Wyeth, Newell Convers (1882-1945) Assets (292 in total)
Results
IL1192284: Said in a tremulous voice, "why don't you speak for yourself, John?", Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1192289: So through the Plymouth woods passed onward the bridal procession, Wyeth, Newell Convers (1882-1945) / Bridgeman Images
FLP2563316: The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
NWI4963629: Diligence driver and guard with an army crossing the western regions. Reproduction of a painting by N.C. Wyeth., Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920200: The little cockle dipped into the swell and staggered under every gust of wind, 1916 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920401: Sally Merrillee and Johnny: "I'm glad you think I'm not scared", he said. I haven't talked like this to anyone else, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1218843: The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323444: Title page design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
XMV2639914: Thanksgiving with Indians, 1940 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
XMV2653599: The Turkey Hunters, 1941 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920406: On the sea wall with John Paul Jones: For a long moment John Paul gazed out over the shipping along the harbour to the open water , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
PNP245658: Front Cover of 'The Deerslayer' by James Fennimore Cooper (1759-1851) 1929 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
EVB2942797: Third Liberty Loan Campaign during World War I. Noted artist N.C. Wyeth, stands on a scaffold with others, putting the last touches on the giant battle picture on the Sub-Treasury building. The classic Statue of George Washington is flanked by Uncle Sam and Lady Liberty. New York City. April 1918, Wyeth, Newell Convers (1882-1945) / Bridgeman Images
SEM7088523: A Trapper, c.1910-15 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323443: Front board design, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323446: The pledge, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
STC321026: When, climbing on the roof, he had with his own hand bent and run up the colors, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub. by Charles Scribner's Sons, 1911 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
CH5051847: '--and making it into a great cross, I set it up on the shore where I first...', 1920 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323445: Wallace and Marion, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920392: Inside cover design, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920396: Dr Clapton: He ventured no further remark , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920399: The Horse race: Cursing and whipping like a madman, the scarlet jockey drew up on the turn, hung knee to knee, passed him by, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
XMV2653621: The Wedding Procession, 1941 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1192283: So through the Plymouth woods John Alden went on his errand, Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1218842: The attack on the block house: The boarders swarmed over the fence like monkeys (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
CH985113: Venetian Mask, A Romance, 1937 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920202: First came the bride, a sorry sight, as pale as the winter, clinging to Sir Daniels arm, 1916 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920394: The Fraser family: He was crammed stiff and heated, into the old chaise between his parents, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920403: With Eve in London! "Well," she said as if it was the first moment of their meeting, "how have you been sir?", 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896127: Westward Ho!, cover illustration, 1920 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896188: Spring--1918, 1932 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896191: Three Fishermen, c.1934 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
