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The four-season merchant, in Imagier de l'enfance, c.1900 (engraving)
The four-season merchant, in Imagier de l'enfance, c.1900 (engraving)

DUV4206166: The four-season merchant, in Imagier de l'enfance, c.1900 (engraving), Raffin, Ferdinand (1870?-1948) / Bridgeman Images

ID: DUV4206166

The four-season merchant, in Imagier de l'enfance, c.1900 (engraving)

Raffin, Ferdinand (1870?-1948)

Polar bears - ” Alphabet illustrates animals” 19th century (engraving)
Polar bears - ” Alphabet illustrates animals” 19th century (engraving)

DUV4213316: Polar bears - ” Alphabet illustrates animals” 19th century (engraving), Travies, Edouard (1809-1876) / Bridgeman Images

ID: DUV4213316

Polar bears - ” Alphabet illustrates animals” 19th century (engraving)

Travies, Edouard (1809-1876)

Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene.
Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene.

PCT4258241: Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene., Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4258241

Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene.

Riou, Edouard (1833-1900)

Portrait of singer Emma Calvé (1858 - 1942), famous opera singer. Frequent in esoteric circles, it is mentioned among the relations of Abbé Béranger Saunière, priest of Rennes le Château, and thus linked to the mysterious treasure that would be buried in this Audois village. Photo by Reutlinger.
Portrait of singer Emma Calvé (1858 - 1942), famous opera singer. Frequent in esoteric circles, it is mentioned among the relations of Abbé Béranger Saunière, priest of Rennes le Château, and thus linked to the mysterious treasure that would be buried in this Audois village. Photo by Reutlinger.

PCT4258420: Portrait of singer Emma Calvé (1858 - 1942), famous opera singer. Frequent in esoteric circles, it is mentioned among the relations of Abbé Béranger Saunière, priest of Rennes le Château, and thus linked to the mysterious treasure that would be buried in this Audois village. Photo by Reutlinger., Reutlinger Studio (1850-1937) / Bridgeman Images

ID: PCT4258420

Portrait of singer Emma Calvé (1858 - 1942), famous opera singer. Frequent in esoteric circles, it is mentioned among the relations of Abbé Béranger Saunière, priest of Rennes le Château, and thus linked to the mysterious treasure that would be buried in this Audois village. Photo by Reutlinger.

Reutlinger Studio (1850-1937)

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the role of the Duke of Reichstadt in
Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the role of the Duke of Reichstadt in

PCT4257864: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the role of the Duke of Reichstadt in "the Aiglon”, play by Edmond Rostand, postcard, (b/w photo), Cartier, Patrice / Bridgeman Images

ID: PCT4257864

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the role of the Duke of Reichstadt in "the Aiglon”, play by Edmond Rostand, postcard, (b/w photo)

Cartier, Patrice

Illustration of the book
Illustration of the book

PCT4258031: Illustration of the book "Voyage dans la lune avant 1900" by A. de Ville-d'Avray, Ancienne Librairie Furne edition. (engraving), French School, (19th century) / Bridgeman Images

ID: PCT4258031

Illustration of the book "Voyage dans la lune avant 1900" by A. de Ville-d'Avray, Ancienne Librairie Furne edition. (engraving)

French School, (19th century)

Postcard early 20th century, entitled the dream (photo)
Postcard early 20th century, entitled the dream (photo)

PCT4258065: Postcard early 20th century, entitled the dream (photo), French Photographer, (20th century) / Bridgeman Images

ID: PCT4258065

Postcard early 20th century, entitled the dream (photo)

French Photographer, (20th century)

Printing: glazing of paper - engraving of “” La France industrielle” by Bonnafoux, 1880.
Printing: glazing of paper - engraving of “” La France industrielle” by Bonnafoux, 1880.

PCT4257483: Printing: glazing of paper - engraving of “” La France industrielle” by Bonnafoux, 1880. / Bridgeman Images

ID: PCT4257483

Printing: glazing of paper - engraving of “” La France industrielle” by Bonnafoux, 1880.

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “Hamlet” (Shakespeare), 1899. (b/w photo)
Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “Hamlet” (Shakespeare), 1899. (b/w photo)

PCT4257579: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “Hamlet” (Shakespeare), 1899. (b/w photo) / Bridgeman Images

ID: PCT4257579

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “Hamlet” (Shakespeare), 1899. (b/w photo)

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “The distant princess”, a play by Edmond Rostand (b/w photo)
Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “The distant princess”, a play by Edmond Rostand (b/w photo)

PCT4257665: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “The distant princess”, a play by Edmond Rostand (b/w photo), Reutlinger Studio (1850-1937) / Bridgeman Images

ID: PCT4257665

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) as “The distant princess”, a play by Edmond Rostand (b/w photo)

Reutlinger Studio (1850-1937)

A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847
A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847

PCT4258700: A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4258700

A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847

Grandville (Jean Ignace Isidore Gerard) (1803-47)

The beautiful Otero, postcard early 20th century. (photo)
The beautiful Otero, postcard early 20th century. (photo)

PCT4257830: The beautiful Otero, postcard early 20th century. (photo), Reutlinger Studio (1850-1937) / Bridgeman Images

ID: PCT4257830

The beautiful Otero, postcard early 20th century. (photo)

Reutlinger Studio (1850-1937)

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) and J. Derval in the play “La Beffa” (b/w photo)
Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) and J. Derval in the play “La Beffa” (b/w photo)

PCT4257900: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) and J. Derval in the play “La Beffa” (b/w photo) / Bridgeman Images

ID: PCT4257900

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) and J. Derval in the play “La Beffa” (b/w photo)

Illustration of the book
Illustration of the book

PCT4258023: Illustration of the book "Voyage dans la lune avant 1900" by A. de Ville-d'Avray, Ancienne Librairie Furne edition. (engraving), French School, (19th century) / Bridgeman Images

ID: PCT4258023

Illustration of the book "Voyage dans la lune avant 1900" by A. de Ville-d'Avray, Ancienne Librairie Furne edition. (engraving)

French School, (19th century)

Portrait of a young African woman: postage stamp (3 francs) from French West Africa 1952 (print)
Portrait of a young African woman: postage stamp (3 francs) from French West Africa 1952 (print)

PCT4258047: Portrait of a young African woman: postage stamp (3 francs) from French West Africa 1952 (print), Cartier, Patrice / Bridgeman Images

ID: PCT4258047

Portrait of a young African woman: postage stamp (3 francs) from French West Africa 1952 (print)

Cartier, Patrice

Courtesan, princess then saint, Liane de Pougy (Marie Anne Olympe Chassaigne, 1869 - 1950) is considered by Edmond de Goncourt as the prettiest woman of her century. It crosses Europe, stirring mad male and female passions (Charles de Mac Mahon, Roman Potocki, Maurice de Rothschild, Prince Georges Ghika, Natalie Barney etc). Friend of Cocteau, Proust, Colette, dancer and writer, she retired at the end of her life in the monastic order of Saint Dominica. Photo Reutlinger. Postcard 1902.
Courtesan, princess then saint, Liane de Pougy (Marie Anne Olympe Chassaigne, 1869 - 1950) is considered by Edmond de Goncourt as the prettiest woman of her century. It crosses Europe, stirring mad male and female passions (Charles de Mac Mahon, Roman Potocki, Maurice de Rothschild, Prince Georges Ghika, Natalie Barney etc). Friend of Cocteau, Proust, Colette, dancer and writer, she retired at the end of her life in the monastic order of Saint Dominica. Photo Reutlinger. Postcard 1902.

PCT4258474: Courtesan, princess then saint, Liane de Pougy (Marie Anne Olympe Chassaigne, 1869 - 1950) is considered by Edmond de Goncourt as the prettiest woman of her century. It crosses Europe, stirring mad male and female passions (Charles de Mac Mahon, Roman Potocki, Maurice de Rothschild, Prince Georges Ghika, Natalie Barney etc). Friend of Cocteau, Proust, Colette, dancer and writer, she retired at the end of her life in the monastic order of Saint Dominica. Photo Reutlinger. Postcard 1902., Reutlinger Studio (1850-1937) / Bridgeman Images

ID: PCT4258474

Courtesan, princess then saint, Liane de Pougy (Marie Anne Olympe Chassaigne, 1869 - 1950) is considered by Edmond de Goncourt as the prettiest woman of her century. It crosses Europe, stirring mad male and female passions (Charles de Mac Mahon, Roman Potocki, Maurice de Rothschild, Prince Georges Ghika, Natalie Barney etc). Friend of Cocteau, Proust, Colette, dancer and writer, she retired at the end of her life in the monastic order of Saint Dominica. Photo Reutlinger. Postcard 1902.

Reutlinger Studio (1850-1937)

postcard war 1914-1918 - A child praying in front of a crucifix and a missel, thinking of his father, a French soldier in uniform that we see in medallion: I am far too small to go to war/But my dream, Lord is to be a military. Note that the photographer who performed the photomontage created a black melt effect, darkening and blurring the tip of the bayonet, as if to erase the cruel appearance of the weapon.
postcard war 1914-1918 - A child praying in front of a crucifix and a missel, thinking of his father, a French soldier in uniform that we see in medallion: I am far too small to go to war/But my dream, Lord is to be a military. Note that the photographer who performed the photomontage created a black melt effect, darkening and blurring the tip of the bayonet, as if to erase the cruel appearance of the weapon.

PCT4259246: postcard war 1914-1918 - A child praying in front of a crucifix and a missel, thinking of his father, a French soldier in uniform that we see in medallion: I am far too small to go to war/But my dream, Lord is to be a military. Note that the photographer who performed the photomontage created a black melt effect, darkening and blurring the tip of the bayonet, as if to erase the cruel appearance of the weapon., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4259246

postcard war 1914-1918 - A child praying in front of a crucifix and a missel, thinking of his father, a French soldier in uniform that we see in medallion: I am far too small to go to war/But my dream, Lord is to be a military. Note that the photographer who performed the photomontage created a black melt effect, darkening and blurring the tip of the bayonet, as if to erase the cruel appearance of the weapon.

Unknown photographer, (20th century)

Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordiaires, illustration by George Roux. “Maritime scene: sailor attacked by shark in the Pacific Ocean”
Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordiaires, illustration by George Roux. “Maritime scene: sailor attacked by shark in the Pacific Ocean”

PCT4258868: Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordiaires, illustration by George Roux. “Maritime scene: sailor attacked by shark in the Pacific Ocean”, Roux, George (1853-1929) / Bridgeman Images

ID: PCT4258868

Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordiaires, illustration by George Roux. “Maritime scene: sailor attacked by shark in the Pacific Ocean”

Roux, George (1853-1929)

Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordinary Voyages, illustration by George Roux. “From the deck of a sailboat, sailors watch a sea snake choking a whale, like a boa locks its prey in its rings.”
Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordinary Voyages, illustration by George Roux. “From the deck of a sailboat, sailors watch a sea snake choking a whale, like a boa locks its prey in its rings.”

PCT4258853: Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordinary Voyages, illustration by George Roux. “From the deck of a sailboat, sailors watch a sea snake choking a whale, like a boa locks its prey in its rings.”, Roux, George (1853-1929) / Bridgeman Images

ID: PCT4258853

Jules Verne's novel “Les histoires de Jean-Marie Cabidoulin”” (1901), Hetzel Collection/Extraordinary Voyages, illustration by George Roux. “From the deck of a sailboat, sailors watch a sea snake choking a whale, like a boa locks its prey in its rings.”

Roux, George (1853-1929)

frontispice, designed by Léon Benett, from the novel by Jules Verne “Robur le conqueror”” - Edition 1886 in the Hetzel collection/Extraordinary Voyages
frontispice, designed by Léon Benett, from the novel by Jules Verne “Robur le conqueror”” - Edition 1886 in the Hetzel collection/Extraordinary Voyages

PCT4259432: frontispice, designed by Léon Benett, from the novel by Jules Verne “Robur le conqueror”” - Edition 1886 in the Hetzel collection/Extraordinary Voyages, Benett, Leon (1839-1917) / Bridgeman Images

ID: PCT4259432

frontispice, designed by Léon Benett, from the novel by Jules Verne “Robur le conqueror”” - Edition 1886 in the Hetzel collection/Extraordinary Voyages

Benett, Leon (1839-1917)

Wall sundial late 19th century in the courtyard of a farmhouse in Languedoc.
Wall sundial late 19th century in the courtyard of a farmhouse in Languedoc.

PCT4259531: Wall sundial late 19th century in the courtyard of a farmhouse in Languedoc. / Bridgeman Images

ID: PCT4259531

Wall sundial late 19th century in the courtyard of a farmhouse in Languedoc.

Fencing figure: the fourth, second position. 1900
Fencing figure: the fourth, second position. 1900

PCT4259008: Fencing figure: the fourth, second position. 1900 / Bridgeman Images

ID: PCT4259008

Fencing figure: the fourth, second position. 1900

Family around 1900, a couple and 3 children photographed outdoors (photo)
Family around 1900, a couple and 3 children photographed outdoors (photo)

PCT4256364: Family around 1900, a couple and 3 children photographed outdoors (photo) / Bridgeman Images

ID: PCT4256364

Family around 1900, a couple and 3 children photographed outdoors (photo)

Cartoon of writer Willy and illustrator Louis Le Riverend (by himself). Frontispice of Willy's Book,
Cartoon of writer Willy and illustrator Louis Le Riverend (by himself). Frontispice of Willy's Book,

PCT4256394: Cartoon of writer Willy and illustrator Louis Le Riverend (by himself). Frontispice of Willy's Book, "Anches et embouchures" (drawing) / Bridgeman Images

ID: PCT4256394

Cartoon of writer Willy and illustrator Louis Le Riverend (by himself). Frontispice of Willy's Book, "Anches et embouchures" (drawing)

Boat trip around 1900, crossing Barcelona/Rio de Janeiro (photo)
Boat trip around 1900, crossing Barcelona/Rio de Janeiro (photo)

PCT4256494: Boat trip around 1900, crossing Barcelona/Rio de Janeiro (photo) / Bridgeman Images

ID: PCT4256494

Boat trip around 1900, crossing Barcelona/Rio de Janeiro (photo)

A man and two women photographed around 1900 at a fair, driving a fake car painted in trompe l'oeil (Rolls Royce) (photo)
A man and two women photographed around 1900 at a fair, driving a fake car painted in trompe l'oeil (Rolls Royce) (photo)

PCT4256954: A man and two women photographed around 1900 at a fair, driving a fake car painted in trompe l'oeil (Rolls Royce) (photo) / Bridgeman Images

ID: PCT4256954

A man and two women photographed around 1900 at a fair, driving a fake car painted in trompe l'oeil (Rolls Royce) (photo)

Double portrait of a colonial soldier dressed in an exotic uniform (Asian) c.1900 (b/w photo)
Double portrait of a colonial soldier dressed in an exotic uniform (Asian) c.1900 (b/w photo)

PCT4256990: Double portrait of a colonial soldier dressed in an exotic uniform (Asian) c.1900 (b/w photo) / Bridgeman Images

ID: PCT4256990

Double portrait of a colonial soldier dressed in an exotic uniform (Asian) c.1900 (b/w photo)

WWI postcard, Marechal Joseph Joffre addressing the
WWI postcard, Marechal Joseph Joffre addressing the

PCT4257052: WWI postcard, Marechal Joseph Joffre addressing the "poilus": "Soldiers! in reward for your vigilance, Victory.” (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4257052

WWI postcard, Marechal Joseph Joffre addressing the "poilus": "Soldiers! in reward for your vigilance, Victory.” (photo)

Unknown photographer, (20th century)

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo)
Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo)

PCT4257157: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo) / Bridgeman Images

ID: PCT4257157

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo)

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo)
Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo)

PCT4257207: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo) / Bridgeman Images

ID: PCT4257207

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (b/w photo)

China before 1900 - the first train crossing the walls of Beijing. (b/w photo)
China before 1900 - the first train crossing the walls of Beijing. (b/w photo)

PCT4256608: China before 1900 - the first train crossing the walls of Beijing. (b/w photo) / Bridgeman Images

ID: PCT4256608

China before 1900 - the first train crossing the walls of Beijing. (b/w photo)

Marriage of King Louis XIV and Infante Marie-Therese in 1660 at the church of Saint Jean de Luz, wax effigies of a scene reconstituted (photo)
Marriage of King Louis XIV and Infante Marie-Therese in 1660 at the church of Saint Jean de Luz, wax effigies of a scene reconstituted (photo)

PCT4256626: Marriage of King Louis XIV and Infante Marie-Therese in 1660 at the church of Saint Jean de Luz, wax effigies of a scene reconstituted (photo), Cartier, Patrice / Bridgeman Images

ID: PCT4256626

Marriage of King Louis XIV and Infante Marie-Therese in 1660 at the church of Saint Jean de Luz, wax effigies of a scene reconstituted (photo)

Cartier, Patrice

WWI postcard, Poilu in the trenches with bottles of wine, sprinkling with a loaf of bread making fun of German bread (KK bread). (photo)
WWI postcard, Poilu in the trenches with bottles of wine, sprinkling with a loaf of bread making fun of German bread (KK bread). (photo)

PCT4256851: WWI postcard, Poilu in the trenches with bottles of wine, sprinkling with a loaf of bread making fun of German bread (KK bread). (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4256851

WWI postcard, Poilu in the trenches with bottles of wine, sprinkling with a loaf of bread making fun of German bread (KK bread). (photo)

Unknown photographer, (20th century)

Cotton spinning: self-acting = automatic renvideur - engraving of “” La France industrielle”” by Bonnafoux, 1880.
Cotton spinning: self-acting = automatic renvideur - engraving of “” La France industrielle”” by Bonnafoux, 1880.

PCT4257312: Cotton spinning: self-acting = automatic renvideur - engraving of “” La France industrielle”” by Bonnafoux, 1880. / Bridgeman Images

ID: PCT4257312

Cotton spinning: self-acting = automatic renvideur - engraving of “” La France industrielle”” by Bonnafoux, 1880.

Manufacture of butter: simple baratte and Normandy baratte - engraving of “La France industrielle”” by Bonnafoux, 1880.
Manufacture of butter: simple baratte and Normandy baratte - engraving of “La France industrielle”” by Bonnafoux, 1880.

PCT4257398: Manufacture of butter: simple baratte and Normandy baratte - engraving of “La France industrielle”” by Bonnafoux, 1880. / Bridgeman Images

ID: PCT4257398

Manufacture of butter: simple baratte and Normandy baratte - engraving of “La France industrielle”” by Bonnafoux, 1880.

Printing press: steam printing press for double printing - engraving of “La France industrielle” by Bonnafoux, 1880.
Printing press: steam printing press for double printing - engraving of “La France industrielle” by Bonnafoux, 1880.

PCT4257471: Printing press: steam printing press for double printing - engraving of “La France industrielle” by Bonnafoux, 1880. / Bridgeman Images

ID: PCT4257471

Printing press: steam printing press for double printing - engraving of “La France industrielle” by Bonnafoux, 1880.


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