592835: Plans and elevations of the piggery of the Duke of Bedford's farm at Woburn Abbey. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592835

Plans and elevations of the piggery of the Duke of Bedford's farm at Woburn Abbey. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.


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