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Portrait of Giovanna Spinola Pavese (oil on canvas, 1604-1608)
Portrait of Giovanna Spinola Pavese (oil on canvas, 1604-1608)

LRI4694326: Portrait of Giovanna Spinola Pavese (oil on canvas, 1604-1608), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of the King of Italy, Victor Emmanuel II. 19th century (painting)
Portrait of the King of Italy, Victor Emmanuel II. 19th century (painting)

LRI4623902: Portrait of the King of Italy, Victor Emmanuel II. 19th century (painting), Italian School, (19th century) / Bridgeman Images

Revolutions of 1848, Five Days of Milan:  Austrian prisoners on Borromeo square on March 20th (painting, 19th century)
Revolutions of 1848, Five Days of Milan:  Austrian prisoners on Borromeo square on March 20th (painting, 19th century)

LRI4624097: Revolutions of 1848, Five Days of Milan: Austrian prisoners on Borromeo square on March 20th (painting, 19th century), Italian School, (19th century) / Bridgeman Images

View of Mercanti square with carnival scenes (oil on wood, 1850)
View of Mercanti square with carnival scenes (oil on wood, 1850)

LRI4624198: View of Mercanti square with carnival scenes (oil on wood, 1850), Guerillot Inganni, Amanzia (1828-c.1905) / Bridgeman Images

Australian aborigines with body painting and scarification. Woman Worogan from Sydney area, man with body painting Y-Erran-Gou-La-Ga, and head of man with moustache. Handcoloured copperplate engraved by Francesco Rosaspina from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Australian aborigines with body painting and scarification. Woman Worogan from Sydney area, man with body painting Y-Erran-Gou-La-Ga, and head of man with moustache. Handcoloured copperplate engraved by Francesco Rosaspina from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624361: Australian aborigines with body painting and scarification. Woman Worogan from Sydney area, man with body painting Y-Erran-Gou-La-Ga, and head of man with moustache. Handcoloured copperplate engraved by Francesco Rosaspina from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Portrait of the Italian Republican politician Giuseppe Mazzini (painting, 19th century)
Portrait of the Italian Republican politician Giuseppe Mazzini (painting, 19th century)

LRI4624496: Portrait of the Italian Republican politician Giuseppe Mazzini (painting, 19th century), Italian School, (19th century) / Bridgeman Images

Portrait en pied de Louis XVIII (1755-1824) en costume de corre, 1814 (oil on canvas)
Portrait en pied de Louis XVIII (1755-1824) en costume de corre, 1814 (oil on canvas)

JLJ4625265: Portrait en pied de Louis XVIII (1755-1824) en costume de corre, 1814 (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

Offering a Galante Venus Scene in a romantic landscape of ancient ruins, 1786 (oil on canvas)
Offering a Galante Venus Scene in a romantic landscape of ancient ruins, 1786 (oil on canvas)

JLJ4625741: Offering a Galante Venus Scene in a romantic landscape of ancient ruins, 1786 (oil on canvas), Trinquesse, Louis Rolland (c.1746-1800) / Bridgeman Images

Head of a woman (fragment), from the palace of Tirynthe, 1300 BC (fresco)
Head of a woman (fragment), from the palace of Tirynthe, 1300 BC (fresco)

LRI4625766: Head of a woman (fragment), from the palace of Tirynthe, 1300 BC (fresco), Mycenaean, (14th century BC) / Bridgeman Images

Portrait of Benjamin Franklin (1706-1790), 19th century (oil on canvas)
Portrait of Benjamin Franklin (1706-1790), 19th century (oil on canvas)

JLJ4626421: Portrait of Benjamin Franklin (1706-1790), 19th century (oil on canvas), Healy, George Peter Alexander (1813-1894) / Bridgeman Images

Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia
Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia

LRI4626452: Unjust kings are invited by an angel to enter the Underworld 13th Century Orthodox Monastery of Milesevo, Serbia, Unknown Artist, (13th century) / Bridgeman Images

Apotres Jean and Jacques Detail. Fresco of the Transfiguration. 1164 Nerezi, Church of St. Clement, Macedoine
Apotres Jean and Jacques Detail. Fresco of the Transfiguration. 1164 Nerezi, Church of St. Clement, Macedoine

LRI4626459: Apotres Jean and Jacques Detail. Fresco of the Transfiguration. 1164 Nerezi, Church of St. Clement, Macedoine, Unknown Artist, (12th century) / Bridgeman Images

The baptism of Christ Icone of the 13th century. Ohrid, Galerie des icons de la église saint Clement (Saint-Clement-Sainte-Vierge-Perivleptos), Macedoine
The baptism of Christ Icone of the 13th century. Ohrid, Galerie des icons de la église saint Clement (Saint-Clement-Sainte-Vierge-Perivleptos), Macedoine

LRI4626473: The baptism of Christ Icone of the 13th century. Ohrid, Galerie des icons de la église saint Clement (Saint-Clement-Sainte-Vierge-Perivleptos), Macedoine, Unknown Artist, (13th century) / Bridgeman Images

La Fee Electricite, in the Dufy room of the Musee d Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Artist Raoul Dufy (1877-1953) Photography 29/10/10
La Fee Electricite, in the Dufy room of the Musee d Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Artist Raoul Dufy (1877-1953) Photography 29/10/10

ITR4626518: La Fee Electricite, in the Dufy room of the Musee d Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Artist Raoul Dufy (1877-1953) Photography 29/10/10, Lemaitre, Pascal / Bridgeman Images

View of the Council room, 15th century
View of the Council room, 15th century

LRI4626674: View of the Council room, 15th century, Italian School, (15th century) / Bridgeman Images

Use of astrolabe, astronomical instrument: aimed at the, 16th century (watercolour)
Use of astrolabe, astronomical instrument: aimed at the, 16th century (watercolour)

JLJ4632375: Use of astrolabe, astronomical instrument: aimed at the, 16th century (watercolour), French School, (16th century) / Bridgeman Images

View of the port at the whale taken from then the old Marche aux veaux towards the bridge Notre-Dame in Paris, 1782 (watercolour)
View of the port at the whale taken from then the old Marche aux veaux towards the bridge Notre-Dame in Paris, 1782 (watercolour)

JLJ4633197: View of the port at the whale taken from then the old Marche aux veaux towards the bridge Notre-Dame in Paris, 1782 (watercolour), Lespinasse, Louis-Nicolas de (1734-1808) / Bridgeman Images

Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633229: Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633304: Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Roman art: representation of the god River. Detail of a fresco from the house of the Vestales in Pompei. 1st century AD. Paris, Louvre Museum
Roman art: representation of the god River. Detail of a fresco from the house of the Vestales in Pompei. 1st century AD. Paris, Louvre Museum

LRI4633394: Roman art: representation of the god River. Detail of a fresco from the house of the Vestales in Pompei. 1st century AD. Paris, Louvre Museum, Roman, (1st century AD) / Bridgeman Images

Roman Art: “” Two women playing with a goat”” Fresco from the 1st century BC. Paris, Louvre Museum
Roman Art: “” Two women playing with a goat”” Fresco from the 1st century BC. Paris, Louvre Museum

LRI4633455: Roman Art: “” Two women playing with a goat”” Fresco from the 1st century BC. Paris, Louvre Museum, Roman, (1st century BC) / Bridgeman Images

Representation of the Lion of St. Mark. Painting on wood by Venetian artist. 15th century Sun. 34x34 cm Venice, Museo Correr
Representation of the Lion of St. Mark. Painting on wood by Venetian artist. 15th century Sun. 34x34 cm Venice, Museo Correr

LRI4633721: Representation of the Lion of St. Mark. Painting on wood by Venetian artist. 15th century Sun. 34x34 cm Venice, Museo Correr, Italian School, (15th century) / Bridgeman Images

The Bucentaurus (Bucentoro) to San Nicolo a Venice This is probably the Doge Alvise IV Mocenigo (1763-1778) during the Ascension celebrations. Anonymous painting of the 18th century. Venice, Correr Museum
The Bucentaurus (Bucentoro) to San Nicolo a Venice This is probably the Doge Alvise IV Mocenigo (1763-1778) during the Ascension celebrations. Anonymous painting of the 18th century. Venice, Correr Museum

LRI4633750: The Bucentaurus (Bucentoro) to San Nicolo a Venice This is probably the Doge Alvise IV Mocenigo (1763-1778) during the Ascension celebrations. Anonymous painting of the 18th century. Venice, Correr Museum, Italian School, (18th century) / Bridgeman Images

Pala dell'Osservanza: “” The nativity of Jesus”” (Nativity of Jesus) Painting by Francesco del Cossa (around 1436-around 1478) Dim 26,5x114,5 cm Dresden, Gemaldegalerie
Pala dell'Osservanza: “” The nativity of Jesus”” (Nativity of Jesus) Painting by Francesco del Cossa (around 1436-around 1478) Dim 26,5x114,5 cm Dresden, Gemaldegalerie

LRI4633785: Pala dell'Osservanza: “” The nativity of Jesus”” (Nativity of Jesus) Painting by Francesco del Cossa (around 1436-around 1478) Dim 26,5x114,5 cm Dresden, Gemaldegalerie, Cossa, Francesco del (1435/6-c.1477) / Bridgeman Images

Young women washing the laundry in the bins, an elderly woman on the right lines of wool. Painting by Pietro Longhi (1702-1785) 1740 approx. Sun. 61x50 cm Venice, Ca 'Rezzonico, n. 1306
Young women washing the laundry in the bins, an elderly woman on the right lines of wool. Painting by Pietro Longhi (1702-1785) 1740 approx. Sun. 61x50 cm Venice, Ca 'Rezzonico, n. 1306

LRI4633882: Young women washing the laundry in the bins, an elderly woman on the right lines of wool. Painting by Pietro Longhi (1702-1785) 1740 approx. Sun. 61x50 cm Venice, Ca 'Rezzonico, n. 1306, Longhi, Pietro (c.1701-85) / Bridgeman Images

Portrait of the painter Francesco Guardi (1712-1793) at the age of 52 Painting by Pietro Longhi (1702-1785) 1764 Sun. 132x100 cm Venice, Ca 'Rezzonico, n. 761
Portrait of the painter Francesco Guardi (1712-1793) at the age of 52 Painting by Pietro Longhi (1702-1785) 1764 Sun. 132x100 cm Venice, Ca 'Rezzonico, n. 761

LRI4634117: Portrait of the painter Francesco Guardi (1712-1793) at the age of 52 Painting by Pietro Longhi (1702-1785) 1764 Sun. 132x100 cm Venice, Ca 'Rezzonico, n. 761, Longhi, Pietro (c.1701-85) / Bridgeman Images

Decameron de Boccaccio (Jean Boccaccio): the Chatelain Pericone welcomes Alatiel, daughter of the sultan of Babylon Beminedab and her suite on the island of Mallorca (Pericone da Visalgo welcoming Alatiel daughter of Beminedab, the Sultan of Babylon, on his island of Majorca) (7th news of the second day) Wood painting of the master of the cassone 15th century Sun 149x36 cm Musei Civici Veneziani - Museo Correr Venice
Decameron de Boccaccio (Jean Boccaccio): the Chatelain Pericone welcomes Alatiel, daughter of the sultan of Babylon Beminedab and her suite on the island of Mallorca (Pericone da Visalgo welcoming Alatiel daughter of Beminedab, the Sultan of Babylon, on his island of Majorca) (7th news of the second day) Wood painting of the master of the cassone 15th century Sun 149x36 cm Musei Civici Veneziani - Museo Correr Venice

LRI4634155: Decameron de Boccaccio (Jean Boccaccio): the Chatelain Pericone welcomes Alatiel, daughter of the sultan of Babylon Beminedab and her suite on the island of Mallorca (Pericone da Visalgo welcoming Alatiel daughter of Beminedab, the Sultan of Babylon, on his island of Majorca) (7th news of the second day) Wood painting of the master of the cassone 15th century Sun 149x36 cm Musei Civici Veneziani - Museo Correr Venice, Master of the Cassoni (fl.c.1450) / Bridgeman Images

La Fee Electricite, detail: Portraits of Anthony Carlisle, English surgeon and Humphry Davy, English chemist. 1937 (painting)
La Fee Electricite, detail: Portraits of Anthony Carlisle, English surgeon and Humphry Davy, English chemist. 1937 (painting)

LRI4634612: La Fee Electricite, detail: Portraits of Anthony Carlisle, English surgeon and Humphry Davy, English chemist. 1937 (painting), Dufy, Raoul (1877-1953) / Bridgeman Images

Portrait of Laetitia Bonaparte, mother of Napoleon. Detail. 18th-19th century (painting)
Portrait of Laetitia Bonaparte, mother of Napoleon. Detail. 18th-19th century (painting)

LRI4634831: Portrait of Laetitia Bonaparte, mother of Napoleon. Detail. 18th-19th century (painting), Lefevre, Robert (1755-1830) / Bridgeman Images

Portrait of the Patriot and Musician Piero Maroncelli, 1839 (painting)
Portrait of the Patriot and Musician Piero Maroncelli, 1839 (painting)

LRI4635194: Portrait of the Patriot and Musician Piero Maroncelli, 1839 (painting), Carnovali, Giovanni (Il Piccio) (1804-1873) / Bridgeman Images

Portrait of Alfonso Ferrero, Marquis de La Marmora, Italian General and Politician, 19th century (watercolour)
Portrait of Alfonso Ferrero, Marquis de La Marmora, Italian General and Politician, 19th century (watercolour)

LRI4635213: Portrait of Alfonso Ferrero, Marquis de La Marmora, Italian General and Politician, 19th century (watercolour), Unknown Artist, (19th century) / Bridgeman Images

William Alabaster, (also Alablaster, Arblastier), English poet, playwright, and religious writer, 1567-1640. Copperplate engraving after a painting by Corn. Johns (Cornelis Janssens) from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.
William Alabaster, (also Alablaster, Arblastier), English poet, playwright, and religious writer, 1567-1640. Copperplate engraving after a painting by Corn. Johns (Cornelis Janssens) from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.

FLO4636482: William Alabaster, (also Alablaster, Arblastier), English poet, playwright, and religious writer, 1567-1640. Copperplate engraving after a painting by Corn. Johns (Cornelis Janssens) from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector. / Bridgeman Images

Dante and Virgil at the gate of Dite controlled by the furies (song 9 from Hell, in the Divine Comedy) - miniature 15th century
Dante and Virgil at the gate of Dite controlled by the furies (song 9 from Hell, in the Divine Comedy) - miniature 15th century

LRI4636879: Dante and Virgil at the gate of Dite controlled by the furies (song 9 from Hell, in the Divine Comedy) - miniature 15th century, Unknown Artist, (15th century) / Bridgeman Images

Portrait of italian poet Dante Alighieri with Virgil among heretics as Farinata degli Uberti (song 10 from Hell, in the Divine Comedy) - miniature 15th century
Portrait of italian poet Dante Alighieri with Virgil among heretics as Farinata degli Uberti (song 10 from Hell, in the Divine Comedy) - miniature 15th century

LRI4636981: Portrait of italian poet Dante Alighieri with Virgil among heretics as Farinata degli Uberti (song 10 from Hell, in the Divine Comedy) - miniature 15th century, Unknown Artist, (15th century) / Bridgeman Images

April Landscape of late winter with a tree still without leaves. Painting of” Antonio Fontanesi (1812-1882), 1873 Sun. 168x258 cm Turin, Galleria Civica d'Arte Moderna Italy
April Landscape of late winter with a tree still without leaves. Painting of” Antonio Fontanesi (1812-1882), 1873 Sun. 168x258 cm Turin, Galleria Civica d'Arte Moderna Italy

LRI4637755: April Landscape of late winter with a tree still without leaves. Painting of” Antonio Fontanesi (1812-1882), 1873 Sun. 168x258 cm Turin, Galleria Civica d'Arte Moderna Italy, Fontanesi, Antonio (1818-82) / Bridgeman Images

Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616664: Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images


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