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Saint Paul and Saint Dominic. Polyptych of Orvieto (tempera and gold on panel, 1321)
Saint Paul and Saint Dominic. Polyptych of Orvieto (tempera and gold on panel, 1321)

LRI4621450: Saint Paul and Saint Dominic. Polyptych of Orvieto (tempera and gold on panel, 1321), Martini, Simone (1284-1344) / Bridgeman Images

ID: LRI4621450

Saint Paul and Saint Dominic. Polyptych of Orvieto (tempera and gold on panel, 1321)

Martini, Simone (1284-1344)

Diptych of Jean du Cellier: Virgin and six saints (oil on panel, 1490)
Diptych of Jean du Cellier: Virgin and six saints (oil on panel, 1490)

LRI4621494: Diptych of Jean du Cellier: Virgin and six saints (oil on panel, 1490), Memling, Hans (c.1433-94) / Bridgeman Images

ID: LRI4621494

Diptych of Jean du Cellier: Virgin and six saints (oil on panel, 1490)

Memling, Hans (c.1433-94)

Saints James and Ansano praying. Painting by Paolo di Dono dit Paolo Uccello (1397-1475), 1435-1440. Predelle of Quarata. Tempera on wood. Dim: 20x178cm. Florence, Museo Arcivescovile di Cestello. - Saints James and Ansano (Quarate Predella), by Paolo di Dono detto a.k.a. Paolo Uccello, (1397-1475). Tempera on wood, 20x178 cm, 1435-40. Museo Arcivescovile di Cestello, Florence, Italy
Saints James and Ansano praying. Painting by Paolo di Dono dit Paolo Uccello (1397-1475), 1435-1440. Predelle of Quarata. Tempera on wood. Dim: 20x178cm. Florence, Museo Arcivescovile di Cestello. - Saints James and Ansano (Quarate Predella), by Paolo di Dono detto a.k.a. Paolo Uccello, (1397-1475). Tempera on wood, 20x178 cm, 1435-40. Museo Arcivescovile di Cestello, Florence, Italy

LRI4621581: Saints James and Ansano praying. Painting by Paolo di Dono dit Paolo Uccello (1397-1475), 1435-1440. Predelle of Quarata. Tempera on wood. Dim: 20x178cm. Florence, Museo Arcivescovile di Cestello. - Saints James and Ansano (Quarate Predella), by Paolo di Dono detto a.k.a. Paolo Uccello, (1397-1475). Tempera on wood, 20x178 cm, 1435-40. Museo Arcivescovile di Cestello, Florence, Italy, Uccello, Paolo (1397-1475) / Bridgeman Images

ID: LRI4621581

Saints James and Ansano praying. Painting by Paolo di Dono dit Paolo Uccello (1397-1475), 1435-1440. Predelle of Quarata. Tempera on wood. Dim: 20x178cm. Florence, Museo Arcivescovile di Cestello. - Saints James and Ansano (Quarate Predella), by Paolo di Dono detto a.k.a. Paolo Uccello, (1397-1475). Tempera on wood, 20x178 cm, 1435-40. Museo Arcivescovile di Cestello, Florence, Italy

Uccello, Paolo (1397-1475)

The family of Henri Louis Habert de Montmort (1600-1679), on the right, 17th century (oil on canvas)
The family of Henri Louis Habert de Montmort (1600-1679), on the right, 17th century (oil on canvas)

JLJ4621809: The family of Henri Louis Habert de Montmort (1600-1679), on the right, 17th century (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

ID: JLJ4621809

The family of Henri Louis Habert de Montmort (1600-1679), on the right, 17th century (oil on canvas)

Champaigne, Philippe de (1602-74)

Portrait of Hyppolite of Bethune (1603-1665), 17th century (oil on canvas)
Portrait of Hyppolite of Bethune (1603-1665), 17th century (oil on canvas)

JLJ4621853: Portrait of Hyppolite of Bethune (1603-1665), 17th century (oil on canvas), French School, (17th century) / Bridgeman Images

ID: JLJ4621853

Portrait of Hyppolite of Bethune (1603-1665), 17th century (oil on canvas)

French School, (17th century)

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595214: Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595214

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595311: Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595311

Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Woman of the Dutch bourgeois and a page, 17th century, from a painting by Gabriel Metsu (1629-1667) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Woman of the Dutch bourgeois and a page, 17th century, from a painting by Gabriel Metsu (1629-1667) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616694: Woman of the Dutch bourgeois and a page, 17th century, from a painting by Gabriel Metsu (1629-1667) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616694

Woman of the Dutch bourgeois and a page, 17th century, from a painting by Gabriel Metsu (1629-1667) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Jean Antoine de Mesme (1661-1723), lord of Irval, count of Avaux, French magistrature 17th century, after a painting of 1653, by Philippe de Champaigne (1602-1674) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques of the 16th, 17th and 18th century by Georges Duplessis (1834-1899), edition 1867
Jean Antoine de Mesme (1661-1723), lord of Irval, count of Avaux, French magistrature 17th century, after a painting of 1653, by Philippe de Champaigne (1602-1674) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques of the 16th, 17th and 18th century by Georges Duplessis (1834-1899), edition 1867

FLO4616720: Jean Antoine de Mesme (1661-1723), lord of Irval, count of Avaux, French magistrature 17th century, after a painting of 1653, by Philippe de Champaigne (1602-1674) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques of the 16th, 17th and 18th century by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616720

Jean Antoine de Mesme (1661-1723), lord of Irval, count of Avaux, French magistrature 17th century, after a painting of 1653, by Philippe de Champaigne (1602-1674) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques of the 16th, 17th and 18th century by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616742: French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616742

French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Peasant of Lombardy (Italy), 18th century, based on a painting by Fracesco Londonio (1723-1783) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Peasant of Lombardy (Italy), 18th century, based on a painting by Fracesco Londonio (1723-1783) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616827: Peasant of Lombardy (Italy), 18th century, based on a painting by Fracesco Londonio (1723-1783) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616827

Peasant of Lombardy (Italy), 18th century, based on a painting by Fracesco Londonio (1723-1783) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “” Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867
Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867

FLO4616844: Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616844

Officer governor of Marseille and lady of quality, France, 18th century, after a painting of 1754 by Joseph Vernet (1714-1789) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition. 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Venitian gondolier, Italy 18th century, based on a painting by Giovanni Antonio Canal dit Canaletto (1697-1768) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Venitian gondolier, Italy 18th century, based on a painting by Giovanni Antonio Canal dit Canaletto (1697-1768) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616848: Venitian gondolier, Italy 18th century, based on a painting by Giovanni Antonio Canal dit Canaletto (1697-1768) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616848

Venitian gondolier, Italy 18th century, based on a painting by Giovanni Antonio Canal dit Canaletto (1697-1768) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620769: The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620769

The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Dante's boat, from Divina Commedia by Dante Alighieri (oil on canvas, 1822)
Dante's boat, from Divina Commedia by Dante Alighieri (oil on canvas, 1822)

LRI4620876: Dante's boat, from Divina Commedia by Dante Alighieri (oil on canvas, 1822), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: LRI4620876

Dante's boat, from Divina Commedia by Dante Alighieri (oil on canvas, 1822)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Rue Castiglione in Paris in 1829 (oil on cardboard)
Rue Castiglione in Paris in 1829 (oil on cardboard)

JLJ4621145: Rue Castiglione in Paris in 1829 (oil on cardboard), Canella, Giuseppe (1788-1847) / Bridgeman Images

ID: JLJ4621145

Rue Castiglione in Paris in 1829 (oil on cardboard)

Canella, Giuseppe (1788-1847)

Seaport with the Embarkation of Saint Ursula (oil on canvas, 1641)
Seaport with the Embarkation of Saint Ursula (oil on canvas, 1641)

LRI4621346: Seaport with the Embarkation of Saint Ursula (oil on canvas, 1641), Le Lorrain, Louis-Joseph (1715-59) / Bridgeman Images

ID: LRI4621346

Seaport with the Embarkation of Saint Ursula (oil on canvas, 1641)

Le Lorrain, Louis-Joseph (1715-59)

Virgin with child (tempera and gold on panel, 1321)
Virgin with child (tempera and gold on panel, 1321)

LRI4621439: Virgin with child (tempera and gold on panel, 1321), Martini, Simone (1284-1344) / Bridgeman Images

ID: LRI4621439

Virgin with child (tempera and gold on panel, 1321)

Martini, Simone (1284-1344)

Yellow Mountain Pines, Huangshan, 2015 (w/c on paper)
Yellow Mountain Pines, Huangshan, 2015 (w/c on paper)

CFU3927698: Yellow Mountain Pines, Huangshan, 2015 (w/c on paper), Furr, Christian (b.1966) / Bridgeman Images

ID: CFU3927698

Yellow Mountain Pines, Huangshan, 2015 (w/c on paper)

Furr, Christian (b.1966)

Woman from Arles, 1890 (oil on canvas) (see also 18948)
Woman from Arles, 1890 (oil on canvas) (see also 18948)

FAF3928950: Woman from Arles, 1890 (oil on canvas) (see also 18948), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: FAF3928950

Woman from Arles, 1890 (oil on canvas) (see also 18948)

Gogh, Vincent van (1853-90)

Corpus Clock, 2018 (oil on panel)
Corpus Clock, 2018 (oil on panel)

AFN3929809: Corpus Clock, 2018 (oil on panel), Williamson, Chris Ross / Bridgeman Images

ID: AFN3929809

Corpus Clock, 2018 (oil on panel)

Williamson, Chris Ross

The Daisy, 2018 (oil on panel)
The Daisy, 2018 (oil on panel)

AFN3929814: The Daisy, 2018 (oil on panel), Williamson, Chris Ross / Bridgeman Images

ID: AFN3929814

The Daisy, 2018 (oil on panel)

Williamson, Chris Ross

The Wildflowers, 2018 (oil on panel)
The Wildflowers, 2018 (oil on panel)

AFN3929823: The Wildflowers, 2018 (oil on panel), Williamson, Chris Ross / Bridgeman Images

ID: AFN3929823

The Wildflowers, 2018 (oil on panel)

Williamson, Chris Ross

Royal Mangalitzer Pig (oil on canvas)
Royal Mangalitzer Pig (oil on canvas)

AWL3931209: Royal Mangalitzer Pig (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931209

Royal Mangalitzer Pig (oil on canvas)

Williams, Alex (b.1942)

wren barn (oil on canvas)
wren barn (oil on canvas)

AWL3931219: wren barn (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931219

wren barn (oil on canvas)

Williams, Alex (b.1942)

Best in Show (oil on canvas)
Best in Show (oil on canvas)

AWL3931222: Best in Show (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931222

Best in Show (oil on canvas)

Williams, Alex (b.1942)

Bonfire Party (oil on canvas)
Bonfire Party (oil on canvas)

AWL3931224: Bonfire Party (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931224

Bonfire Party (oil on canvas)

Williams, Alex (b.1942)

collared Doves (oil on canvas)
collared Doves (oil on canvas)

AWL3931227: collared Doves (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931227

collared Doves (oil on canvas)

Williams, Alex (b.1942)

Longhorn and Old Vantif (oil on canvas)
Longhorn and Old Vantif (oil on canvas)

AWL3931236: Longhorn and Old Vantif (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931236

Longhorn and Old Vantif (oil on canvas)

Williams, Alex (b.1942)

Mid Winter (oil on canvas)
Mid Winter (oil on canvas)

AWL3931237: Mid Winter (oil on canvas), Williams, Alex (b.1942) / Bridgeman Images

ID: AWL3931237

Mid Winter (oil on canvas)

Williams, Alex (b.1942)

flowers, 2018 (oils)
flowers, 2018 (oils)

AKO3957939: flowers, 2018 (oils), shakespeare, jocasta / Bridgeman Images

ID: AKO3957939

flowers, 2018 (oils)

shakespeare, jocasta

Count Leo Tolstoy (painting)
Count Leo Tolstoy (painting)

SZT6363971: Count Leo Tolstoy (painting), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: SZT6363971

Count Leo Tolstoy (painting)

Repin, Ilya Efimovich (1844-1930)

Portrait of Francois Gaston de Bethune (1638-1692), 17th century (oil on canvas)
Portrait of Francois Gaston de Bethune (1638-1692), 17th century (oil on canvas)

JLJ4621857: Portrait of Francois Gaston de Bethune (1638-1692), 17th century (oil on canvas), French School, (17th century) / Bridgeman Images

ID: JLJ4621857

Portrait of Francois Gaston de Bethune (1638-1692), 17th century (oil on canvas)

French School, (17th century)

Procris's death. A Satyr mourning over a Nymph, 1486-1510 (oil on poplar)
Procris's death. A Satyr mourning over a Nymph, 1486-1510 (oil on poplar)

LRI4621881: Procris's death. A Satyr mourning over a Nymph, 1486-1510 (oil on poplar), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

ID: LRI4621881

Procris's death. A Satyr mourning over a Nymph, 1486-1510 (oil on poplar)

Cosimo, Piero di (c.1462-1521)

The vision of Saint Eustatius, 15th century (detrempe on wood)
The vision of Saint Eustatius, 15th century (detrempe on wood)

LRI4621988: The vision of Saint Eustatius, 15th century (detrempe on wood), Pisanello, Antonio (1395-1455) / Bridgeman Images

ID: LRI4621988

The vision of Saint Eustatius, 15th century (detrempe on wood)

Pisanello, Antonio (1395-1455)

The prayer, 1883 (oil on canvas)
The prayer, 1883 (oil on canvas)

JLJ4622022: The prayer, 1883 (oil on canvas), Beraud, Jean (1849-1935) / Bridgeman Images

ID: JLJ4622022

The prayer, 1883 (oil on canvas)

Beraud, Jean (1849-1935)


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