Unknown Artist, (19th century) Assets (17745 in total)

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The Armee of Siam (Thailand). Engraving in “” Le petit journal”” 29/07/1893. Collection by Selva.
The Armee of Siam (Thailand). Engraving in “” Le petit journal”” 29/07/1893. Collection by Selva.

LSE4323806: The Armee of Siam (Thailand). Engraving in “” Le petit journal”” 29/07/1893. Collection by Selva., Unknown Artist, (19th century) / Bridgeman Images

The accommodation ticket, provided by the army to its soldiers in the field in order to request accommodation from civilians. Engraving in “” Le petit journal”” 23/09/1893. Selva's collection.
The accommodation ticket, provided by the army to its soldiers in the field in order to request accommodation from civilians. Engraving in “” Le petit journal”” 23/09/1893. Selva's collection.

LSE4323825: The accommodation ticket, provided by the army to its soldiers in the field in order to request accommodation from civilians. Engraving in “” Le petit journal”” 23/09/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Map of Korea, Japan and East China. Engraving in “” Le petit journal”” 3/09/1894. Selva's collection.
Map of Korea, Japan and East China. Engraving in “” Le petit journal”” 3/09/1894. Selva's collection.

LSE4323948: Map of Korea, Japan and East China. Engraving in “” Le petit journal”” 3/09/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alphonse Chodron de Courcel (1835-1919), French politician, diplomatic career, in Germany (1881-1886) and the United Kingdom (1894-1898), president of the board of directors of the Paris Orleans railways and member of the academy of moral and political sciences. Engraving in “” Le petit journal”” 22/10/1894. Selva's collection.
Portrait of Alphonse Chodron de Courcel (1835-1919), French politician, diplomatic career, in Germany (1881-1886) and the United Kingdom (1894-1898), president of the board of directors of the Paris Orleans railways and member of the academy of moral and political sciences. Engraving in “” Le petit journal”” 22/10/1894. Selva's collection.

LSE4323969: Portrait of Alphonse Chodron de Courcel (1835-1919), French politician, diplomatic career, in Germany (1881-1886) and the United Kingdom (1894-1898), president of the board of directors of the Paris Orleans railways and member of the academy of moral and political sciences. Engraving in “” Le petit journal”” 22/10/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

A meal at the Turkomans (Iraq). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
A meal at the Turkomans (Iraq). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325544: A meal at the Turkomans (Iraq). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Blacksmith manganjas (ethnic group of the Zambeze region). Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Blacksmith manganjas (ethnic group of the Zambeze region). Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325715: Blacksmith manganjas (ethnic group of the Zambeze region). Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.
Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.

LSE4324165: Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection.
The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection.

LSE4324260: The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325949: The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A dormitory in an inn in Japan. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A dormitory in an inn in Japan. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325997: A dormitory in an inn in Japan. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Arab bedouins, panthere skins and sheep wool merchants, en route to the march of Baghdad (Iraq). Engravure pour illustrrer le voyage dans la Babylon, en 1866, by Guillaume Lejean, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Arab bedouins, panthere skins and sheep wool merchants, en route to the march of Baghdad (Iraq). Engravure pour illustrrer le voyage dans la Babylon, en 1866, by Guillaume Lejean, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326251: Arab bedouins, panthere skins and sheep wool merchants, en route to the march of Baghdad (Iraq). Engravure pour illustrrer le voyage dans la Babylon, en 1866, by Guillaume Lejean, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A walking frying merchant, carries his donuts on baskets, and travels to the market to sell, to the other merchants, lunch. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.
A walking frying merchant, carries his donuts on baskets, and travels to the market to sell, to the other merchants, lunch. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

LSE4326372: A walking frying merchant, carries his donuts on baskets, and travels to the market to sell, to the other merchants, lunch. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Blacksmiths in Simiango, on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Blacksmiths in Simiango, on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325730: Blacksmiths in Simiango, on the banks of the Zambese River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325864: Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

General view of the palace and gardens of Fontainebleau, taken from the floor. Engraving to illustrate a description of the castle and forest of Fontainebleau, in 1867, by M.Pays, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
General view of the palace and gardens of Fontainebleau, taken from the floor. Engraving to illustrate a description of the castle and forest of Fontainebleau, in 1867, by M.Pays, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326230: General view of the palace and gardens of Fontainebleau, taken from the floor. Engraving to illustrate a description of the castle and forest of Fontainebleau, in 1867, by M.Pays, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Dervishes Nakhisbendi, a Persian Bokhara, Iran). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Dervishes Nakhisbendi, a Persian Bokhara, Iran). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325553: Dervishes Nakhisbendi, a Persian Bokhara, Iran). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Eskimal hunters spying on a seal through a hollow hole in the ice pack, waiting at the tomb of the night to harpoon it. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
Eskimal hunters spying on a seal through a hollow hole in the ice pack, waiting at the tomb of the night to harpoon it. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328119: Eskimal hunters spying on a seal through a hollow hole in the ice pack, waiting at the tomb of the night to harpoon it. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The railway has Omaha Station (Nebraska), the starting point of the lines leading to the Pacific. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
The railway has Omaha Station (Nebraska), the starting point of the lines leading to the Pacific. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328160: The railway has Omaha Station (Nebraska), the starting point of the lines leading to the Pacific. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Joseph the Patriarch, named Vizir of Egypt, is recognized by his brothers who made him believe in his death ask for forgiveness. Anonymous engraving of the 19th century.
Joseph the Patriarch, named Vizir of Egypt, is recognized by his brothers who made him believe in his death ask for forgiveness. Anonymous engraving of the 19th century.

XEE4415071: Joseph the Patriarch, named Vizir of Egypt, is recognized by his brothers who made him believe in his death ask for forgiveness. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Tobie's departure accompanied by the angel (his parents greet him, including Tobit, his father). Anonymous engraving from the middle of the 19th century.
Tobie's departure accompanied by the angel (his parents greet him, including Tobit, his father). Anonymous engraving from the middle of the 19th century.

XEE4415081: Tobie's departure accompanied by the angel (his parents greet him, including Tobit, his father). Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The death of Absalom (or Avshalom, Absalon). After the defeat against his father's troops, Absalon remained suspended by the branches of a tree fleeing the battlefield. Jaob plants three spies in the young man's heart. Anonymous engraving from the middle of the 19th century.
The death of Absalom (or Avshalom, Absalon). After the defeat against his father's troops, Absalon remained suspended by the branches of a tree fleeing the battlefield. Jaob plants three spies in the young man's heart. Anonymous engraving from the middle of the 19th century.

XEE4415097: The death of Absalom (or Avshalom, Absalon). After the defeat against his father's troops, Absalon remained suspended by the branches of a tree fleeing the battlefield. Jaob plants three spies in the young man's heart. Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The coronation of Esther: Persian king Assuerus 1st (Xerxes 1st) crowns his wife Esther. Anonymous engraving of the 19th century.
The coronation of Esther: Persian king Assuerus 1st (Xerxes 1st) crowns his wife Esther. Anonymous engraving of the 19th century.

XEE4415148: The coronation of Esther: Persian king Assuerus 1st (Xerxes 1st) crowns his wife Esther. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

portrait of Friedrich Daniel Ernst Schleiermacher.1768 - 1834.Protestant theologian and German philosopher.
portrait of Friedrich Daniel Ernst Schleiermacher.1768 - 1834.Protestant theologian and German philosopher.

XEE4415253: portrait of Friedrich Daniel Ernst Schleiermacher.1768 - 1834.Protestant theologian and German philosopher., Unknown Artist, (19th century) / Bridgeman Images

Battle of Rouvray - Saint-Denis or herring day. Battle lost by the French before the English at the court of the siege of Orléans. 12 February 1429. The French attacked a convoy to supply dried herring. Engraving of the 19th century.
Battle of Rouvray - Saint-Denis or herring day. Battle lost by the French before the English at the court of the siege of Orléans. 12 February 1429. The French attacked a convoy to supply dried herring. Engraving of the 19th century.

XEE4415300: Battle of Rouvray - Saint-Denis or herring day. Battle lost by the French before the English at the court of the siege of Orléans. 12 February 1429. The French attacked a convoy to supply dried herring. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The French went to Bordeaux on 23 June 1451 under Charles VII, the end of the reconquest against the English. Engraving of the 19th century.
The French went to Bordeaux on 23 June 1451 under Charles VII, the end of the reconquest against the English. Engraving of the 19th century.

XEE4415324: The French went to Bordeaux on 23 June 1451 under Charles VII, the end of the reconquest against the English. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Louis XI pursued by an English ship on the Garonne (1453).
Louis XI pursued by an English ship on the Garonne (1453).

XEE4415346: Louis XI pursued by an English ship on the Garonne (1453)., Unknown Artist, (19th century) / Bridgeman Images

The Duke of Orleans playing the game of palms at the Halles in Paris.
The Duke of Orleans playing the game of palms at the Halles in Paris.

XEE4415380: The Duke of Orleans playing the game of palms at the Halles in Paris., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis XII (1462-1515), King of France.
Portrait of Louis XII (1462-1515), King of France.

XEE4415391: Portrait of Louis XII (1462-1515), King of France., Unknown Artist, (19th century) / Bridgeman Images

Robert of the Mark of Landsknechts, takes away his son's body from the Swiss. Engraving of the 19th century.
Robert of the Mark of Landsknechts, takes away his son's body from the Swiss. Engraving of the 19th century.

XEE4415404: Robert of the Mark of Landsknechts, takes away his son's body from the Swiss. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The bottling of Champagne wine. Engraving from 1864.
The bottling of Champagne wine. Engraving from 1864.

XEE4415660: The bottling of Champagne wine. Engraving from 1864., Unknown Artist, (19th century) / Bridgeman Images

Life under the management board: romance in fashion. Chromo Liebig from the end of the 19th century.
Life under the management board: romance in fashion. Chromo Liebig from the end of the 19th century.

XEE4414512: Life under the management board: romance in fashion. Chromo Liebig from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Wood transport by sleds, Sweden. Chromolithography, Liebig image.
Wood transport by sleds, Sweden. Chromolithography, Liebig image.

XEE4414565: Wood transport by sleds, Sweden. Chromolithography, Liebig image., Unknown Artist, (19th century) / Bridgeman Images

Cotton cultivation: ploughing and sowing in India. Chromolithography, Liebig image.
Cotton cultivation: ploughing and sowing in India. Chromolithography, Liebig image.

XEE4414575: Cotton cultivation: ploughing and sowing in India. Chromolithography, Liebig image., Unknown Artist, (19th century) / Bridgeman Images

Histoire de l'Illuminage: Antoine Quinquet perfects the lamp invented by Aime (Ami) Argand (1755-1803), Swiss physicist., 1785. Chromolithography, Liebig image.
Histoire de l'Illuminage: Antoine Quinquet perfects the lamp invented by Aime (Ami) Argand (1755-1803), Swiss physicist., 1785. Chromolithography, Liebig image.

XEE4414586: Histoire de l'Illuminage: Antoine Quinquet perfects the lamp invented by Aime (Ami) Argand (1755-1803), Swiss physicist., 1785. Chromolithography, Liebig image., Unknown Artist, (19th century) / Bridgeman Images

Armand Emmanuel du Plessis (1766-1822), Duke of Richelieu, French politician.
Armand Emmanuel du Plessis (1766-1822), Duke of Richelieu, French politician.

XEE4414663: Armand Emmanuel du Plessis (1766-1822), Duke of Richelieu, French politician., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Bologna in Italy in 1860.
View of the city of Bologna in Italy in 1860.

XEE4414696: View of the city of Bologna in Italy in 1860., Unknown Artist, (19th century) / Bridgeman Images


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