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Plum varieties, Prunus domestica: White Perdrigon and Roche Carbon. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. Â
Plum varieties, Prunus domestica: White Perdrigon and Roche Carbon. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. Â

FLO4595018: Plum varieties, Prunus domestica: White Perdrigon and Roche Carbon. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. Â / Bridgeman Images

Plum varieties, Prunus domestica: Wine Sour Plum, Plum Plum, and Myrabolan or Queen Mother Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: Wine Sour Plum, Plum Plum, and Myrabolan or Queen Mother Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595027: Plum varieties, Prunus domestica: Wine Sour Plum, Plum Plum, and Myrabolan or Queen Mother Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595089: Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595092: Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

The Mill Pond, Evelyn Woods, 1860 (w/c on paper)
The Mill Pond, Evelyn Woods, 1860 (w/c on paper)

XYC162480: The Mill Pond, Evelyn Woods, 1860 (w/c on paper), Cole, George Vicat (1833-93) / Bridgeman Images

Two Rabbits, a Magpie and a Dog, from the Salon of Gilles Demarteau (1722-76) (oil on canvas)
Two Rabbits, a Magpie and a Dog, from the Salon of Gilles Demarteau (1722-76) (oil on canvas)

XIR162614: Two Rabbits, a Magpie and a Dog, from the Salon of Gilles Demarteau (1722-76) (oil on canvas), Huet, Jean-Baptiste (1745-1811) / Bridgeman Images

Departure of the Icelandic Fishermen, illustration from 'Le Petit Journal', 19th March 1894 (litho)
Departure of the Icelandic Fishermen, illustration from 'Le Petit Journal', 19th March 1894 (litho)

XIR162942: Departure of the Icelandic Fishermen, illustration from 'Le Petit Journal', 19th March 1894 (litho), Lix, Frederic Theodore (1830-97) / Bridgeman Images

Portico of fabric at the Universal Exhibition of 1889 in Paris (b/w photo)
Portico of fabric at the Universal Exhibition of 1889 in Paris (b/w photo)

XIR163471: Portico of fabric at the Universal Exhibition of 1889 in Paris (b/w photo), Giraudon, Adolphe (1849-1929) / Bridgeman Images

Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo)
Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo)

XIR164586: Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo), French School, (16th century) / Bridgeman Images

Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo)
Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo)

XIR164751: Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

Ambush of the Iroquois, from 'Dialogue de M. le baron de Lahontan et d'un sauvage dans l'Amerique', published in Amsterdam 1704 (engraving) (b/w photo)
Ambush of the Iroquois, from 'Dialogue de M. le baron de Lahontan et d'un sauvage dans l'Amerique', published in Amsterdam 1704 (engraving) (b/w photo)

XIR164771: Ambush of the Iroquois, from 'Dialogue de M. le baron de Lahontan et d'un sauvage dans l'Amerique', published in Amsterdam 1704 (engraving) (b/w photo), French School, (18th century) / Bridgeman Images

The Pavilion Perrusson at the Universal Exhibition of 1889 in Paris (b/w photo)
The Pavilion Perrusson at the Universal Exhibition of 1889 in Paris (b/w photo)

XIR164826: The Pavilion Perrusson at the Universal Exhibition of 1889 in Paris (b/w photo), Giraudon, Adolphe (1849-1929) / Bridgeman Images

Madame Renoux on the Steps of the Trinity Church, 1904 (oil on canvas)
Madame Renoux on the Steps of the Trinity Church, 1904 (oil on canvas)

XIR164916: Madame Renoux on the Steps of the Trinity Church, 1904 (oil on canvas), Renoux, Jules Ernest (1863-1932) / Bridgeman Images

The Crowning of Chilperic II (670-720), from 'Histoire de France' by Colart, published c.1840 (engraving)
The Crowning of Chilperic II (670-720), from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177714: The Crowning of Chilperic II (670-720), from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

Louis III (863-82) and Carloman (865-84) crowned together, from 'Histoire de France' by Colart, published c.1840 (engraving)
Louis III (863-82) and Carloman (865-84) crowned together, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177722: Louis III (863-82) and Carloman (865-84) crowned together, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

Emme kisses the knee of her husband Raoul (d.936) in recognition of his sovereignty, from 'Histoire de France' by Colart, published c.1840 (engraving)
Emme kisses the knee of her husband Raoul (d.936) in recognition of his sovereignty, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177726: Emme kisses the knee of her husband Raoul (d.936) in recognition of his sovereignty, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

Louis IV (921-54) d'Outremer lands in France after the death of Raoul in 936, from 'Histoire de France' by Colart, published c.1840 (engraving)
Louis IV (921-54) d'Outremer lands in France after the death of Raoul in 936, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177727: Louis IV (921-54) d'Outremer lands in France after the death of Raoul in 936, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

Louis V (967-87) the Loafer shows his crown to his followers, from 'Histoire de France' by Colart, published c.1840 (engraving)
Louis V (967-87) the Loafer shows his crown to his followers, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177729: Louis V (967-87) the Loafer shows his crown to his followers, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

Henri I (1008-60) pardons his brother Robert-Le-Vieux, from 'Histoire de France' by Colart, published c.1840 (engraving)
Henri I (1008-60) pardons his brother Robert-Le-Vieux, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177732: Henri I (1008-60) pardons his brother Robert-Le-Vieux, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

Louis XIII (1602-43) at the siege of La Rochelle in October 1628, from 'Histoire de France' by Colart, published c.1840 (engraving)
Louis XIII (1602-43) at the siege of La Rochelle in October 1628, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177759: Louis XIII (1602-43) at the siege of La Rochelle in October 1628, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

The Virgin Teaching the Infant Christ to Read, c.1630 (oil on panel)
The Virgin Teaching the Infant Christ to Read, c.1630 (oil on panel)

XIR177874: The Virgin Teaching the Infant Christ to Read, c.1630 (oil on panel), Grebber, Pieter Fransz. de (c.1600-53) / Bridgeman Images

Self Portrait (oil on canvas)
Self Portrait (oil on canvas)

XIR177950: Self Portrait (oil on canvas), Le Prince, Jean-Baptiste (1734-81) / Bridgeman Images

Tree of Liberty in Piazza San Marco (oil on canvas)
Tree of Liberty in Piazza San Marco (oil on canvas)

XAL177974: Tree of Liberty in Piazza San Marco (oil on canvas), Italian School, (18th century) / Bridgeman Images

Two Fishermen Pulling in their Nets (oil on panel)
Two Fishermen Pulling in their Nets (oil on panel)

BAL178000: Two Fishermen Pulling in their Nets (oil on panel), Arentsz, Arent (1585-1635) / Bridgeman Images

Portrait of Edward Herbert (1583-1648), from 'Lodge's British Portraits', 1823 (litho)
Portrait of Edward Herbert (1583-1648), from 'Lodge's British Portraits', 1823 (litho)

KWE178275: Portrait of Edward Herbert (1583-1648), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

View of the Charlottenburg Palace, 1781 (coloured engraving)
View of the Charlottenburg Palace, 1781 (coloured engraving)

XIR178371: View of the Charlottenburg Palace, 1781 (coloured engraving), Rosenberg, Johann Georg (1739-1808) / Bridgeman Images

Sir John Maitland, from 'Lodge's British Portraits', 1823 (engraving)
Sir John Maitland, from 'Lodge's British Portraits', 1823 (engraving)

KWE178665: Sir John Maitland, from 'Lodge's British Portraits', 1823 (engraving), English School, (19th century) / Bridgeman Images

John Churchill, 1st Duke of Marlborough (1650-1722), from 'Lodge's British Portraits', 1823 (engraving)
John Churchill, 1st Duke of Marlborough (1650-1722), from 'Lodge's British Portraits', 1823 (engraving)

KWE178676: John Churchill, 1st Duke of Marlborough (1650-1722), from 'Lodge's British Portraits', 1823 (engraving), English School, (19th century) / Bridgeman Images

Portrait of Robert Cecil, 1st Earl of Salisbury (1563-1612), from 'Lodge's British Portraits', 1823 (litho)
Portrait of Robert Cecil, 1st Earl of Salisbury (1563-1612), from 'Lodge's British Portraits', 1823 (litho)

KWE178689: Portrait of Robert Cecil, 1st Earl of Salisbury (1563-1612), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

Portrait of a Young Scholar of the Kerckring Family (oil on canvas)
Portrait of a Young Scholar of the Kerckring Family (oil on canvas)

XKH179015: Portrait of a Young Scholar of the Kerckring Family (oil on canvas), Bol, Ferdinand (1616-80) / Bridgeman Images

The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c.1532 (pen & ink & wash on paper)
The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c.1532 (pen & ink & wash on paper)

XKH179016: The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c.1532 (pen & ink & wash on paper), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images

River Landscape, 1697 (oil on canvas)
River Landscape, 1697 (oil on canvas)

XKH179091: River Landscape, 1697 (oil on canvas), Meer, Jan van der the Younger (1656-1705) / Bridgeman Images

Portrait of the Artist's Mother, 1604 (oil on canvas)
Portrait of the Artist's Mother, 1604 (oil on canvas)

XKH179097: Portrait of the Artist's Mother, 1604 (oil on canvas), Kindt, David (1580-1652) / Bridgeman Images

Portrait of Thomas Cranmer (1489-1556) from 'Lodge's British Portraits', 1823 (litho)
Portrait of Thomas Cranmer (1489-1556) from 'Lodge's British Portraits', 1823 (litho)

KWE179299: Portrait of Thomas Cranmer (1489-1556) from 'Lodge's British Portraits', 1823 (litho), Flicke, Gerlach (fl.1547-58) (after) / Bridgeman Images

Friedrich Rauert, 1877 (tempera on canvas)
Friedrich Rauert, 1877 (tempera on canvas)

XKH179505: Friedrich Rauert, 1877 (tempera on canvas), Leibl, Wilhelm Maria Hubertus (1844-1900) / Bridgeman Images

The Funtensee, 1841 (oil on canvas)
The Funtensee, 1841 (oil on canvas)

XKH179507: The Funtensee, 1841 (oil on canvas), Reinhold, Gustav (1798-1849) / Bridgeman Images


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