Unknown Artist, (19th century) Assets (17892 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Portrait of Wilhelm Weber (1804 - 1891) German physicist.
Portrait of Wilhelm Weber (1804 - 1891) German physicist.

XEE4113711: Portrait of Wilhelm Weber (1804 - 1891) German physicist., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Hans Christian Oerested (Oersted or Orsted, 1777-1851), Danish physicist.
Portrait of Hans Christian Oerested (Oersted or Orsted, 1777-1851), Danish physicist.

XEE4113714: Portrait of Hans Christian Oerested (Oersted or Orsted, 1777-1851), Danish physicist., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles of Habsburg, known as Archduke Charles (1771-1847), Austrian general.
Portrait of Charles of Habsburg, known as Archduke Charles (1771-1847), Austrian general.

XEE4113721: Portrait of Charles of Habsburg, known as Archduke Charles (1771-1847), Austrian general., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian poet and playwright, engraving 19th century
Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian poet and playwright, engraving 19th century

XEE4113928: Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian poet and playwright, engraving 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Saint Paul of the Cross. Engraving 19th century.
Portrait of Saint Paul of the Cross. Engraving 19th century.

XEE4113941: Portrait of Saint Paul of the Cross. Engraving 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pierre Loti (1850 - 1923)
Portrait of Pierre Loti (1850 - 1923)

XEE4113961: Portrait of Pierre Loti (1850 - 1923), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Tom Souville, Calaisian privateer (1777 - 1839) - in “” Les Contemporains””, n.d. late 19th century.
Portrait of Tom Souville, Calaisian privateer (1777 - 1839) - in “” Les Contemporains””, n.d. late 19th century.

XEE4114171: Portrait of Tom Souville, Calaisian privateer (1777 - 1839) - in “” Les Contemporains””, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Antoine Augustin Parmentier (1737 - 1813), French military pharmacist and agronomist - in “” Les Contemporains””, n.d. late 19th century.
Portrait of Antoine Augustin Parmentier (1737 - 1813), French military pharmacist and agronomist - in “” Les Contemporains””, n.d. late 19th century.

XEE4114185: Portrait of Antoine Augustin Parmentier (1737 - 1813), French military pharmacist and agronomist - in “” Les Contemporains””, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Machine for making continuous paper. 19th century engraving.
Machine for making continuous paper. 19th century engraving.

XEE4114232: Machine for making continuous paper. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

La Mode du 26 juillet 1834: (masculine fashion) sheet suit - trousers casimir - Redingote with velvet collar - vest of piqué - trousers taupe skin and top hat.
La Mode du 26 juillet 1834: (masculine fashion) sheet suit - trousers casimir - Redingote with velvet collar - vest of piqué - trousers taupe skin and top hat.

XEE4114249: La Mode du 26 juillet 1834: (masculine fashion) sheet suit - trousers casimir - Redingote with velvet collar - vest of piqué - trousers taupe skin and top hat., Unknown Artist, (19th century) / Bridgeman Images

Portrait of William Ewart Gladstone, John Bright, Lord Stanley, John Stuart Mill and Benjamin Disraeli - in “” The Contemporains”, n.d. late 19th century.
Portrait of William Ewart Gladstone, John Bright, Lord Stanley, John Stuart Mill and Benjamin Disraeli - in “” The Contemporains”, n.d. late 19th century.

XEE4114273: Portrait of William Ewart Gladstone, John Bright, Lord Stanley, John Stuart Mill and Benjamin Disraeli - in “” The Contemporains”, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Rouget de lisle ((Rouget de L'isle, 1760-1836) singing the “” Marseillaise”” at Dietrich - in “” Les Contemporains””, n.d. late 19th century.
Rouget de lisle ((Rouget de L'isle, 1760-1836) singing the “” Marseillaise”” at Dietrich - in “” Les Contemporains””, n.d. late 19th century.

XEE4114296: Rouget de lisle ((Rouget de L'isle, 1760-1836) singing the “” Marseillaise”” at Dietrich - in “” Les Contemporains””, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pierre Dupont, Chansonnier (1821 -1870) - in “” Les Contemporains””, n.d. late 19th century.
Portrait of Pierre Dupont, Chansonnier (1821 -1870) - in “” Les Contemporains””, n.d. late 19th century.

XEE4114300: Portrait of Pierre Dupont, Chansonnier (1821 -1870) - in “” Les Contemporains””, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jacques Francois Coquille, dit Dugommier (1739 - 1794), French general. Engraving 19th century.
Portrait of Jacques Francois Coquille, dit Dugommier (1739 - 1794), French general. Engraving 19th century.

XEE4114418: Portrait of Jacques Francois Coquille, dit Dugommier (1739 - 1794), French general. Engraving 19th century., Unknown Artist, (19th century) / Bridgeman Images

Death of Dugommier - Black Mountain fight against the Spaniards.
Death of Dugommier - Black Mountain fight against the Spaniards.

XEE4114462: Death of Dugommier - Black Mountain fight against the Spaniards., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Guglielmo Pepe (1783 - 1855),
Portrait of Guglielmo Pepe (1783 - 1855),

XEE4114609: Portrait of Guglielmo Pepe (1783 - 1855),, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alexander Von Humboldt (Alexander of Humboldt, 1769-1859), German naturalist and traveler.
Portrait of Alexander Von Humboldt (Alexander of Humboldt, 1769-1859), German naturalist and traveler.

XEE4114661: Portrait of Alexander Von Humboldt (Alexander of Humboldt, 1769-1859), German naturalist and traveler., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jules Barthelemy Saint - Hilaire(engraving)
Portrait of Jules Barthelemy Saint - Hilaire(engraving)

XEE4114938: Portrait of Jules Barthelemy Saint - Hilaire(engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of General Pourcet. 19th century engraving.
Portrait of General Pourcet. 19th century engraving.

XEE4117780: Portrait of General Pourcet. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Uniforms of the Russian cavalry, allied of France, on horseback from left to right: Cossack of the Guard Regiment, the battleships regiment of the Guard, officer of the Urals Cossacks, and officer of the Emperor's Cossacks. In the foreground, standing, from left to right: dragon of the guard, Uhlan of the guard, circassian of the escort of the emperor's guard, gendarmerie officer, non-officer of the guard hussars, soldier of the horse guards and grenadier of the guard. Engraving in “” Le petit journal”” 9/04/1892. Selva's collection.
Uniforms of the Russian cavalry, allied of France, on horseback from left to right: Cossack of the Guard Regiment, the battleships regiment of the Guard, officer of the Urals Cossacks, and officer of the Emperor's Cossacks. In the foreground, standing, from left to right: dragon of the guard, Uhlan of the guard, circassian of the escort of the emperor's guard, gendarmerie officer, non-officer of the guard hussars, soldier of the horse guards and grenadier of the guard. Engraving in “” Le petit journal”” 9/04/1892. Selva's collection.

LSE4323616: Uniforms of the Russian cavalry, allied of France, on horseback from left to right: Cossack of the Guard Regiment, the battleships regiment of the Guard, officer of the Urals Cossacks, and officer of the Emperor's Cossacks. In the foreground, standing, from left to right: dragon of the guard, Uhlan of the guard, circassian of the escort of the emperor's guard, gendarmerie officer, non-officer of the guard hussars, soldier of the horse guards and grenadier of the guard. Engraving in “” Le petit journal”” 9/04/1892. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Eugene Turpin (1848-1927) chemist, inventor in 1884 of melinite (an explosive), in his cell, accused (wrongly) of having sold his invention to the enemy. He inspires Jules Verne for the character of Thomas Roch in the novel “Face au drapeau””. Engraving in “” Le petit journal”” 21/01/1893. Selva's collection.
Eugene Turpin (1848-1927) chemist, inventor in 1884 of melinite (an explosive), in his cell, accused (wrongly) of having sold his invention to the enemy. He inspires Jules Verne for the character of Thomas Roch in the novel “Face au drapeau””. Engraving in “” Le petit journal”” 21/01/1893. Selva's collection.

LSE4323700: Eugene Turpin (1848-1927) chemist, inventor in 1884 of melinite (an explosive), in his cell, accused (wrongly) of having sold his invention to the enemy. He inspires Jules Verne for the character of Thomas Roch in the novel “Face au drapeau””. Engraving in “” Le petit journal”” 21/01/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The triple alliance between Germany, Austria Hungary and Italy, accused by France of treason since Prince Victor (1862-1926) visited William II (1859-1941), Emperor of the Germans, the prince is called the grandson of Corporal of the Zouaves, because his grandfather Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), allie a Napoleon III (1808-1873) against Austria, had received in Palestro the stripes of corporal of the Zouaves. Engraving in “” Le petit journal”” 18/09/1893. Selva's collection.
The triple alliance between Germany, Austria Hungary and Italy, accused by France of treason since Prince Victor (1862-1926) visited William II (1859-1941), Emperor of the Germans, the prince is called the grandson of Corporal of the Zouaves, because his grandfather Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), allie a Napoleon III (1808-1873) against Austria, had received in Palestro the stripes of corporal of the Zouaves. Engraving in “” Le petit journal”” 18/09/1893. Selva's collection.

LSE4323817: The triple alliance between Germany, Austria Hungary and Italy, accused by France of treason since Prince Victor (1862-1926) visited William II (1859-1941), Emperor of the Germans, the prince is called the grandson of Corporal of the Zouaves, because his grandfather Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), allie a Napoleon III (1808-1873) against Austria, had received in Palestro the stripes of corporal of the Zouaves. Engraving in “” Le petit journal”” 18/09/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The accommodation ticket, provided by the army to its soldiers in the field in order to request accommodation from civilians. Engraving in “” Le petit journal”” 23/09/1893. Selva's collection.
The accommodation ticket, provided by the army to its soldiers in the field in order to request accommodation from civilians. Engraving in “” Le petit journal”” 23/09/1893. Selva's collection.

LSE4323825: The accommodation ticket, provided by the army to its soldiers in the field in order to request accommodation from civilians. Engraving in “” Le petit journal”” 23/09/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles Gounod (1818-1893), a French composer, reputed for his operas (Faust in 1859, Romeo and Juliette in 1867), he also composed symphonies and numerous melodies for the poems of Alfred de Musset (1810-1857) and Victor Hugo (1802-1885). Engraving in “” Le petit journal”” 28/10/1893. Selva's collection.
Portrait of Charles Gounod (1818-1893), a French composer, reputed for his operas (Faust in 1859, Romeo and Juliette in 1867), he also composed symphonies and numerous melodies for the poems of Alfred de Musset (1810-1857) and Victor Hugo (1802-1885). Engraving in “” Le petit journal”” 28/10/1893. Selva's collection.

LSE4323836: Portrait of Charles Gounod (1818-1893), a French composer, reputed for his operas (Faust in 1859, Romeo and Juliette in 1867), he also composed symphonies and numerous melodies for the poems of Alfred de Musset (1810-1857) and Victor Hugo (1802-1885). Engraving in “” Le petit journal”” 28/10/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Expulsion and element of the barracks set up on the military zone at the Gentilly gate. Illustration in “” Le petit journal”” 23/06/1895.
Expulsion and element of the barracks set up on the military zone at the Gentilly gate. Illustration in “” Le petit journal”” 23/06/1895.

LSE4324086: Expulsion and element of the barracks set up on the military zone at the Gentilly gate. Illustration in “” Le petit journal”” 23/06/1895., Unknown Artist, (19th century) / Bridgeman Images

The president of the republic, Felix Faure (1841-1899), visits the troops in Langres during the great manoeuvres and tradition for all visitors, he tastes the soup of the soldier. Engraving in “” Le petit journal”” 22/09/1895. Selva's collection.
The president of the republic, Felix Faure (1841-1899), visits the troops in Langres during the great manoeuvres and tradition for all visitors, he tastes the soup of the soldier. Engraving in “” Le petit journal”” 22/09/1895. Selva's collection.

LSE4324107: The president of the republic, Felix Faure (1841-1899), visits the troops in Langres during the great manoeuvres and tradition for all visitors, he tastes the soup of the soldier. Engraving in “” Le petit journal”” 22/09/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.
Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.

LSE4324165: Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection.
Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection.

LSE4324274: Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325143: The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325482: The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

P.Marcoy on a hokoumada, (boat in the shape of a basket, made of a dry beef skin), pushed by a swimmer, to cross the Goanta (Perou River). Drawing by Emile Bayard (1837-1891), to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
P.Marcoy on a hokoumada, (boat in the shape of a basket, made of a dry beef skin), pushed by a swimmer, to cross the Goanta (Perou River). Drawing by Emile Bayard (1837-1891), to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325617: P.Marcoy on a hokoumada, (boat in the shape of a basket, made of a dry beef skin), pushed by a swimmer, to cross the Goanta (Perou River). Drawing by Emile Bayard (1837-1891), to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Musicians playing marimba (a blend of balafon and precolombian instruments) on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Musicians playing marimba (a blend of balafon and precolombian instruments) on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325704: Musicians playing marimba (a blend of balafon and precolombian instruments) on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Blacksmiths in Simiango, on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Blacksmiths in Simiango, on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325730: Blacksmiths in Simiango, on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325830: A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The arrival of miners in a Caribou inn (Canada), scenes of relaxation and reunion, over a drink. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The arrival of miners in a Caribou inn (Canada), scenes of relaxation and reunion, over a drink. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325979: The arrival of miners in a Caribou inn (Canada), scenes of relaxation and reunion, over a drink. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Small saltibanks performing acrobatic numbers in music in the streets of Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Small saltibanks performing acrobatic numbers in music in the streets of Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326190: Small saltibanks performing acrobatic numbers in music in the streets of Yedo (or Edo, imperial capital, present-day Tokyo). Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images


Back to top