Unknown Artist, (19th century) Assets (17892 in total)

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Jean Mairet (1604-1686), French drama writer.
Jean Mairet (1604-1686), French drama writer.

XEE4413747: Jean Mairet (1604-1686), French drama writer., Unknown Artist, (19th century) / Bridgeman Images

Hugues Capet (941-996), King of France, founder of the Capetian dynasty. Engraving of the 19th century.
Hugues Capet (941-996), King of France, founder of the Capetian dynasty. Engraving of the 19th century.

XEE4413838: Hugues Capet (941-996), King of France, founder of the Capetian dynasty. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Philip II (1165-1223), King Capetian, known as Augustus. (Philip Augustus).
Philip II (1165-1223), King Capetian, known as Augustus. (Philip Augustus).

XEE4413851: Philip II (1165-1223), King Capetian, known as Augustus. (Philip Augustus)., Unknown Artist, (19th century) / Bridgeman Images

portrait of Friedrich von Raumer. 19th century German historian.
portrait of Friedrich von Raumer. 19th century German historian.

XEE4413860: portrait of Friedrich von Raumer. 19th century German historian., Unknown Artist, (19th century) / Bridgeman Images

Illustration of “La Vendetta”, novel by Honore de Balzac (1799-1850).
Illustration of “La Vendetta”, novel by Honore de Balzac (1799-1850).

XEE4156564: Illustration of “La Vendetta”, novel by Honore de Balzac (1799-1850)., Unknown Artist, (19th century) / Bridgeman Images

Experience of mechanical minting by Nicolas Briot (Engraveur du Royaume de France) (1579-1646) in 1616. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Experience of mechanical minting by Nicolas Briot (Engraveur du Royaume de France) (1579-1646) in 1616. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143558: Experience of mechanical minting by Nicolas Briot (Engraveur du Royaume de France) (1579-1646) in 1616. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Two peasants from the Sierra Almagrera in Spain discovered the Jaroso silver deposit in 1838. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Two peasants from the Sierra Almagrera in Spain discovered the Jaroso silver deposit in 1838. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143632: Two peasants from the Sierra Almagrera in Spain discovered the Jaroso silver deposit in 1838. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The Plantation of a Liberty Tree during the Revolution (Liberty pole) - Plantation of a Liberty Tree (poplar) in France. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Plantation of a Liberty Tree during the Revolution (Liberty pole) - Plantation of a Liberty Tree (poplar) in France. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143657: The Plantation of a Liberty Tree during the Revolution (Liberty pole) - Plantation of a Liberty Tree (poplar) in France. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of lapidary: engraving of camee shell (camee-shell). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of lapidary: engraving of camee shell (camee-shell). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143725: The art of lapidary: engraving of camee shell (camee-shell). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: destruction of the “Henri II” factory during the looting of the castle of Oiron (Deux Sevres) in 1568 during the League. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: destruction of the “Henri II” factory during the looting of the castle of Oiron (Deux Sevres) in 1568 during the League. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143744: Pottery: destruction of the “Henri II” factory during the looting of the castle of Oiron (Deux Sevres) in 1568 during the League. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: mechanical molding of hollow parts. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: mechanical molding of hollow parts. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143752: Pottery: mechanical molding of hollow parts. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Maruf in the cave: Tale of Ma'ruf (Maruf) the saver “The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf in the cave: Tale of Ma'ruf (Maruf) the saver “The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143805: Maruf in the cave: Tale of Ma'ruf (Maruf) the saver “The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Guillaume Tell (William Tell) (legendary heros of the Swiss independence) escapes from Gessler's boat. Chromolithography of the late 19th century.
Guillaume Tell (William Tell) (legendary heros of the Swiss independence) escapes from Gessler's boat. Chromolithography of the late 19th century.

XEE4143820: Guillaume Tell (William Tell) (legendary heros of the Swiss independence) escapes from Gessler's boat. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Lunch on the terrace of the dome of the Cathedral of Milan (Il Duomo). Italy, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Lunch on the terrace of the dome of the Cathedral of Milan (Il Duomo). Italy, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143828: Lunch on the terrace of the dome of the Cathedral of Milan (Il Duomo). Italy, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., Unknown Artist, (19th century) / Bridgeman Images

The leak. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits””” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The leak. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits””” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143842: The leak. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits””” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The enchanted apple. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.
The enchanted apple. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

XEE4143955: The enchanted apple. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Carnival of Rome based on a drawing by Gierdziejewski in 1858.
Carnival of Rome based on a drawing by Gierdziejewski in 1858.

XEE4404839: Carnival of Rome based on a drawing by Gierdziejewski in 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Abbe Terray (Terray) French statesman, Controller General of Finance (1715-1778).
Portrait of Abbe Terray (Terray) French statesman, Controller General of Finance (1715-1778).

XEE4404896: Portrait of Abbe Terray (Terray) French statesman, Controller General of Finance (1715-1778)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Catherine II (1729-1796), Imperator of Russia.
Portrait of Catherine II (1729-1796), Imperator of Russia.

XEE4404967: Portrait of Catherine II (1729-1796), Imperator of Russia., Unknown Artist, (19th century) / Bridgeman Images

John Le Rond d'Alembert (1717 - 1783) received in Berlin by Frederick II the Great (1712-1786), King of Prussia. Barcelona 1881.
John Le Rond d'Alembert (1717 - 1783) received in Berlin by Frederick II the Great (1712-1786), King of Prussia. Barcelona 1881.

XEE4405062: John Le Rond d'Alembert (1717 - 1783) received in Berlin by Frederick II the Great (1712-1786), King of Prussia. Barcelona 1881., Unknown Artist, (19th century) / Bridgeman Images

Claude Ptolemy (v. 90 - v. 168), Greek astronomer, mathematician and geographer. Engraving of the 19th century.
Claude Ptolemy (v. 90 - v. 168), Greek astronomer, mathematician and geographer. Engraving of the 19th century.

XEE4405105: Claude Ptolemy (v. 90 - v. 168), Greek astronomer, mathematician and geographer. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The entry of the French army into Algiers on July 5, 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
The entry of the French army into Algiers on July 5, 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405151: The entry of the French army into Algiers on July 5, 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Johann Wolfgang Von Goethe (1749 - 1832).
Portrait of Johann Wolfgang Von Goethe (1749 - 1832).

XEE4405468: Portrait of Johann Wolfgang Von Goethe (1749 - 1832)., Unknown Artist, (19th century) / Bridgeman Images

Arrival of Frederique V from the Palatinate (1596-1632) in the port of Gravesend to marry Princess Elisabeth of England (1596-1662), daughter of King James I (1566-1625) on 16 October 1612. He was welcomed by James Hay (1st Earl of Carlisle) (circa 1580-1636). Engraving In “” The illustrated London News”” of 23 January 1858.
Arrival of Frederique V from the Palatinate (1596-1632) in the port of Gravesend to marry Princess Elisabeth of England (1596-1662), daughter of King James I (1566-1625) on 16 October 1612. He was welcomed by James Hay (1st Earl of Carlisle) (circa 1580-1636). Engraving In “” The illustrated London News”” of 23 January 1858.

XEE4143982: Arrival of Frederique V from the Palatinate (1596-1632) in the port of Gravesend to marry Princess Elisabeth of England (1596-1662), daughter of King James I (1566-1625) on 16 October 1612. He was welcomed by James Hay (1st Earl of Carlisle) (circa 1580-1636). Engraving In “” The illustrated London News”” of 23 January 1858., Unknown Artist, (19th century) / Bridgeman Images

Telegraphy: The transatlantic cable produced at the Glass factory, Elliot and Company in East Greenwich (England) is ready to be delivered. Engraving In “” The Illustrated London News”” of March 14, 1857.
Telegraphy: The transatlantic cable produced at the Glass factory, Elliot and Company in East Greenwich (England) is ready to be delivered. Engraving In “” The Illustrated London News”” of March 14, 1857.

XEE4144035: Telegraphy: The transatlantic cable produced at the Glass factory, Elliot and Company in East Greenwich (England) is ready to be delivered. Engraving In “” The Illustrated London News”” of March 14, 1857., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Funchal on the island of Madere (Madeira) in Portugal. Engraving In “” The Illustrated London News”” of February 29, 1857.
View of the city of Funchal on the island of Madere (Madeira) in Portugal. Engraving In “” The Illustrated London News”” of February 29, 1857.

XEE4144052: View of the city of Funchal on the island of Madere (Madeira) in Portugal. Engraving In “” The Illustrated London News”” of February 29, 1857., Unknown Artist, (19th century) / Bridgeman Images

Journey of Napoleon III (1808-1883) and the Impress Eugenie de Montijo (1826-1920) to Rouen: distribution of awards at the agricultural competition. Engraving in “” L'Univers illustrious””, 1868.
Journey of Napoleon III (1808-1883) and the Impress Eugenie de Montijo (1826-1920) to Rouen: distribution of awards at the agricultural competition. Engraving in “” L'Univers illustrious””, 1868.

XEE4144183: Journey of Napoleon III (1808-1883) and the Impress Eugenie de Montijo (1826-1920) to Rouen: distribution of awards at the agricultural competition. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

The painter Michelangelo Buonarroti called Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) working on a scaffolding in the vault of the Sistine Chapel (1508-1512), Pope Julius II came to control the progress of the works. Engraving of the 19th century.
The painter Michelangelo Buonarroti called Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) working on a scaffolding in the vault of the Sistine Chapel (1508-1512), Pope Julius II came to control the progress of the works. Engraving of the 19th century.

XEE4406438: The painter Michelangelo Buonarroti called Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) working on a scaffolding in the vault of the Sistine Chapel (1508-1512), Pope Julius II came to control the progress of the works. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

On the eve of the Battle of Vouille (507) Clovis I finds, following a doe, a gue on the Vienna revealed by lilies. He bears the flower as a pledge of victory then takes it as its emblem. Engraving in “” Histoire De France En Cent Paintings”” by Paul Lehugeur 1891
On the eve of the Battle of Vouille (507) Clovis I finds, following a doe, a gue on the Vienna revealed by lilies. He bears the flower as a pledge of victory then takes it as its emblem. Engraving in “” Histoire De France En Cent Paintings”” by Paul Lehugeur 1891

XEE4147624: On the eve of the Battle of Vouille (507) Clovis I finds, following a doe, a gue on the Vienna revealed by lilies. He bears the flower as a pledge of victory then takes it as its emblem. Engraving in “” Histoire De France En Cent Paintings”” by Paul Lehugeur 1891, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nathalie (Natalaie) Dolgoruki (1714-1771) daughter of Boris Petrovich Cheremetiev - Engraving of 1862 in “” The Queens of the World”” by our first writers, Book published under the direction of Jean Germain Desire ARMENGAUD
Portrait of Nathalie (Natalaie) Dolgoruki (1714-1771) daughter of Boris Petrovich Cheremetiev - Engraving of 1862 in “” The Queens of the World”” by our first writers, Book published under the direction of Jean Germain Desire ARMENGAUD

XEE4147698: Portrait of Nathalie (Natalaie) Dolgoruki (1714-1771) daughter of Boris Petrovich Cheremetiev - Engraving of 1862 in “” The Queens of the World”” by our first writers, Book published under the direction of Jean Germain Desire ARMENGAUD, Unknown Artist, (19th century) / Bridgeman Images

The apple walk on the Quay of the City Hall in Paris in 1883
The apple walk on the Quay of the City Hall in Paris in 1883

XEE4147903: The apple walk on the Quay of the City Hall in Paris in 1883, Unknown Artist, (19th century) / Bridgeman Images

Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the theatre
Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the theatre

XEE4147912: Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the theatre, Unknown Artist, (19th century) / Bridgeman Images

Entry of the police prefecture by rue de Jerusalem at the corner of Quai des Orfevres in Paris in the 19th century before 1871 - Engraving in “Tableau-de-Paris” by Edmond Texier 1852.
Entry of the police prefecture by rue de Jerusalem at the corner of Quai des Orfevres in Paris in the 19th century before 1871 - Engraving in “Tableau-de-Paris” by Edmond Texier 1852.

XEE4148567: Entry of the police prefecture by rue de Jerusalem at the corner of Quai des Orfevres in Paris in the 19th century before 1871 - Engraving in “Tableau-de-Paris” by Edmond Texier 1852., Unknown Artist, (19th century) / Bridgeman Images

Paris, Convent of the Jesuites (now Charlemagne College): Pere Michel Le Tellier (1643-1719), Jesuit confessor of the King of France Louis XIV. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
Paris, Convent of the Jesuites (now Charlemagne College): Pere Michel Le Tellier (1643-1719), Jesuit confessor of the King of France Louis XIV. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407493: Paris, Convent of the Jesuites (now Charlemagne College): Pere Michel Le Tellier (1643-1719), Jesuit confessor of the King of France Louis XIV. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

The King of France Henry III (1551-1589) being read. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
The King of France Henry III (1551-1589) being read. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407509: The King of France Henry III (1551-1589) being read. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Philip II (1527-1598), King of Spain.
Portrait of Philip II (1527-1598), King of Spain.

XEE4407587: Portrait of Philip II (1527-1598), King of Spain., Unknown Artist, (19th century) / Bridgeman Images


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