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Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.
Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.

TEC4660914: Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time., Hittorff, Jacques Ignace (1792-1867) / Bridgeman Images

The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.
The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.

TEC4660946: The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007. / Bridgeman Images

The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.
The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.

TEC4660955: The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007. / Bridgeman Images

The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.
The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.

TEC4661013: The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007. / Bridgeman Images

The building of the Parisien Libere, 124 rue Reaumur in Paris 75002. Architect Georges Chedanne (1861-1940), 1905.
The building of the Parisien Libere, 124 rue Reaumur in Paris 75002. Architect Georges Chedanne (1861-1940), 1905.

TEC4661189: The building of the Parisien Libere, 124 rue Reaumur in Paris 75002. Architect Georges Chedanne (1861-1940), 1905. / Bridgeman Images

Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.
Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.

TEC4661305: Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations. / Bridgeman Images

Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.
Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.

TEC4661319: Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations. / Bridgeman Images

Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.
Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.

TEC4661341: Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations. / Bridgeman Images

Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.
Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.

TEC4661356: Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations. / Bridgeman Images

Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.
Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.

TEC4661389: Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations. / Bridgeman Images

Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.
Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations.

TEC4661392: Hotel Latitude 43 in Saint Tropez (Var). Architect Georges Henri Pingusson (1894-1978), 1931-1933. Long white concrete bar, this 110-room old hotel dominates the city. Since 1998, this very symbolic place of the modern movement has become a co-ownership of individual accommodations. / Bridgeman Images

Accommodation avenue Rapp in Paris 75007. Architect Jules Lavirotte (1864-1929), 1901.
Accommodation avenue Rapp in Paris 75007. Architect Jules Lavirotte (1864-1929), 1901.

TEC4661435: Accommodation avenue Rapp in Paris 75007. Architect Jules Lavirotte (1864-1929), 1901. / Bridgeman Images

The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88.
The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88.

TEC4661513: The ship building, 3 Boulevard Victor in Paris 75015. Architect 1929-1934, Pierre Patout (1879-1965). A specialist in the furnishing of transatlantic vessels, Patout adapted to the narrow ground between two lanes by building a ship building. Photography 10/05/88. / Bridgeman Images

La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), construction 1882-2026. Photography 29/02/08.
La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), construction 1882-2026. Photography 29/02/08.

TEC4663833: La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), construction 1882-2026. Photography 29/02/08. / Bridgeman Images

La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), construction 1882-2026.
La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), construction 1882-2026.

TEC4663908: La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), construction 1882-2026. / Bridgeman Images

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.
Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.

TEC4664137: Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08. / Bridgeman Images

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.
Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.

TEC4664151: Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08. / Bridgeman Images

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.
Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.

TEC4664187: Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08. / Bridgeman Images

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.
Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08.

TEC4664203: Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 10/09/08. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

TEC4728130: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

TEC4728188: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

TEC4728248: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

TEC4728257: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The Impressionist Park in Rueil Malmaison (Rueil-Malmaison), Hauts de Seine (Hauts-de-Seine), Ile de France (Ile-de-France), France
The Impressionist Park in Rueil Malmaison (Rueil-Malmaison), Hauts de Seine (Hauts-de-Seine), Ile de France (Ile-de-France), France

LBY4729258: The Impressionist Park in Rueil Malmaison (Rueil-Malmaison), Hauts de Seine (Hauts-de-Seine), Ile de France (Ile-de-France), France / Bridgeman Images

Chateau de Chantilly, Oise, Picardie, France. Photography 1999
Chateau de Chantilly, Oise, Picardie, France. Photography 1999

ITR4729408: Chateau de Chantilly, Oise, Picardie, France. Photography 1999 / Bridgeman Images

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

ITR4729536: Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance. / Bridgeman Images

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

ITR4729563: Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance. / Bridgeman Images

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

ITR4729620: Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance. / Bridgeman Images

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

ITR4729648: Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

ITR4729800: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

ITR4729807: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

ITR4729859: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

ITR4729865: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

ITR4729876: The desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

Chateau de Dampierre, the desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. Architecture by Andre Le Notre (1613-1700). The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.
Chateau de Dampierre, the desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. Architecture by Andre Le Notre (1613-1700). The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period.

ITR4729970: Chateau de Dampierre, the desert of Retz to Chambourcy (Parc et jardin de Chambourcy) Desert de Retz, les Yvelines, Ile de France (Ile-de-France), France. Architecture by Andre Le Notre (1613-1700). The Desert de Retz, created between 1774 and 1789 by Monsieur de Monville, with pavilions of manure or factories of rare species to achieve the absolute of grace of that period. / Bridgeman Images

Chateau de Saint Jean de Beauregard, Essonne, Ile de France (Ile-De-France), France. 17th century architecture.
Chateau de Saint Jean de Beauregard, Essonne, Ile de France (Ile-De-France), France. 17th century architecture.

ITR4730050: Chateau de Saint Jean de Beauregard, Essonne, Ile de France (Ile-De-France), France. 17th century architecture. / Bridgeman Images


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