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Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -
Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

TEC4704534: Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 - / Bridgeman Images

ID: TEC4704534

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -
Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

TEC4704668: Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 - / Bridgeman Images

ID: TEC4704668

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -
Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

TEC4704824: Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 - / Bridgeman Images

ID: TEC4704824

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -
Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

TEC4704869: Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 - / Bridgeman Images

ID: TEC4704869

Le Louvre à Paris Grand Louvre - Rue de Rivoli et quai des Tuileries - Paris 1er - Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte - 1983-2001 -

Detail of the Colonnade Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Detail of the Colonnade. Built under Louis XIV after a project established in 1667 by a council of Le Vau, le Brun, and Claude Perrault. Project in fact executed only by Claude Perrault.
Detail of the Colonnade Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Detail of the Colonnade. Built under Louis XIV after a project established in 1667 by a council of Le Vau, le Brun, and Claude Perrault. Project in fact executed only by Claude Perrault.

LBY4705268: Detail of the Colonnade Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Detail of the Colonnade. Built under Louis XIV after a project established in 1667 by a council of Le Vau, le Brun, and Claude Perrault. Project in fact executed only by Claude Perrault. / Bridgeman Images

ID: LBY4705268

Detail of the Colonnade Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Detail of the Colonnade. Built under Louis XIV after a project established in 1667 by a council of Le Vau, le Brun, and Claude Perrault. Project in fact executed only by Claude Perrault.

Richelieu wing from rue de la rue de Rivoli Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Richelieu wing seen from the rue de Rivoli with transparency the department of French sculptures not monumental.
Richelieu wing from rue de la rue de Rivoli Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Richelieu wing seen from the rue de Rivoli with transparency the department of French sculptures not monumental.

LBY4705331: Richelieu wing from rue de la rue de Rivoli Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Richelieu wing seen from the rue de Rivoli with transparency the department of French sculptures not monumental. / Bridgeman Images

ID: LBY4705331

Richelieu wing from rue de la rue de Rivoli Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Richelieu wing seen from the rue de Rivoli with transparency the department of French sculptures not monumental.

Wing Richelieu Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu Wing at night from Rivoli Street. Reabilitation 1988-1997.
Wing Richelieu Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu Wing at night from Rivoli Street. Reabilitation 1988-1997.

LBY4705341: Wing Richelieu Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu Wing at night from Rivoli Street. Reabilitation 1988-1997. / Bridgeman Images

ID: LBY4705341

Wing Richelieu Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu Wing at night from Rivoli Street. Reabilitation 1988-1997.

Rehabilitation of the Musee Saint-Pierre in Lyon. Architecture by Philippe Dubois and Jean-Michel Wilmotte, 1992-1998. Photography 1994
Rehabilitation of the Musee Saint-Pierre in Lyon. Architecture by Philippe Dubois and Jean-Michel Wilmotte, 1992-1998. Photography 1994

TEC4707209: Rehabilitation of the Musee Saint-Pierre in Lyon. Architecture by Philippe Dubois and Jean-Michel Wilmotte, 1992-1998. Photography 1994 / Bridgeman Images

ID: TEC4707209

Rehabilitation of the Musee Saint-Pierre in Lyon. Architecture by Philippe Dubois and Jean-Michel Wilmotte, 1992-1998. Photography 1994

The Picasso Museum, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1975-1985. The Hotel Sale was built from 1656 to 1659 by Jean Boullier de Bourges. The building owes its name to its sponsor, Pierre Aubert, seigneur of Fontenay, charged with collecting the tax on salt - the gabelle. After his purchase by the city of Paris, he was rehabilitated to receive works by Picasso. Photography 1986.
The Picasso Museum, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1975-1985. The Hotel Sale was built from 1656 to 1659 by Jean Boullier de Bourges. The building owes its name to its sponsor, Pierre Aubert, seigneur of Fontenay, charged with collecting the tax on salt - the gabelle. After his purchase by the city of Paris, he was rehabilitated to receive works by Picasso. Photography 1986.

TEC4707667: The Picasso Museum, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1975-1985. The Hotel Sale was built from 1656 to 1659 by Jean Boullier de Bourges. The building owes its name to its sponsor, Pierre Aubert, seigneur of Fontenay, charged with collecting the tax on salt - the gabelle. After his purchase by the city of Paris, he was rehabilitated to receive works by Picasso. Photography 1986. / Bridgeman Images

ID: TEC4707667

The Picasso Museum, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1975-1985. The Hotel Sale was built from 1656 to 1659 by Jean Boullier de Bourges. The building owes its name to its sponsor, Pierre Aubert, seigneur of Fontenay, charged with collecting the tax on salt - the gabelle. After his purchase by the city of Paris, he was rehabilitated to receive works by Picasso. Photography 1986.

Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart
Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart

TEC4707789: Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart / Bridgeman Images

ID: TEC4707789

Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart

The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti
The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti

OMG4708386: The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti / Bridgeman Images

ID: OMG4708386

The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti

The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti
The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti

OMG4708524: The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti / Bridgeman Images

ID: OMG4708524

The Department of the Arts of Islam of the Louvre - The work of architects Rudy Ricciotti and Mario Bellini, a box surmounted by a cover of gilded glass and woven with a fine undulating metal network, highlights one of the richest and most beautiful collections of Islamic art in the world. Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti

The Department of the Arts of Islam of the Louvre Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti
The Department of the Arts of Islam of the Louvre Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti

OMG4708554: The Department of the Arts of Islam of the Louvre Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti / Bridgeman Images

ID: OMG4708554

The Department of the Arts of Islam of the Louvre Department of the Arts of Islam - Louvre - Paris 1er - 2012 - Mario Bellini - Rudy Ricciotti

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)
Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

TEC4708788: Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo) / Bridgeman Images

ID: TEC4708788

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)
Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

TEC4708841: Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo) / Bridgeman Images

ID: TEC4708841

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)
Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

TEC4708897: Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo) / Bridgeman Images

ID: TEC4708897

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)
Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

TEC4708955: Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo) / Bridgeman Images

ID: TEC4708955

Musee National de la Legion d'honneur et des ordres de la chevalerie, Paris, France, 1992 (photo)

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.
Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.

TEC4709159: Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993. / Bridgeman Images

ID: TEC4709159

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.
Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.

TEC4709175: Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993. / Bridgeman Images

ID: TEC4709175

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.
Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.

TEC4709217: Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993. / Bridgeman Images

ID: TEC4709217

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The staircase is a piece of bravery. Its development uses curves and countercurves of the rococoa style. Photography 1993.

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on.
Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on.

TEC4709275: Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on. / Bridgeman Images

ID: TEC4709275

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on.

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.
Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

TEC4659152: Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4659152

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.
Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

TEC4659161: Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4659161

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.
The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

TEC4659533: The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993., Garnier, Tony (1869-1948) / Bridgeman Images

ID: TEC4659533

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

Garnier, Tony (1869-1948)

Propylee (Granté), drawing by architect Claude Nicolas Ledoux¿ (1736-1806), published in 1807 in his book L'architecture consideree sous le relation a l'art, les moreurs et de la législation.
Propylee (Granté), drawing by architect Claude Nicolas Ledoux¿ (1736-1806), published in 1807 in his book L'architecture consideree sous le relation a l'art, les moreurs et de la législation.

TEC4659877: Propylee (Granté), drawing by architect Claude Nicolas Ledoux¿ (1736-1806), published in 1807 in his book L'architecture consideree sous le relation a l'art, les moreurs et de la législation. / Bridgeman Images

ID: TEC4659877

Propylee (Granté), drawing by architect Claude Nicolas Ledoux¿ (1736-1806), published in 1807 in his book L'architecture consideree sous le relation a l'art, les moreurs et de la législation.

Stained glass from the church of Notre Dame des Alpes in Le Fayet, Saint Gervais (Haute Savoie). Architect Maurice Novarina (1907-2002), 1936-1938.
Stained glass from the church of Notre Dame des Alpes in Le Fayet, Saint Gervais (Haute Savoie). Architect Maurice Novarina (1907-2002), 1936-1938.

ITR4660294: Stained glass from the church of Notre Dame des Alpes in Le Fayet, Saint Gervais (Haute Savoie). Architect Maurice Novarina (1907-2002), 1936-1938. / Bridgeman Images

ID: ITR4660294

Stained glass from the church of Notre Dame des Alpes in Le Fayet, Saint Gervais (Haute Savoie). Architect Maurice Novarina (1907-2002), 1936-1938.

The chalet Joliot Curie in Courchevel (Savoie).Construction 1949-1950, architect Denys Pradelle.
The chalet Joliot Curie in Courchevel (Savoie).Construction 1949-1950, architect Denys Pradelle.

ITR4660316: The chalet Joliot Curie in Courchevel (Savoie).Construction 1949-1950, architect Denys Pradelle. / Bridgeman Images

ID: ITR4660316

The chalet Joliot Curie in Courchevel (Savoie).Construction 1949-1950, architect Denys Pradelle.

The University Campus of the Illinois Institute of Technology in Chicago, Illinois, USA.
The University Campus of the Illinois Institute of Technology in Chicago, Illinois, USA.

TEC4660358: The University Campus of the Illinois Institute of Technology in Chicago, Illinois, USA. / Bridgeman Images

ID: TEC4660358

The University Campus of the Illinois Institute of Technology in Chicago, Illinois, USA.

The pool of the Buttes aux Cailles in Paris 75013. Construction 1922-1924, architect Louis Bonnier (1856-1946).
The pool of the Buttes aux Cailles in Paris 75013. Construction 1922-1924, architect Louis Bonnier (1856-1946).

TEC4660486: The pool of the Buttes aux Cailles in Paris 75013. Construction 1922-1924, architect Louis Bonnier (1856-1946). / Bridgeman Images

ID: TEC4660486

The pool of the Buttes aux Cailles in Paris 75013. Construction 1922-1924, architect Louis Bonnier (1856-1946).

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).
Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

TEC4660517: Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847). / Bridgeman Images

ID: TEC4660517

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).
Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

TEC4660540: Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847). / Bridgeman Images

ID: TEC4660540

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).
Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

TEC4660546: Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847). / Bridgeman Images

ID: TEC4660546

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).
Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

TEC4660606: Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847). / Bridgeman Images

ID: TEC4660606

Le Palais Brongniart, Palais de la Bourse, Place de la Bourse in Paris 75002. Construction 1808-1826, architect Alexandre Brongniart (1770-1847).

Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place.
Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place.

TEC4660854: Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place. / Bridgeman Images

ID: TEC4660854

Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place.

Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place.
Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place.

TEC4660859: Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place. / Bridgeman Images

ID: TEC4660859

Le Cirque d'hiver, 110 rue Amelota Paris 75011. Architect Jakob Hittorff (1792-1857), 1852. Finished a week after the coup, the circus became the circus Napoleon. Built for Louis Dejean, this cirquesitue near the grand boulevards and theatres that attracted a large audience at that time. The decoration is inspired by Greek architecture. The entrance is decorated with two cast iron statues that announce the equestrian vocation of the place.

Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.
Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.

TEC4660894: Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time., Hittorff, Jacques Ignace (1792-1867) / Bridgeman Images

ID: TEC4660894

Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.

Hittorff, Jacques Ignace (1792-1867)


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