CHT231126:
'The Fight in the Forest', illustration from 'The Last of the Mohicans' by Fenimore Cooper (1789-1851), published in New York 1920 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL5323452:
Bruce on the beach, from The Scottish Chiefs published by Charles Schribner's Sons, 1930 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL1218840:
Long John Silver and Hawkins: To me he was kind and always glad to see me in the galley (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR7086759:
Mr. Scroggs lifted up his voice in a passionate prayer, 1906 (oil on canvas on hardboard), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896090:
"Oh, gentle knight," said la Belle Isolde, "full woe am I of thy departing", 1917 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
BRR5896141:
At the Cards in Cluny's Cage
But Alan and Cluny were most of the time at the cards, 1913 (oil on canvas), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920197:
In the fork like a mast headed seaman, there stood a man in a green tabard, spying far and wide, 1916 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
STC3664666:
For all the world, I was led like a dancing bear, an illustration from 'Treasure Island' by Robert Louis Stevenson, pub.by Charles Scribner's Sons, 1911 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920395:
Captain Flood: "Never had time to follow Scripteh, what with following the sea. But I respect a man what does, 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920405:
Sir Nat and the horse: Johnny watched Sir Nat rub the grey muzzle; stand back and proceed to a minute and systematic inspection , 1928 (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images
IL2920198:
Lastly a little before dawn, a spearman has come staggering to the moat side, pierced by arrows, 1916 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images