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Speciality of France :Cotes du Nord, c.1920 (chromo)
Speciality of France :Cotes du Nord, c.1920 (chromo)

XEE4193091: Speciality of France :Cotes du Nord, c.1920 (chromo), French School, (20th century) / Bridgeman Images

Le Calvados (14) Basse Normandy (Lower Normandy), France. Portrait of Jules Sebastien Cesar Dumont d'Urville (1790-1842) French explorer. Local speciality: cod, lace, cheese, brandy, herring, butter, fishing and canvas. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Le Calvados (14) Basse Normandy (Lower Normandy), France. Portrait of Jules Sebastien Cesar Dumont d'Urville (1790-1842) French explorer. Local speciality: cod, lace, cheese, brandy, herring, butter, fishing and canvas. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193097: Le Calvados (14) Basse Normandy (Lower Normandy), France. Portrait of Jules Sebastien Cesar Dumont d'Urville (1790-1842) French explorer. Local speciality: cod, lace, cheese, brandy, herring, butter, fishing and canvas. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193111: La Meurthe et Moselle (Meurthe-Et-Moselle, 54), Lorraine, France. Portrait of two revolutionary women. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Department of Seine and Marne (Seine-Et-Marne, 77), Ile de France (Ile-De-France), France. Local speciality: chocolate factory Menier chocolaterie in Noisiel sur Marne (Noisiel-sur-Marne), glassware, millstone. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Department of Seine and Marne (Seine-Et-Marne, 77), Ile de France (Ile-De-France), France. Local speciality: chocolate factory Menier chocolaterie in Noisiel sur Marne (Noisiel-sur-Marne), glassware, millstone. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193125: Department of Seine and Marne (Seine-Et-Marne, 77), Ile de France (Ile-De-France), France. Local speciality: chocolate factory Menier chocolaterie in Noisiel sur Marne (Noisiel-sur-Marne), glassware, millstone. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193131: La Seine Inferieure, now Seine Maritime (76), Haute Normandy (Haute-Normandie), France. Local specialities: cotton, cider, saur herring. Portrait of Pierre Corneille (1606-1684), French playwright. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193132: Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Speciality of France : Charente & Poitou Charente, c.1920 (chromo)
Speciality of France : Charente & Poitou Charente, c.1920 (chromo)

XEE4193138: Speciality of France : Charente & Poitou Charente, c.1920 (chromo), French School, (20th century) / Bridgeman Images

L'Aude (11), Languedoc Roussillon (Languedoc-Roussillon), France. Local specialte: Wine, flour, leather, figs and sheets. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
L'Aude (11), Languedoc Roussillon (Languedoc-Roussillon), France. Local specialte: Wine, flour, leather, figs and sheets. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193160: L'Aude (11), Languedoc Roussillon (Languedoc-Roussillon), France. Local specialte: Wine, flour, leather, figs and sheets. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193172: Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193181: Lot et Garonne (Lot-et-Garonne, 47), Aquitaine, France. Tobacco factory, turkey breeding, wine, corks, plums, brandy, therebentine gasoline. Portrait of Bernard Germain Etienne de Laville-sur-Illon, Count of Lacepede (or de la Cepede, 1756-1825). Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Speciality of France : Tarn and Garonne, c.1920 (chromo)
Speciality of France : Tarn and Garonne, c.1920 (chromo)

XEE4193189: Speciality of France : Tarn and Garonne, c.1920 (chromo), French School, (20th century) / Bridgeman Images

Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193194: Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193205: Le Rhone (69), Rhone Alpes (Rhone-Alpes), France. Local speciality: silk, brown, lace. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193244: La Haute Vienne (Haute-Vienne, 87), Limousin, France. Tin, lead, chestnut paper, sheet, clover and handkerchiefs. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193250: La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Ille-et-Vilaine (Ille et Vilaine, 35), Brittany, France. Cider and Butter. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Ille-et-Vilaine (Ille et Vilaine, 35), Brittany, France. Cider and Butter. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193263: Ille-et-Vilaine (Ille et Vilaine, 35), Brittany, France. Cider and Butter. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum.
Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum.

SYC4195540: Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum. / Bridgeman Images

Frileuse (1894- Oil On Canvas by Anders Zorn (1860-1920). Stockholm, Prins Eugens Waldemarsudde.
Frileuse (1894- Oil On Canvas by Anders Zorn (1860-1920). Stockholm, Prins Eugens Waldemarsudde.

SYC4195549: Frileuse (1894- Oil On Canvas by Anders Zorn (1860-1920). Stockholm, Prins Eugens Waldemarsudde. / Bridgeman Images

Emma in the studio in Paris (Emma Zorn, nee Lamm, 1860-1942) (1894, oil on canvas). Mora, Zornmuseet. Anders Zorn (1860-1920)
Emma in the studio in Paris (Emma Zorn, nee Lamm, 1860-1942) (1894, oil on canvas). Mora, Zornmuseet. Anders Zorn (1860-1920)

SYC4195621: Emma in the studio in Paris (Emma Zorn, nee Lamm, 1860-1942) (1894, oil on canvas). Mora, Zornmuseet. Anders Zorn (1860-1920) / Bridgeman Images

detail of “” Viktor Rydberg”” (1886, watercolor on paper). Goteborg, Goteborg University. Anders Zorn (1860-1920)
detail of “” Viktor Rydberg”” (1886, watercolor on paper). Goteborg, Goteborg University. Anders Zorn (1860-1920)

SYC4195641: detail of “” Viktor Rydberg”” (1886, watercolor on paper). Goteborg, Goteborg University. Anders Zorn (1860-1920) / Bridgeman Images

The Bush of Spines (1886, watercolour on paper). Mora, Zornmuseet.
The Bush of Spines (1886, watercolour on paper). Mora, Zornmuseet.

SYC4195671: The Bush of Spines (1886, watercolour on paper). Mora, Zornmuseet. / Bridgeman Images

My workshop in London (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920)
My workshop in London (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920)

SYC4195680: My workshop in London (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920) / Bridgeman Images

Portrait of Oscar II of Sweden (1829-1907), King of Sweden and Norway - Oscar II (1898, oil on canvas). Stockholm, Royal Palace. Anders Zorn (1860-1920)
Portrait of Oscar II of Sweden (1829-1907), King of Sweden and Norway - Oscar II (1898, oil on canvas). Stockholm, Royal Palace. Anders Zorn (1860-1920)

SYC4195693: Portrait of Oscar II of Sweden (1829-1907), King of Sweden and Norway - Oscar II (1898, oil on canvas). Stockholm, Royal Palace. Anders Zorn (1860-1920) / Bridgeman Images

Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.

SYC4195705: Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais. / Bridgeman Images

Portrait of Mademoiselle Ehrler (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.
Portrait of Mademoiselle Ehrler (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

SYC4195789: Portrait of Mademoiselle Ehrler (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais. / Bridgeman Images

Portrait of Berthe Morisot (1841-1895) and his daughter (Julie Manet, 1878-1966) (detail) (1894). Auguste Rebnoir (1841-1919). Pastel and charcoal on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Portrait of Berthe Morisot (1841-1895) and his daughter (Julie Manet, 1878-1966) (detail) (1894). Auguste Rebnoir (1841-1919). Pastel and charcoal on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195799: Portrait of Berthe Morisot (1841-1895) and his daughter (Julie Manet, 1878-1966) (detail) (1894). Auguste Rebnoir (1841-1919). Pastel and charcoal on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais., Manet, Edouard (1832-83) / Bridgeman Images

Portrait of Woman with Egrets (1909). Rene Gilbert (1857-1914). Pastel on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Portrait of Woman with Egrets (1909). Rene Gilbert (1857-1914). Pastel on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195808: Portrait of Woman with Egrets (1909). Rene Gilbert (1857-1914). Pastel on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

Portrait of Yvonne Gouverne (1890-1982) (detail) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Portrait of Yvonne Gouverne (1890-1982) (detail) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195815: Portrait of Yvonne Gouverne (1890-1982) (detail) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

Madame Alexis Rouart and her children (detail) (ca. 1905). Edgar Degas (1834-1917). Pastel and charcoal on tracing paper sticks in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Madame Alexis Rouart and her children (detail) (ca. 1905). Edgar Degas (1834-1917). Pastel and charcoal on tracing paper sticks in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.

SYC4195859: Madame Alexis Rouart and her children (detail) (ca. 1905). Edgar Degas (1834-1917). Pastel and charcoal on tracing paper sticks in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais. / Bridgeman Images

Watchmaker. Engraving in
Watchmaker. Engraving in

DUV4211629: Watchmaker. Engraving in "Alphabet des metiers"”. In Lille, at Castiaux , Bookseller. Imprimerie de Blocquel . Plate no. 528. First half of the 19th century. Dim: 43,5x26,5cm, French School, (19th century) / Bridgeman Images

Tourlourou. Engraving in
Tourlourou. Engraving in

DUV4211746: Tourlourou. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin et Cie a Epinal, patented suppliers of S.M. L'Imperatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm, French School, (19th century) / Bridgeman Images

Turco. Engraving in
Turco. Engraving in

DUV4211751: Turco. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin and Cie a Epinal, patented suppliers of S. M. L'Imeratrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm, French School, (19th century) / Bridgeman Images

Singer standing on a chair playing the violin with three people watching him. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Singer standing on a chair playing the violin with three people watching him. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211788: Singer standing on a chair playing the violin with three people watching him. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211804: Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211832: The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

Falconer. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Falconer. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211833: Falconer. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images


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