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Entrance of the French army commanded by Emperor Napoleon Bonaparte (1769-1821) in Munich, the 24/10/1805, 19th century (oil on canvas)
Entrance of the French army commanded by Emperor Napoleon Bonaparte (1769-1821) in Munich, the 24/10/1805, 19th century (oil on canvas)

JLJ4645999: Entrance of the French army commanded by Emperor Napoleon Bonaparte (1769-1821) in Munich, the 24/10/1805, 19th century (oil on canvas), Taunay, Nicolas Antoine (1755-1830) / Bridgeman Images

The vegetable garden and fruit garden, 1815 (oil on canvas)
The vegetable garden and fruit garden, 1815 (oil on canvas)

JLJ4646106: The vegetable garden and fruit garden, 1815 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

Painting lovers, 1860 (oil on canvas)
Painting lovers, 1860 (oil on canvas)

JLJ4646294: Painting lovers, 1860 (oil on canvas), Meissonier, Jean-Louis Ernest (1815-91) / Bridgeman Images

Commedia dell'arte: portrait of Italian comedian Tiberio Fiorilli, creator of the character of Scaramouche, playing the guitar. 18th century (painting)
Commedia dell'arte: portrait of Italian comedian Tiberio Fiorilli, creator of the character of Scaramouche, playing the guitar. 18th century (painting)

LRI4646449: Commedia dell'arte: portrait of Italian comedian Tiberio Fiorilli, creator of the character of Scaramouche, playing the guitar. 18th century (painting), Italian School, (18th century) / Bridgeman Images

Portrait of Madame Baudoin, daughter of the painter The girl poses with her canary, 18th century (oil on canvas)
Portrait of Madame Baudoin, daughter of the painter The girl poses with her canary, 18th century (oil on canvas)

JLJ4644447: Portrait of Madame Baudoin, daughter of the painter The girl poses with her canary, 18th century (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images

The Passage of the Italian Military Train Painting by Achille Beltrame (1871-1945) Milan, Museo di Storia Contemporanea
The Passage of the Italian Military Train Painting by Achille Beltrame (1871-1945) Milan, Museo di Storia Contemporanea

LRI4644469: The Passage of the Italian Military Train Painting by Achille Beltrame (1871-1945) Milan, Museo di Storia Contemporanea, Beltrame, Achille (1871-1945) / Bridgeman Images

Warning after the escape of Italian prisoners of war on February 16th 1916 asking the Austrian population not to help them (engraving, 1916)
Warning after the escape of Italian prisoners of war on February 16th 1916 asking the Austrian population not to help them (engraving, 1916)

LRI4644500: Warning after the escape of Italian prisoners of war on February 16th 1916 asking the Austrian population not to help them (engraving, 1916), Anonymous / Bridgeman Images

Prince-President Napoleon III decorating the Legion of Honour Jean-Baptiste Pruvost, carter, 9 June 1850, 19th century (oil on canvas)
Prince-President Napoleon III decorating the Legion of Honour Jean-Baptiste Pruvost, carter, 9 June 1850, 19th century (oil on canvas)

JLJ4644508: Prince-President Napoleon III decorating the Legion of Honour Jean-Baptiste Pruvost, carter, 9 June 1850, 19th century (oil on canvas), Giraud, Charles (1819-92) / Bridgeman Images

The game of the slipper hunting Game scene in an English bourgeois interior, 19th century (oil on canvas)
The game of the slipper hunting Game scene in an English bourgeois interior, 19th century (oil on canvas)

JLJ4644601: The game of the slipper hunting Game scene in an English bourgeois interior, 19th century (oil on canvas), Maclise, Daniel (Croquis, Alfred) (1806-70) / Bridgeman Images

The waterfalls of Tivoli Des lavandieres in a landscape of waterfalls, 18th century (oil on canvas)
The waterfalls of Tivoli Des lavandieres in a landscape of waterfalls, 18th century (oil on canvas)

JLJ4644692: The waterfalls of Tivoli Des lavandieres in a landscape of waterfalls, 18th century (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

Harvest Time by the Sea, 1891 (Oil on canvas)
Harvest Time by the Sea, 1891 (Oil on canvas)

LRI4651542: Harvest Time by the Sea, 1891 (Oil on canvas), Bernard, Emile (1868-1941) / Bridgeman Images

Amateur meetings or academy Reunion of artists and intellectuals, 17th century (oil on canvas)
Amateur meetings or academy Reunion of artists and intellectuals, 17th century (oil on canvas)

JLJ4651646: Amateur meetings or academy Reunion of artists and intellectuals, 17th century (oil on canvas), Le Nain, Mathieu (1607-77) / Bridgeman Images

Train in the Countryside, ca 1870 (oil on canvas)
Train in the Countryside, ca 1870 (oil on canvas)

LRI4651696: Train in the Countryside, ca 1870 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

The Road to Louveciennes, 1872 (oil on canvas)
The Road to Louveciennes, 1872 (oil on canvas)

JLJ4650637: The Road to Louveciennes, 1872 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

The railway barrier at the Patis, near Pontoise, 1873 (oil on canvas)
The railway barrier at the Patis, near Pontoise, 1873 (oil on canvas)

JLJ4650654: The railway barrier at the Patis, near Pontoise, 1873 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

La route de Louveciennes, 1872 (oil on canvas)
La route de Louveciennes, 1872 (oil on canvas)

JLJ4650756: La route de Louveciennes, 1872 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

Girl in a straw hat, 1908 (Oil on canvas)
Girl in a straw hat, 1908 (Oil on canvas)

LRI4650768: Girl in a straw hat, 1908 (Oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

Preparatory decor for the play 'The Princess Maleine' by Maurice Maeterlinck, 1913 (tempera on paper)
Preparatory decor for the play 'The Princess Maleine' by Maurice Maeterlinck, 1913 (tempera on paper)

FIA3667417: Preparatory decor for the play 'The Princess Maleine' by Maurice Maeterlinck, 1913 (tempera on paper), Roerich, Nicholas (1874-1947) / Bridgeman Images

Two men with wounded man
Two men with wounded man

NBY3673498: Two men with wounded man, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Two men on horseback
Two men on horseback

NBY3673520: Two men on horseback, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Bear hunt
Bear hunt

NBY3673529: Bear hunt, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Two men on horseback with shields
Two men on horseback with shields

NBY3673532: Two men on horseback with shields, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Man and bear
Man and bear

NBY3673535: Man and bear, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Man greets woman on horse
Man greets woman on horse

NBY3673546: Man greets woman on horse, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Woman with wares
Woman with wares

NBY3673550: Woman with wares, Gokliz, Frederick (c.1863-1901) / Bridgeman Images

Sorcerer Pulling Cards To A Girl Of Ischia Or Fortune Teller, 1830 (oil on canvas)
Sorcerer Pulling Cards To A Girl Of Ischia Or Fortune Teller, 1830 (oil on canvas)

JLJ4687954: Sorcerer Pulling Cards To A Girl Of Ischia Or Fortune Teller, 1830 (oil on canvas), Bonnefond, Jean-Claude (1796-1860) / Bridgeman Images

Departing From Bayard De Brescia, 1512, 1821 (oil on canvas)
Departing From Bayard De Brescia, 1512, 1821 (oil on canvas)

JLJ4688047: Departing From Bayard De Brescia, 1512, 1821 (oil on canvas), Bidault, Jean Joseph (1758-1846) / Bridgeman Images

View of the Venereum of the House of Sallust, Reg VI, Ins 2, 3-5,30, Pompeii. The large painting on the rear wall shows Actaeon and Diana. Chromolithograph and illustration by D. Capri from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
View of the Venereum of the House of Sallust, Reg VI, Ins 2, 3-5,30, Pompeii. The large painting on the rear wall shows Actaeon and Diana. Chromolithograph and illustration by D. Capri from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688110: View of the Venereum of the House of Sallust, Reg VI, Ins 2, 3-5,30, Pompeii. The large painting on the rear wall shows Actaeon and Diana. Chromolithograph and illustration by D. Capri from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

The Bather, 1807 (oil on canvas)
The Bather, 1807 (oil on canvas)

JLJ4688206: The Bather, 1807 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

The Cougar (Lioness Lookout For A Prey), 1859 (oil on wood)
The Cougar (Lioness Lookout For A Prey), 1859 (oil on wood)

JLJ4688255: The Cougar (Lioness Lookout For A Prey), 1859 (oil on wood), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

The Death Of Marc Aurele (121-180), 1835 (oil on canvas)
The Death Of Marc Aurele (121-180), 1835 (oil on canvas)

JLJ4688337: The Death Of Marc Aurele (121-180), 1835 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Triptych of the resurrection, 15th century (oil on panel)
Triptych of the resurrection, 15th century (oil on panel)

JLJ4688424: Triptych of the resurrection, 15th century (oil on panel), Memling, Hans (c.1433-94) / Bridgeman Images

Skaters, 19th century (oil on canvas)
Skaters, 19th century (oil on canvas)

JLJ4688488: Skaters, 19th century (oil on canvas), Verwee, Louis (1807-1877) / Bridgeman Images

Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688560: Tuch-ee, war chief of the Cherokee nation. Handcoloured lithograph by J. Harris after a painting by George Catlin Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688567: The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688576: The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images


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